Author: Elaine Treharne
Publisher: OUP Oxford
ISBN: 0191613592
Category : Literary Criticism
Languages : en
Pages : 982
Book Description
The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the previous generation. 'New' texts (laws and penitentials, women's writing, drama records), innovative fields and objects of study (the history of the book, the study of space and the body, medieval masculinities), and original ways of studying them (the Sociology of the Text, performance studies) have emerged. This has brought fresh vigour and impetus to medieval studies, and impacted significantly on cognate periods and areas. The Oxford Handbook of Medieval Literature in English brings together the insights of these new fields and approaches with those of more familiar texts and methods of study, to provide a comprehensive overview of the state of medieval literature today. It also returns to first principles in posing fundamental questions about the nature, scope, and significance of the discipline, and the directions that it might take in the next decade. The Handbook contains 44 newly commissioned essays from both world-leading scholars and exciting new scholarly voices. Topics covered range from the canonical genres of Saints' lives, sermons, romance, lyric poetry, and heroic poetry; major themes including monstrosity and marginality, patronage and literary politics, manuscript studies and vernacularity are investigated; and there are close readings of key texts, such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and key authors from Ælfric to Geoffrey Chaucer, Langland, and the Gawain Poet.
The Oxford Handbook of Medieval Literature in English
Author: Elaine Treharne
Publisher: OUP Oxford
ISBN: 0191613592
Category : Literary Criticism
Languages : en
Pages : 982
Book Description
The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the previous generation. 'New' texts (laws and penitentials, women's writing, drama records), innovative fields and objects of study (the history of the book, the study of space and the body, medieval masculinities), and original ways of studying them (the Sociology of the Text, performance studies) have emerged. This has brought fresh vigour and impetus to medieval studies, and impacted significantly on cognate periods and areas. The Oxford Handbook of Medieval Literature in English brings together the insights of these new fields and approaches with those of more familiar texts and methods of study, to provide a comprehensive overview of the state of medieval literature today. It also returns to first principles in posing fundamental questions about the nature, scope, and significance of the discipline, and the directions that it might take in the next decade. The Handbook contains 44 newly commissioned essays from both world-leading scholars and exciting new scholarly voices. Topics covered range from the canonical genres of Saints' lives, sermons, romance, lyric poetry, and heroic poetry; major themes including monstrosity and marginality, patronage and literary politics, manuscript studies and vernacularity are investigated; and there are close readings of key texts, such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and key authors from Ælfric to Geoffrey Chaucer, Langland, and the Gawain Poet.
Publisher: OUP Oxford
ISBN: 0191613592
Category : Literary Criticism
Languages : en
Pages : 982
Book Description
The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the previous generation. 'New' texts (laws and penitentials, women's writing, drama records), innovative fields and objects of study (the history of the book, the study of space and the body, medieval masculinities), and original ways of studying them (the Sociology of the Text, performance studies) have emerged. This has brought fresh vigour and impetus to medieval studies, and impacted significantly on cognate periods and areas. The Oxford Handbook of Medieval Literature in English brings together the insights of these new fields and approaches with those of more familiar texts and methods of study, to provide a comprehensive overview of the state of medieval literature today. It also returns to first principles in posing fundamental questions about the nature, scope, and significance of the discipline, and the directions that it might take in the next decade. The Handbook contains 44 newly commissioned essays from both world-leading scholars and exciting new scholarly voices. Topics covered range from the canonical genres of Saints' lives, sermons, romance, lyric poetry, and heroic poetry; major themes including monstrosity and marginality, patronage and literary politics, manuscript studies and vernacularity are investigated; and there are close readings of key texts, such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and key authors from Ælfric to Geoffrey Chaucer, Langland, and the Gawain Poet.
Greek Mythology in Byzantine Art
Author: Kurt Weitzmann
Publisher: Princeton University Press
ISBN: 1400857422
Category : Art
Languages : en
Pages : 299
Book Description
Kurt Weitzmann demonstrates that the postulated miniatures of the handbook that goes under the name of Apollodorus migrated into other texts, of which the commentary of Pseudo-Nonnus--attached to several homilies of Gregory of Nazianzus--and the Cynegetka of Pseudo-Oppian are the most important. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400857422
Category : Art
Languages : en
Pages : 299
Book Description
Kurt Weitzmann demonstrates that the postulated miniatures of the handbook that goes under the name of Apollodorus migrated into other texts, of which the commentary of Pseudo-Nonnus--attached to several homilies of Gregory of Nazianzus--and the Cynegetka of Pseudo-Oppian are the most important. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Leonardo Da Vinci
Author: Daniel Arasse
Publisher: William S. Konecky Associates
ISBN:
Category : Art
Languages : en
Pages : 552
Book Description
This book contains paintings, drawings, architecture and Leonardo as a person.
Publisher: William S. Konecky Associates
ISBN:
Category : Art
Languages : en
Pages : 552
Book Description
This book contains paintings, drawings, architecture and Leonardo as a person.
Renaissance Fun
Author: Philip Steadman
Publisher: UCL Press
ISBN: 1787359158
Category : Art
Languages : en
Pages : 212
Book Description
Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
Publisher: UCL Press
ISBN: 1787359158
Category : Art
Languages : en
Pages : 212
Book Description
Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
Leonardo, Architect
Author: Carlo Pedretti
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 366
Book Description
The monumental Mole Vanvitelliana in the harbor of the Adriatic City of Ancona is the spectacular setting for a most original Leonardo exhibition. For the first time Leonardo's presence at Urbino and Pesaro as an architect and general engineer in the service of Cesare Borgia in 1502 is presented in a historical and cultural context that includes every aspect of Leonardos art, science and technology, and also his philosophical outlook. The rarely seen materials, presented here in a fully illustrated catalogue, are also discussed in detail by seven scholars of international repute coordinated by the editor.
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 366
Book Description
The monumental Mole Vanvitelliana in the harbor of the Adriatic City of Ancona is the spectacular setting for a most original Leonardo exhibition. For the first time Leonardo's presence at Urbino and Pesaro as an architect and general engineer in the service of Cesare Borgia in 1502 is presented in a historical and cultural context that includes every aspect of Leonardos art, science and technology, and also his philosophical outlook. The rarely seen materials, presented here in a fully illustrated catalogue, are also discussed in detail by seven scholars of international repute coordinated by the editor.
Translators and Their Prologues in Medieval England
Author: Elizabeth Dearnley
Publisher: Boydell & Brewer
ISBN: 1843844427
Category : Language Arts & Disciplines
Languages : en
Pages : 316
Book Description
An examination of French to English translation in medieval England, through the genre of the prologue. The prologue to Layamon's Brut recounts its author's extensive travels "wide yond thas leode" (far and wide across the land) to gather the French, Latin and English books he used as source material. The first Middle English writer to discuss his methods of translating French into English, Layamon voices ideas about the creation of a new English tradition by translation that proved very durable. This book considers the practice of translation from French into English in medieval England, and how the translators themselves viewed their task. At its core is a corpus of French to English translations containing translator's prologues written between c.1189 and c.1450; this remarkable body of Middle English literary theory provides a useful map by which to chart the movement from a literary culture rooted in Anglo-Norman at the end of the thirteenth century to what, in the fifteenth, is regarded as an established "English" tradition. Considering earlier Romance and Germanic models of translation, wider historical evidence about translation practice, the acquisition of French, the possible role of women translators, and the manuscript tradition of prologues, in addition to offering a broader, pan-European perspective through an examination of Middle Dutch prologues, the book uses translators' prologues as a lens through which to view a period of critical growth and development for English as a literary language. Elizabeth Dearnley gained her PhD from the University of Cambridge.
Publisher: Boydell & Brewer
ISBN: 1843844427
Category : Language Arts & Disciplines
Languages : en
Pages : 316
Book Description
An examination of French to English translation in medieval England, through the genre of the prologue. The prologue to Layamon's Brut recounts its author's extensive travels "wide yond thas leode" (far and wide across the land) to gather the French, Latin and English books he used as source material. The first Middle English writer to discuss his methods of translating French into English, Layamon voices ideas about the creation of a new English tradition by translation that proved very durable. This book considers the practice of translation from French into English in medieval England, and how the translators themselves viewed their task. At its core is a corpus of French to English translations containing translator's prologues written between c.1189 and c.1450; this remarkable body of Middle English literary theory provides a useful map by which to chart the movement from a literary culture rooted in Anglo-Norman at the end of the thirteenth century to what, in the fifteenth, is regarded as an established "English" tradition. Considering earlier Romance and Germanic models of translation, wider historical evidence about translation practice, the acquisition of French, the possible role of women translators, and the manuscript tradition of prologues, in addition to offering a broader, pan-European perspective through an examination of Middle Dutch prologues, the book uses translators' prologues as a lens through which to view a period of critical growth and development for English as a literary language. Elizabeth Dearnley gained her PhD from the University of Cambridge.
The Auchinleck Manuscript
Author: Susanna Fein
Publisher: Boydell & Brewer
ISBN: 1903153654
Category : Language Arts & Disciplines
Languages : en
Pages : 268
Book Description
Fresh examinations of the manuscript which is one of the chief compendiums of literature in the Middle English period.
Publisher: Boydell & Brewer
ISBN: 1903153654
Category : Language Arts & Disciplines
Languages : en
Pages : 268
Book Description
Fresh examinations of the manuscript which is one of the chief compendiums of literature in the Middle English period.
Conservation Research in Libraries
Author: David Howell
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110375370
Category : Language Arts & Disciplines
Languages : en
Pages : 256
Book Description
Conservation research in libraries is a rapidly growing field. This book places analysis within its context in conservation and provides examples of how this expensive resource can be used. Through a series of case studies, it describes major analytical procedures, including visualization, molecular, elemental and separation techniques as well as chemical tests. It is thus a suitable reference work for library conservators and curators. Please note: Despite careful production of our books, sometimes mistakes happen. Unfortunately, the authorship for some chapters wasn’t correct in the original publication. Chapter 5 was written by Andrew Beeby and David Howell as co-author, chapter 6 by Kelly Domoney and David Howell as co-author, and chapter 9 is authored by Anita Quye. This will be corrected. We apologize for the mistake.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110375370
Category : Language Arts & Disciplines
Languages : en
Pages : 256
Book Description
Conservation research in libraries is a rapidly growing field. This book places analysis within its context in conservation and provides examples of how this expensive resource can be used. Through a series of case studies, it describes major analytical procedures, including visualization, molecular, elemental and separation techniques as well as chemical tests. It is thus a suitable reference work for library conservators and curators. Please note: Despite careful production of our books, sometimes mistakes happen. Unfortunately, the authorship for some chapters wasn’t correct in the original publication. Chapter 5 was written by Andrew Beeby and David Howell as co-author, chapter 6 by Kelly Domoney and David Howell as co-author, and chapter 9 is authored by Anita Quye. This will be corrected. We apologize for the mistake.
Pliny the Elder and the Emergence of Renaissance Architecture
Author: Peter Fane-Saunders
Publisher: Cambridge University Press
ISBN: 1316419096
Category : Art
Languages : en
Pages : 525
Book Description
The Naturalis historia by Pliny the Elder provided Renaissance scholars, artists and architects with details of ancient architectural practice and long-lost architectural wonders - material that was often unavailable elsewhere in classical literature. Pliny's descriptions frequently included the dimensions of these buildings, as well as details of their unusual construction materials and ornament. This book describes, for the first time, how the passages were interpreted from around 1430 to 1580, that is, from Alberti to Palladio. Chapters are arranged chronologically within three interrelated sections - antiquarianism; architectural writings; drawings and built monuments - thereby making it possible for the reader to follow the changing attitudes to Pliny over the period. The resulting study establishes the Naturalis historia as the single most important literary source after Vitruvius's De architectura.
Publisher: Cambridge University Press
ISBN: 1316419096
Category : Art
Languages : en
Pages : 525
Book Description
The Naturalis historia by Pliny the Elder provided Renaissance scholars, artists and architects with details of ancient architectural practice and long-lost architectural wonders - material that was often unavailable elsewhere in classical literature. Pliny's descriptions frequently included the dimensions of these buildings, as well as details of their unusual construction materials and ornament. This book describes, for the first time, how the passages were interpreted from around 1430 to 1580, that is, from Alberti to Palladio. Chapters are arranged chronologically within three interrelated sections - antiquarianism; architectural writings; drawings and built monuments - thereby making it possible for the reader to follow the changing attitudes to Pliny over the period. The resulting study establishes the Naturalis historia as the single most important literary source after Vitruvius's De architectura.
Codex Orféo
Author: Michael Charles Tobias
Publisher: Springer
ISBN: 3319306227
Category : Nature
Languages : en
Pages : 256
Book Description
Explore shattering ethical, political and practical quagmires in this gripping ecological thriller. A tense plot deals with devastating scientific, secret intelligence and geopolitical issues. “You alright, Professor?” Mal asked in a whisper. “Yeah, I’ll be alright.” World renowned ecologist, UCLA Professor David Lev, aged 84, has just begun a contemporary odyssey. From delivering a plenary address on climate change at the Rio+20 UN Summit, he must prevail on a journey through sub-zero hurricane-force gales, impenetrable bogs and twelve foot drifts of ice in the forests of Belarus. Along the way, Lev’s journey directs us to consider such profound questions as: Are we our Brother’s Keeper? What are the ethical limits of science? And, finally, at what price, glory? It is not only Lev’s story that is the key to this page-turner but also an account from the days of World War II and the Holocaust, which hinges on survival. A constellation of richly nuanced, deeply drawn characters whose enmeshed lives and unique circumstances speak with resonance, melancholy, inspiration and unrelenting drama are all part of this complex and thought-provoking novel - including cutting-edge biochemist Dr Taman Chernichevsky. What has he discovered?
Publisher: Springer
ISBN: 3319306227
Category : Nature
Languages : en
Pages : 256
Book Description
Explore shattering ethical, political and practical quagmires in this gripping ecological thriller. A tense plot deals with devastating scientific, secret intelligence and geopolitical issues. “You alright, Professor?” Mal asked in a whisper. “Yeah, I’ll be alright.” World renowned ecologist, UCLA Professor David Lev, aged 84, has just begun a contemporary odyssey. From delivering a plenary address on climate change at the Rio+20 UN Summit, he must prevail on a journey through sub-zero hurricane-force gales, impenetrable bogs and twelve foot drifts of ice in the forests of Belarus. Along the way, Lev’s journey directs us to consider such profound questions as: Are we our Brother’s Keeper? What are the ethical limits of science? And, finally, at what price, glory? It is not only Lev’s story that is the key to this page-turner but also an account from the days of World War II and the Holocaust, which hinges on survival. A constellation of richly nuanced, deeply drawn characters whose enmeshed lives and unique circumstances speak with resonance, melancholy, inspiration and unrelenting drama are all part of this complex and thought-provoking novel - including cutting-edge biochemist Dr Taman Chernichevsky. What has he discovered?