Author: Frederick Antal
Publisher: Taylor & Francis
ISBN: 1000738825
Category : Art
Languages : en
Pages : 306
Book Description
First published in 1966, Classicism and Romanticism is a collection of important articles originally published in the author's famous book, Florentine Painting and its Social Background. Dr. Antal, a Hungarian by birth, was a man of the wildest culture. He studied art history in the universities of Budapest, Berlin, Paris and Vienna; thereafter, he travelled extensively in Italy, where he devoted himself to pioneering research in the history of mannerist painting. His exceptional sensitivity to the visual arts is apparent in such brilliant stylistic analyses as the essays on Netherlandish mannerism and on Girolamo da Carpi. He is known especially, however, for his application to art history of the sociological method. By returning art to its place in the general history of ideas and relating it to its economic, social, and political environment, he sought to give to the history of art a wider significance ad deeper meaning. This book will be of interest to students of art, history, literature, art history and European studies.
Classicism & Romanticism
Author: Frederick Antal
Publisher: Taylor & Francis
ISBN: 1000738825
Category : Art
Languages : en
Pages : 306
Book Description
First published in 1966, Classicism and Romanticism is a collection of important articles originally published in the author's famous book, Florentine Painting and its Social Background. Dr. Antal, a Hungarian by birth, was a man of the wildest culture. He studied art history in the universities of Budapest, Berlin, Paris and Vienna; thereafter, he travelled extensively in Italy, where he devoted himself to pioneering research in the history of mannerist painting. His exceptional sensitivity to the visual arts is apparent in such brilliant stylistic analyses as the essays on Netherlandish mannerism and on Girolamo da Carpi. He is known especially, however, for his application to art history of the sociological method. By returning art to its place in the general history of ideas and relating it to its economic, social, and political environment, he sought to give to the history of art a wider significance ad deeper meaning. This book will be of interest to students of art, history, literature, art history and European studies.
Publisher: Taylor & Francis
ISBN: 1000738825
Category : Art
Languages : en
Pages : 306
Book Description
First published in 1966, Classicism and Romanticism is a collection of important articles originally published in the author's famous book, Florentine Painting and its Social Background. Dr. Antal, a Hungarian by birth, was a man of the wildest culture. He studied art history in the universities of Budapest, Berlin, Paris and Vienna; thereafter, he travelled extensively in Italy, where he devoted himself to pioneering research in the history of mannerist painting. His exceptional sensitivity to the visual arts is apparent in such brilliant stylistic analyses as the essays on Netherlandish mannerism and on Girolamo da Carpi. He is known especially, however, for his application to art history of the sociological method. By returning art to its place in the general history of ideas and relating it to its economic, social, and political environment, he sought to give to the history of art a wider significance ad deeper meaning. This book will be of interest to students of art, history, literature, art history and European studies.
The Cambridge Companion to German Romanticism
Author: Nicholas Saul
Publisher: Cambridge University Press
ISBN: 0521848911
Category : History
Languages : en
Pages : 363
Book Description
Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Publisher: Cambridge University Press
ISBN: 0521848911
Category : History
Languages : en
Pages : 363
Book Description
Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Classicism and romanticism
Author: Karl Mantzius
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 468
Book Description
Classicism and Romanticism in Italian Literature
Author: Fabio A Camilletti
Publisher: Routledge
ISBN: 1317321340
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
In 1816 a violent literary quarrel engulfed Bourbon Restoration Italy. On one side the Romantics wanted an opening up of Italian culture towards Europe, and on the other the Classicists favoured an inward-looking Italy. Giacomo Leopardi wrote a Discourse of an Italian on Romantic Poetry aiming to contribute to the debate from a new perspective.
Publisher: Routledge
ISBN: 1317321340
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
In 1816 a violent literary quarrel engulfed Bourbon Restoration Italy. On one side the Romantics wanted an opening up of Italian culture towards Europe, and on the other the Classicists favoured an inward-looking Italy. Giacomo Leopardi wrote a Discourse of an Italian on Romantic Poetry aiming to contribute to the debate from a new perspective.
Call of Classical Literature in the Romantic Age
Author: K. P. Van Anglen
Publisher: Edinburgh University Press
ISBN: 147442967X
Category : Literary Criticism
Languages : en
Pages : 515
Book Description
Examines the role that cinema played in imagining Hong Kong and Taiwan's place in the world
Publisher: Edinburgh University Press
ISBN: 147442967X
Category : Literary Criticism
Languages : en
Pages : 515
Book Description
Examines the role that cinema played in imagining Hong Kong and Taiwan's place in the world
The Social History of Art: Rococo, classicism and romanticism
Author: Arnold Hauser
Publisher: Psychology Press
ISBN: 9780415199476
Category : Art
Languages : en
Pages : 292
Book Description
Presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age.
Publisher: Psychology Press
ISBN: 9780415199476
Category : Art
Languages : en
Pages : 292
Book Description
Presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age.
Classic, Romantic, and Modern
Author: Jacques Barzun
Publisher: University of Chicago Press
ISBN: 9780226038520
Category : History
Languages : en
Pages : 276
Book Description
Drawing from the works of influential figures in art and literature, the author traces the development of romanticism from classicism and the emergence of the modern ego.
Publisher: University of Chicago Press
ISBN: 9780226038520
Category : History
Languages : en
Pages : 276
Book Description
Drawing from the works of influential figures in art and literature, the author traces the development of romanticism from classicism and the emergence of the modern ego.
Neoclassicism and Romanticism
Author: Achim Bednorz
Publisher: H.F.Ullmann Publishing Gmbh
ISBN: 9783833160042
Category : Architecture
Languages : en
Pages : 0
Book Description
art forms, treatments & subjects.
Publisher: H.F.Ullmann Publishing Gmbh
ISBN: 9783833160042
Category : Architecture
Languages : en
Pages : 0
Book Description
art forms, treatments & subjects.
Romanticism
Author: Robert F. Gleckner
Publisher: Wayne State University Press
ISBN: 9780814315439
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
Publisher: Wayne State University Press
ISBN: 9780814315439
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
Political Romanticism
Author: Carl Schmitt
Publisher: Routledge
ISBN: 135149869X
Category : Political Science
Languages : en
Pages : 291
Book Description
A pioneer in legal and political theory, Schmitt traces the prehistory of political romanticism by examining its relationship to revolutionary and reactionary tendencies in modern European history. Both the partisans of the French Revolution and its most embittered enemies were numbered among the romantics. During the movement for German national unity at the beginning of the nineteenth century, both revolutionaries and reactionaries counted themselves as romantics. According to Schmitt, the use of the concept to designate opposed political positions results from the character of political romanticism: its unpredictable quality and lack of commitment to any substantive political position. The romantic person acts in such a way that his imagination can be affected. He acts insofar as he is moved. Thus an action is not a performance or something one does, but rather an affect or a mood, something one feels. The product of an action is not a result that can be evaluated according to moral standards, but rather an emotional experience that can be judged only in aesthetic and emotive terms. These observations lead Schmitt to a profound reflection on the shortcomings of liberal politics. Apart from the liberal rule of law and its institution of an autonomous private sphere, the romantic inner sanctum of purely personal experience could not exist. Without the security of the private realm, the romantic imagination would be subject to unpredictable incursions. Only in a bourgeois world can the individual become both absolutely sovereign and thoroughly privatized: a master builder in the cathedral of his personality. An adequate political order cannot be maintained on such a tolerant individualism, concludes Schmitt.
Publisher: Routledge
ISBN: 135149869X
Category : Political Science
Languages : en
Pages : 291
Book Description
A pioneer in legal and political theory, Schmitt traces the prehistory of political romanticism by examining its relationship to revolutionary and reactionary tendencies in modern European history. Both the partisans of the French Revolution and its most embittered enemies were numbered among the romantics. During the movement for German national unity at the beginning of the nineteenth century, both revolutionaries and reactionaries counted themselves as romantics. According to Schmitt, the use of the concept to designate opposed political positions results from the character of political romanticism: its unpredictable quality and lack of commitment to any substantive political position. The romantic person acts in such a way that his imagination can be affected. He acts insofar as he is moved. Thus an action is not a performance or something one does, but rather an affect or a mood, something one feels. The product of an action is not a result that can be evaluated according to moral standards, but rather an emotional experience that can be judged only in aesthetic and emotive terms. These observations lead Schmitt to a profound reflection on the shortcomings of liberal politics. Apart from the liberal rule of law and its institution of an autonomous private sphere, the romantic inner sanctum of purely personal experience could not exist. Without the security of the private realm, the romantic imagination would be subject to unpredictable incursions. Only in a bourgeois world can the individual become both absolutely sovereign and thoroughly privatized: a master builder in the cathedral of his personality. An adequate political order cannot be maintained on such a tolerant individualism, concludes Schmitt.