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Author: Edwin Forbes
Publisher: Courier Dover Publications
ISBN:
Category : Architecture
Languages : en
Pages : 104
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Book Description
"This Dover edition, first published in 1994, reproduces all 40 original etchings from the portfolio Life studies of the Great Army, published by Edwin Forbes in New York, n.d.[1876] ..."--T.p.verso.
Author: Edwin Forbes
Publisher: Courier Dover Publications
ISBN:
Category : Architecture
Languages : en
Pages : 104
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Book Description
"This Dover edition, first published in 1994, reproduces all 40 original etchings from the portfolio Life studies of the Great Army, published by Edwin Forbes in New York, n.d.[1876] ..."--T.p.verso.
Author: Mark E. Neely
Publisher: UNC Press Books
ISBN: 9780807825105
Category : Design
Languages : en
Pages : 312
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Book Description
Focusing on the popular prints used by the Northern side of the American Civil War, this book examines the importance of graphic arts in rallying support for the Union during the war and in shaping the national memory after the war.
Author: Adalbert John Volck
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Mark E. Neely, Jr.
Publisher: UNC Press Books
ISBN: 9780807849057
Category : Design
Languages : en
Pages : 300
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Book Description
First published in 1987, The Confederate Image examines the popular lithographs and engravings cherished by Southerners during and after the Civil War. These images helped sustain and revive Southern identity following the collapse of the Confedera
Author: Adalbert John Volck
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 112
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Book Description
Author: Edwin Forbes
Publisher: LSU Press
ISBN: 080711877X
Category : History
Languages : en
Pages : 366
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Book Description
Edwin Forbes’s Thirty Years After is surely one of the most remarkable firsthand accounts of the Civil War ever published. Originally issued in 1890--thus the title--the lavish, oversized book is both a pictorial and a written record of the daily experience of war. It contains almost two hundred etchings of Civil War scenes along with twenty equestrian portraits of Union generals such as Grant, Sherman, McClellan, and Custer, reproduced from oil paintings. The present edition is a facsimile of the original, with the addition of an Introduction by William J. Cooper, Jr, who discusses the significance of the books and provides a biographical sketch of Edwin Forbes and information about the role of journalists in the war. Forbes, born in New York City in 1839, was a staff artist for Frank Leslie’s Illustrated Newspaper. On assignment for the paper, Forbes traveled with the federal army from the battle of Cross Keys, in 1862, to the siege of Petersburg, in 1864. A keen observer, Forbes sketched battlefields, campsites, and other scenes that he later rendered in relief etchings on copper plate. Some of the etchings were published in a portfolio in 1876. For the much larger Thirty Years After, Forbes executed scores of additional etchings and wrote an informative text to go with them. The book is divided into dozens of brief chapters, with each chapter’s text serving to introduce and explain the accompanying illustrations. Although Forbes made drawings of officers, he was clearly more interested in depicting the common soldier. His evocative etchings show such scenes as a regiment marching into camp at nightfall, an artillery reserve rolling into action at Cemetery Hill, a cavalry charge at Brandy Station, a band of prisoners lined up for execution, positioned so that they would tumble directly into their coffins. Forbes did not flinch from portraying the full terror and force of combat, but he also clearly understood that soldiering was not a one-dimensional experience. Many of his studies reveal the almost-forgotten minutiae of war. He shows soldiers engaged in such ordinary activities as preparing meals, laundering uniforms, avidly reading about events at him whenever newspapers were available, and relaxing between skirmishes. His illustrations also depict supply trains, pontoon bridges, army hospitals, and slaver cabins. In drawings of Confederate soldiers, Forbes emphasizes the comradely bond that sometimes could develop between opposing sides. A particularly telling etching shows Confederate pickets exchanging tobacco for coffee with their Union counterparts. For the modern reader, this visually arresting book offers a unique perspective on the Civil War.
Author: V. Blad
Publisher: Josephs Press
ISBN: 1408698951
Category : History
Languages : en
Pages : 100
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Library Of Congress Library Of Congress
Publisher:
ISBN:
Category : History
Languages : en
Pages : 132
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Book Description
This album of 55 full-page reproductions of American prints, drawings, and photographs depicts scenes of the Civil War. Most of the illustrations are battles, though some are portraits, and others are views of military life. Originally published as part of a larger book, "An Album of American Battle Art," based on an exhibition at the library of Congress, this is the first time these illustrations have appeared in an affordable paperback edition
Author: Karen Phillips Irons
Publisher: Harpercollins
ISBN: 9780517293515
Category : History
Languages : en
Pages : 7
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Book Description
Contains 36 leaves of plates originally issued with a volume of narrative by Oxmoor House. Louis Kurz was asked by President Lincoln to visit scenes of action during the Civil War and record what he saw.
Author: James A. Davis
Publisher: Routledge
ISBN: 1315438232
Category : Music
Languages : en
Pages : 370
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Book Description
In 1864, Union soldier Charles George described a charge into battle by General Phil Sheridan: "Such a picture of earnestness and determination I never saw as he showed as he came in sight of the battle field . . . What a scene for a painter!" These words proved prophetic, as Sheridan’s desperate ride provided the subject for numerous paintings and etchings as well as songs and poetry. George was not alone in thinking of art in the midst of combat; the significance of the issues under contention, the brutal intensity of the fighting, and the staggering number of casualties combined to form a tragedy so profound that some could not help but view it through an aesthetic lens, to see the war as a concert of death. It is hardly surprising that art influenced the perception and interpretation of the war given the intrinsic role that the arts played in the lives of antebellum Americans. Nor is it surprising that literature, music, and the visual arts were permanently altered by such an emotional and material catastrophe. In The Arts and Culture of the American Civil War, an interdisciplinary team of scholars explores the way the arts – theatre, music, fiction, poetry, painting, architecture, and dance – were influenced by the war as well as the unique ways that art functioned during and immediately following the war. Included are discussions of familiar topics (such as Ambrose Bierce, Peter Rothermel, and minstrelsy) with less-studied subjects (soldiers and dance, epistolary songs). The collection as a whole sheds light on the role of race, class, and gender in the production and consumption of the arts for soldiers and civilians at this time; it also draws attention to the ways that art shaped – and was shaped by – veterans long after the war.
