Classical Myths in Italian Renaissance Painting PDF Download
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Author: Luba Freedman
Publisher: Cambridge University Press
ISBN: 1107001196
Category : Art
Languages : en
Pages : 321
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Book Description
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
Author: Luba Freedman
Publisher: Cambridge University Press
ISBN: 1107001196
Category : Art
Languages : en
Pages : 321
Get Book Here
Book Description
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
Author: Malcolm Bull
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 504
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Book Description
By the end of the 15th century, the remains of the ancient gods littered the landscape of Western Europe. Christianity had erased the religions of ancient Greece and Rome and most Europeans believed the destruction of classical art was God's judgment on the pagan deities. How, then, didEuropean artists during the next three centuries create such monumental works as Botticelli's The Birth of Venus and Raphael's Parnassus? In The Mirror of the Gods, Malcolm Bull tells the revolutionary story of how the great artists of Western Europe--from Botticelli and Leonardo to Titian and Rubens--revived the gods of ancient Greece and Rome. Each chapter focuses on a different deity and sheds dazzling new light on suchfamiliar figures as Venus, Hercules, and Bacchus. Bull draws on hundreds of illustrations to illuminate the ancient myths through the eyes of Renaissance and Baroque artists, not as they appear in classical literature. When the wealthy and powerful princes of Christian Europe began to identify withthe pagan gods, myth became the artist's medium for telling the story of his own time. The Mirror of the Gods is the fascinating and extraordinary story of how Renaissance artists combined mythological imagery and artistic virtuosity to change the course of western art. The Mirror of the Gods profoundly deepens our understanding of some of the greatest and most subversive artwork in European history. This delightfully told, lavishly illustrated, and extraordinary book amply rewards our ongoing fascination with classical myth and Renaissance art.
Author: Malcolm Bull
Publisher: Penguin UK
ISBN: 0140266089
Category : Architecture
Languages : en
Pages : 542
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Book Description
This text takes the story from the Renaissance to the Baroque. Each chapter focuses on a particular god and recounts the tales of that deity, not as they appear in classical literature but as they were re-created by artists like Botticelli, Titian, Poussin and Rembrandt.
Author: Gertrude Rosalind Herdle
Publisher:
ISBN:
Category : Art and mythology
Languages : en
Pages : 26
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Book Description
Author: Edith Balas
Publisher: Carnegie-Mellon University Press
ISBN:
Category : Art
Languages : en
Pages : 242
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Book Description
An examination of the Mother Goddess in Italian Renaissance art by art historian Edith Balas.
Author: Edith Wyss
Publisher:
ISBN: 9780874135404
Category : Art
Languages : en
Pages : 182
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Book Description
Titian's great late painting of Apollo and Marsyas has been included in several recent exhibitions of Venetian painting in Europe and the United States. In this study, art historian Edith Wyss sheds light on the perception of the theme in the fifteenth and sixteenth centuries. Renaissance artists knew several outstanding antique sculptures representing the myth and drew often on these prestigious models for inspiration. Only from the third decade of the sixteenth century onward did autonomous artistic interpretations of the myth assert themselves. Among the artists who devoted their skills to this myth are Perugino, Raphael, and several of his followers - Giulio Romano, Parmigianino, Bronzino, Salviati, Tintoretto, and Titian. Wyss demonstrates that some depictions encode messages that transcend the obvious exhortation against pride. Taking their cue from a popular edition of the Metamorphoses, some patrons and artists viewed the myth as an allegory of the revelation of truth. Others, following Pythagorean teachings, perceived the sun god's lyre music as the music of the spheres. In this perception, Apollo's victory assures the continued harmonious functioning of the universe, and Marsyas's defiance of the sun god's authority called for the severest retribution. In a few instances the author demonstrates that the Pythagorean allegorical reading of the myth was borrowed for political ends, with Apollo's victorious lyre standing as metaphor for the supposedly harmonious government of the ruling power. The discussion allows the Marsyas myth to unfold in a theme of extraordinary richness and depth and touches on issues that were at the core of the Renaissance culture.
Author: Carlo Caruso
Publisher: A&C Black
ISBN: 147253882X
Category : Art
Languages : en
Pages : 234
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Book Description
In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) Adone, published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 160606584X
Category : Art
Languages : en
Pages : 436
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Book Description
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
Author: John Canaday
Publisher:
ISBN:
Category : Art and mythology
Languages : en
Pages : 36
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Book Description
Author: Emma Johnson
Publisher: GRIN Verlag
ISBN: 3668693110
Category : Art
Languages : en
Pages : 10
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Book Description
Academic Paper from the year 2017 in the subject Art - History of Art, , course: Freshman Composition 1301, language: English, abstract: This academic essay links mythology to art, literature, and music of the Renaissance. The Renaissance was a time of change amongst those living in the countries that make up Europe. Mythology, during the Renaissance, was visibly expressed through the artwork, music, and literature of those living during this time.
