Author: Patrice Pavis
Publisher: University of Toronto Press
ISBN: 9780802081636
Category : Performing Arts
Languages : en
Pages : 492
Book Description
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Dictionary of the Theatre
Author: Patrice Pavis
Publisher: University of Toronto Press
ISBN: 9780802081636
Category : Performing Arts
Languages : en
Pages : 492
Book Description
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Publisher: University of Toronto Press
ISBN: 9780802081636
Category : Performing Arts
Languages : en
Pages : 492
Book Description
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Wholes, Sums and Unities
Author: A. Meirav
Publisher: Springer Science & Business Media
ISBN: 9401702098
Category : Philosophy
Languages : en
Pages : 324
Book Description
In this work, the author formulates a critique of widely accepted mereological assumptions, presents a new conception of wholes as ‘Unities’, and demonstrates the advantages of this new conception in treating a variety of metaphysical puzzles (such as that of Tibbles the cat). More generally he suggests that conceiving wholes as Unities offers us a new way of understanding the world in non-reductive terms.
Publisher: Springer Science & Business Media
ISBN: 9401702098
Category : Philosophy
Languages : en
Pages : 324
Book Description
In this work, the author formulates a critique of widely accepted mereological assumptions, presents a new conception of wholes as ‘Unities’, and demonstrates the advantages of this new conception in treating a variety of metaphysical puzzles (such as that of Tibbles the cat). More generally he suggests that conceiving wholes as Unities offers us a new way of understanding the world in non-reductive terms.
The Critics of Edmund Spenser
Author:
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 108
Book Description
British and American Drama (English) For B.A. (Sem.3) According to NEP-2020
Author: R. Bansal
Publisher: SBPD Publishing House
ISBN: 9392208103
Category : Juvenile Nonfiction
Languages : en
Pages : 257
Book Description
Contents: 1. Drama : Elements and Types 2. Literary Terms (Drama) 3. Othello (By William Shakespeare) 4. Macbeth (By William Shakespeare) 5. Arms And The Man (By George Bernard Shaw) 6. She Stoops To Conquer (By Oliver Goldsmith) 7. Look Back In Anger (By John Osborne) 8. Murder In The Cathedral (By T. S. Eliot) 9. A Street Car Named Desire (By Tennessee Williams) 10. The Glass Menagerie (By Tennessee Williams) 11. All My Sons (By Arthur Miller). Additional Information: The author of this book is R. Bansal.
Publisher: SBPD Publishing House
ISBN: 9392208103
Category : Juvenile Nonfiction
Languages : en
Pages : 257
Book Description
Contents: 1. Drama : Elements and Types 2. Literary Terms (Drama) 3. Othello (By William Shakespeare) 4. Macbeth (By William Shakespeare) 5. Arms And The Man (By George Bernard Shaw) 6. She Stoops To Conquer (By Oliver Goldsmith) 7. Look Back In Anger (By John Osborne) 8. Murder In The Cathedral (By T. S. Eliot) 9. A Street Car Named Desire (By Tennessee Williams) 10. The Glass Menagerie (By Tennessee Williams) 11. All My Sons (By Arthur Miller). Additional Information: The author of this book is R. Bansal.
Theatricality in the Horror Film
Author: André Loiselle
Publisher: Anthem Press
ISBN: 1785271296
Category : Performing Arts
Languages : en
Pages : 132
Book Description
The horror film generally presents a situation where normality is threatened by a monster. From this premise, Theatricality in the Horror Film argues that scary movies often create their terrifying effects stylistically and structurally through a radical break with the realism of normality in the form of monstrous theatricality. Theatricality in the horror fi lm expresses itself in many ways. For example, it comes across in the physical performance of monstrosity: the overthe-top performance of a chainsaw-wielding serial killer whose nefarious gestures terrify both his victims within the film and the audience in the cinema. Theatrical artifice can also appear as a stagy cemetery with broken-down tombstones and twisted, gnarly trees, or through the use of violently aberrant filmic techniques, or in the oppressive claustrophobia of a single-room setting reminiscent of classical drama. Any performative element of a film that flaunts its difference from what is deemed realistic or normal on screen might qualify as an instance of theatrical artifice, creating an intense affect in the audience. This book argues that the artificiality of the frightening spectacle is at the heart of the dark pleasures of horror.
Publisher: Anthem Press
ISBN: 1785271296
Category : Performing Arts
Languages : en
Pages : 132
Book Description
The horror film generally presents a situation where normality is threatened by a monster. From this premise, Theatricality in the Horror Film argues that scary movies often create their terrifying effects stylistically and structurally through a radical break with the realism of normality in the form of monstrous theatricality. Theatricality in the horror fi lm expresses itself in many ways. For example, it comes across in the physical performance of monstrosity: the overthe-top performance of a chainsaw-wielding serial killer whose nefarious gestures terrify both his victims within the film and the audience in the cinema. Theatrical artifice can also appear as a stagy cemetery with broken-down tombstones and twisted, gnarly trees, or through the use of violently aberrant filmic techniques, or in the oppressive claustrophobia of a single-room setting reminiscent of classical drama. Any performative element of a film that flaunts its difference from what is deemed realistic or normal on screen might qualify as an instance of theatrical artifice, creating an intense affect in the audience. This book argues that the artificiality of the frightening spectacle is at the heart of the dark pleasures of horror.
York Notes Advanced The Tempest - Digital Ed
Author: Loreto Todd
Publisher: Pearson UK
ISBN: 1447977785
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
Publisher: Pearson UK
ISBN: 1447977785
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
English (British And American Drama) [NEP - 2020]
Author: Dr. Poonam Chaudhary
Publisher: SBPD Publications
ISBN:
Category : Bibles
Languages : en
Pages : 192
Book Description
1. Drama Types, 2. Elements of Drama, 3. Literary Terms I (Drama), 4. Literary Terms II (Drama), 5. British Drama : Macbeth by Shakespeare, 6. British Drama : Arms and the Man by George Bernard Shaw, 7. British Drama : She Stoops to Conquer by Oliver Goldsmith, 8. American Drama : Fences by August Wilson, 9. American Drama : A Streetcar Named Desire by Tennessee Williams, 10. American Drama : All My Sons by Arthur Miller......
Publisher: SBPD Publications
ISBN:
Category : Bibles
Languages : en
Pages : 192
Book Description
1. Drama Types, 2. Elements of Drama, 3. Literary Terms I (Drama), 4. Literary Terms II (Drama), 5. British Drama : Macbeth by Shakespeare, 6. British Drama : Arms and the Man by George Bernard Shaw, 7. British Drama : She Stoops to Conquer by Oliver Goldsmith, 8. American Drama : Fences by August Wilson, 9. American Drama : A Streetcar Named Desire by Tennessee Williams, 10. American Drama : All My Sons by Arthur Miller......
Shakespeare's Strangers and English Law
Author: Paul Raffield
Publisher: Bloomsbury Publishing
ISBN: 1509929851
Category : Law
Languages : en
Pages : 305
Book Description
Through analysis of 5 plays by Shakespeare, Paul Raffield examines what it meant to be a 'stranger' to English law in the late Elizabethan and early Jacobean period. The numbers of strangers increased dramatically in the late sixteenth century, as refugees fled religious persecution in continental Europe and sought sanctuary in Protestant England. In the context of this book, strangers are not only persons ethnically or racially different from their English counterparts, be they immigrants, refugees, or visitors. The term also includes those who transgress or are simply excluded by their status from established legal norms by virtue of their faith, sexuality, or mode of employment. Each chapter investigates a particular category of 'stranger'. Topics include the treatment of actors in late Elizabethan England and the punishment of 'counterfeits' (Measure for Measure); the standing of refugees under English law and the reception of these people by the indigenous population (The Comedy of Errors); the establishment of 'Troynovant' as an international trading centre on the banks of the Thames (Troilus and Cressida); the role of law and the state in determining the rights of citizens and aliens (The Merchant of Venice); and the disenfranchised, estranged position of the citizen in a dysfunctional society and an acephalous realm (King Lear). This is the third sole-authored book by Paul Raffield on the subject of Shakespeare and the Law. The others are Shakespeare's Imaginary Constitution: Late Elizabethan Politics and the Theatre of Law (2010) and The Art of Law in Shakespeare (2017), both published by Hart/Bloomsbury.
Publisher: Bloomsbury Publishing
ISBN: 1509929851
Category : Law
Languages : en
Pages : 305
Book Description
Through analysis of 5 plays by Shakespeare, Paul Raffield examines what it meant to be a 'stranger' to English law in the late Elizabethan and early Jacobean period. The numbers of strangers increased dramatically in the late sixteenth century, as refugees fled religious persecution in continental Europe and sought sanctuary in Protestant England. In the context of this book, strangers are not only persons ethnically or racially different from their English counterparts, be they immigrants, refugees, or visitors. The term also includes those who transgress or are simply excluded by their status from established legal norms by virtue of their faith, sexuality, or mode of employment. Each chapter investigates a particular category of 'stranger'. Topics include the treatment of actors in late Elizabethan England and the punishment of 'counterfeits' (Measure for Measure); the standing of refugees under English law and the reception of these people by the indigenous population (The Comedy of Errors); the establishment of 'Troynovant' as an international trading centre on the banks of the Thames (Troilus and Cressida); the role of law and the state in determining the rights of citizens and aliens (The Merchant of Venice); and the disenfranchised, estranged position of the citizen in a dysfunctional society and an acephalous realm (King Lear). This is the third sole-authored book by Paul Raffield on the subject of Shakespeare and the Law. The others are Shakespeare's Imaginary Constitution: Late Elizabethan Politics and the Theatre of Law (2010) and The Art of Law in Shakespeare (2017), both published by Hart/Bloomsbury.
Contrast in Shakespeare's Historical Plays
Author: Francis Meehan
Publisher:
ISBN:
Category : Historical drama, English
Languages : en
Pages : 132
Book Description
Publisher:
ISBN:
Category : Historical drama, English
Languages : en
Pages : 132
Book Description
English Literature from Beowulf to Bernard Shaw
Author: Frederic S. Delmer
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 246
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 246
Book Description