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Author: William H. Race
Publisher: Routledge
ISBN: 1317620712
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
First published in 1988, this study explains how certain genres created by Classical poets were adapted and sometimes transformed by the poets of the modern world, beginning with the Tudor poets’ rediscovery of the Classical heritage. Most of the long-lived poetic genres are discussed, from familiar examples like the hymn, elegy and eulogy, to less familiar topics such as the recusatio (refusal to write certain kinds of poems), or formal structures such as priamel. By combining criticism with literary history, the author explores the degree to which certain poets were consciously imitating models, and demonstrates how various generic forms reflect the literary concerns of individual poets as well as the general concerns of their age. The poets discussed range over the whole of Graeco-Roman antiquity, and in English from Wyatt to Yeats and Auden. A detailed and fascinating title, this study will appeal to teachers and students of both English and Classical literature.
Author: William H. Race
Publisher: Routledge
ISBN: 1317620712
Category : Literary Criticism
Languages : en
Pages : 258
Get Book Here
Book Description
First published in 1988, this study explains how certain genres created by Classical poets were adapted and sometimes transformed by the poets of the modern world, beginning with the Tudor poets’ rediscovery of the Classical heritage. Most of the long-lived poetic genres are discussed, from familiar examples like the hymn, elegy and eulogy, to less familiar topics such as the recusatio (refusal to write certain kinds of poems), or formal structures such as priamel. By combining criticism with literary history, the author explores the degree to which certain poets were consciously imitating models, and demonstrates how various generic forms reflect the literary concerns of individual poets as well as the general concerns of their age. The poets discussed range over the whole of Graeco-Roman antiquity, and in English from Wyatt to Yeats and Auden. A detailed and fascinating title, this study will appeal to teachers and students of both English and Classical literature.
Author: William H. Race
Publisher: Croom Helm Limited
ISBN: 9780415003261
Category : Classical poetry
Languages : en
Pages : 235
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Book Description
Author: Silvio Bär
Publisher: Bloomsbury Publishing
ISBN: 1350039349
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
This ground-breaking volume connects the situatedness of genre in English poetry with developments in classical scholarship, exploring how an emphasis on the interaction between English literary criticism and Classics changes, sharpens, or perhaps even obstructs views on genre in English poetry. “Genre” has classical roots: both in the etymology of the word and in the history of genre criticism, which begins with Aristotle. In a similar vein, recent developments in genre studies have suggested that literary genres are not given or fixed entities, but subjective and unstable (as well as historically situated), and that the reception of genre by both writers and scholars feeds back into the way genre is articulated in specific literary works. Classical scholarship, literary criticism, and genre form a triangle of key concepts for the volume, approached in different ways and with different productive results by contributors from across the disciplines of Classics and English literature. Covering topics from the establishment of genre in the Middle Ages to the invention of female epic and the epyllion, and bringing together the works of English poets from Milton to Tennyson to Josephine Balmer, the essays collected hereargue that the reception and criticism of classical texts play a crucial part in generic formation in English poetry.
Author: William Allan
Publisher: Oxford University Press
ISBN: 0199665451
Category : History
Languages : en
Pages : 161
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Book Description
William Allan's Very Short Introduction provides a concise and lively guide to the major authors, genres, and periods of classical literature. Drawing upon a wealth of material, he reveals just what makes the 'classics' such masterpieces and why they continue to influence and fascinate today.
Author: James Alexander Kerr Thomson
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 280
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Book Description
This book discusses the literary influences of the classics on different genres of English poetry.
Author: Margaret Foster
Publisher: Mnemosyne, Supplements
ISBN: 9789004411425
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
Genre in Archaic and Classical Greek Poetryforegrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho's songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.
Author: Sandro Jung
Publisher: Rowman & Littlefield
ISBN: 1611462827
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
Critics since the eighteenth century have puzzled over the form of James Thomson’s composite long poem, The Seasons (1730, 1744, 1746), its generically hybrid make-up, and its relationship to established genres both Classical and modern. The textual condition of the work is complicated by the fact that it started as a stand-alone poem, Winter (1726), but was subsequently expanded—as part of a revision process that lasted almost two decades—through the addition of three further seasons poems. Transforming from primarily devotional poem to georgic account of the role of man’s laboring role in the creation, the meaning of The Seasons shifted with each addition of new material. Each revision introduced diverse subject matter while existing material was reorganized and occasionally moved from one season installment to another. The Genres of Thomson’s The Seasons is the first collection of essays exclusively devoted to the study of the work’s formal heterogeneity, polyvocality, and polygeneric character. All contributions examine the different modes (descriptive, reflective, pastoral, hymnal, amatory, epic, georgic, dramatic), discourses (political, sentimental, scientific), and kinds that cooperate to make up the different installments and variants of The Seasons. They probe the multifarious interactions between different genres and modes and how a renewed focus on the form of Thomson’s long poem will result in an understanding of the processual character of The Seasons as a synthesizing simulacrum of various discourses and theories of composition. The volume’s essays map the generic anatomy of the poem in its different incarnations. They shed light on the poet’s conception of the descriptive long poem and his engaging with formal traditions that would have enabled contemporaneous readers to conceive of The Seasons as an assimilating and learned work to be read through both the works of the Classics and moderns. Contributions revisit models explaining the structural complexity of The Seasons, proposing others in their stead, and consider Thomson as the author of a long poem in relation to other poets both English and (in a transnational study) Swedish. The poem is furthermore contextualized in terms of sexuality and animal studies.
Author: Elias L. Rivers
Publisher: Juan de La Cuesta-Hispanic Monographs
ISBN:
Category : Literary Criticism
Languages : en
Pages : 130
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Book Description
The arguments concerning versification and genre that are presented in [this book] will be based on evidence that is specific with respect to language, culture, and historical period: the language is Castilian, the culture and period those of the Spanish Empire (with major centers in Madrid, Barcelona, Naples, Seville, Mexico City, Lima) during the sixteenth and seventeenth centuries, and the genres chosen are associated with the Renaissance classical tradition: the sonnet, the verse epistle, the silva. None of these genres existed prehistorically, that is, before the invention of writing; they are all literally literary. The sonnet is one of the best examples in modern Western poetry of a genre (but Wellek and Warren might question whether it could even be called a genre) that is defined wholly by the material shape of its signifier. The verse epistle, on the other hand, depends on the pre-existence of letter-writing and letter-reading as a social institution. And the problematic silva, as we shall see, may be seen either as a relatively irregular metric pattern or as a vaguely defined classical, or baroque, kind of poetry. This limited sample of historical genres will perhaps permit a few tentative generalizations about poetry; it will also, I hope, serve as a useful introduction for the reader of English who wants to know something about the kinds of poetic discourse that existed in Spain's Golden Age and about how they functioned and developed. - from the Preface.
Author: Tom Furniss
Publisher: Routledge
ISBN: 1000548996
Category : Language Arts & Disciplines
Languages : en
Pages : 666
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Book Description
Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Discussing more than 200 poems by more than 100 writers, ranging from ancient Greece and China to the twenty-first century, the book introduces readers to the skills and the critical and theoretical awareness that enable them to read poetry with enjoyment and insight. This third edition has been significantly updated in response to current developments in poetry and poetic criticism, and includes many new examples and exercises, new chapters on ‘world poetry’ and ‘eco-poetry’, and a greater emphasis throughout on American poetry, including the impact traditional Chinese poetry has had on modern American poetry. The seventeen carefully staged chapters constitute a complete apprenticeship in reading poetry, leading readers from specific features of form and figurative language to larger concerns with genre, intertextuality, Caribbean poetry, world poetry, and the role poetry can play in response to the ecological crisis. The workshop exercises at the end of each chapter, together with an extensive glossary of poetic and critical terms, and the number and range of poems analysed and discussed – 122 of which are quoted in full – make Reading Poetry suitable for individual study or as a comprehensive, self-contained textbook for university and college classes.
Author: André Lévy
Publisher: Indiana University Press
ISBN: 9780253213655
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
André Lévy provides a "picture of Chinese literature of the past" that brilliantly illustrates the four great literary genres of China: the classics, prose, poetry, and the literature of entertainment. His discussion of approximately 120 vivid translations combines personal insights with innovative historical accounts in a genre-based approach that moves beyond the typical chronology of dynasties. Renowned scholar William H. Nienhauser, Jr., translated Lévy's work from the French and returned to the original Chinese for the texts. This informative, engaging, and eminently readable introduction to the three millennia of traditional Chinese literature is highly recommended for students and general readers.
