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Author: Helen Fuller Orton
Publisher:
ISBN:
Category : Dogs
Languages : en
Pages : 120
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Book Description
Author: Helen Fuller Orton
Publisher:
ISBN:
Category : Dogs
Languages : en
Pages : 120
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Book Description
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1264
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Book Description
Author: Helen Fuller Orton
Publisher:
ISBN:
Category : Farm life
Languages : en
Pages : 136
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Book Description
Author: Helen Fuller Orton
Publisher:
ISBN:
Category : Domestic animals
Languages : en
Pages : 136
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Book Description
Author: Helen Fuller Orton
Publisher:
ISBN:
Category : Domestic animals
Languages : en
Pages : 136
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Book Description
Author: Tony Shaw
Publisher: Bloomsbury Publishing USA
ISBN: 144115809X
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
Cinematic Terror takes a uniquely long view of filmmakers' depiction of terrorism, examining how cinema has been a site of intense conflict between paramilitaries, state authorities and censors for well over a century. In the process, it takes us on a journey from the first Age of Terror that helped trigger World War One to the Global War on Terror that divides countries and families today. Tony Shaw looks beyond Hollywood to pinpoint important trends in the ways that film industries across Europe, North and South America, Asia, Africa and the Middle East have defined terrorism down the decades. Drawing on a vast array of studio archives, government documentation, personal interviews and box office records, Shaw examines the mechanics of cinematic terrorism and challenges assumptions about the links between political violence and propaganda.
Author: Brent Dunham
Publisher: Univ. Press of Mississippi
ISBN: 1496820452
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
Jeffrey Jacob “J. J.” Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most successful creators in Hollywood. The thirty interviews collected in this volume span Abrams’s entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams’s most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest-grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S., and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker.
Author: Helen Fuller Orton
Publisher:
ISBN:
Category : Dogs
Languages : en
Pages : 488
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Book Description
Author: New York. State. Dairy Commissioner
Publisher:
ISBN:
Category :
Languages : en
Pages : 374
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Book Description
Author: Glen Donnar
Publisher: Univ. Press of Mississippi
ISBN: 1496828593
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
Troubling Masculinities: Terror, Gender, and Monstrous Others in American Film Post-9/11 is the first multigenre study of representations of masculinity following the emergence of violent terror as a plot element in American cinema after September 11, 2001. Across a broad range of subgenres—including disaster melodrama, monster movies, postapocalyptic science fiction, discovered footage and home invasion horror, action-thrillers, and frontier westerns—author Glen Donnar examines the impact of “terror-Others,” from Arab terrorists to giant monsters, especially in relation to cinematic representations in earlier periods of national turmoil. Donnar demonstrates that the reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Taking up critical arguments about Hollywood’s attempts to resolve male crisis through Orientalizing figures of terror, he shows how this failure reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they are supposed to be fighting. Donnar concludes that interrelated anxieties about masculinity and nationhood continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, the volume offers an important counternarrative to this supposedly unprecedented moment in American history.
