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Author: Gareth Higgins
Publisher: Conundrum Press
ISBN: 1938633342
Category : Travel
Languages : en
Pages : 258
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Book Description
A Northern Irish writer explores his adopted homeland through film in this irreverent yet moving journey through each of the 50 states. Set among a personal backdrop of immigration memoir, he takes on American myths in their most powerful form—the motion picture—by setting out to determine if a Kansas yellow brick road really does lead to the end of the rainbow, and whether it first has to pass through Colorado's Overlook Hotel. Amid the multipurpose woodchippers, friendly exorcists, and faulty motel showers, resurrected baseball players, and miracle-working gardeners, he examines what the stories we tell reveal about American lives and uses this to sum up what he has learned about the promises, failures, and hope that is America.
Author: Gareth Higgins
Publisher: Conundrum Press
ISBN: 1938633342
Category : Travel
Languages : en
Pages : 258
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Book Description
A Northern Irish writer explores his adopted homeland through film in this irreverent yet moving journey through each of the 50 states. Set among a personal backdrop of immigration memoir, he takes on American myths in their most powerful form—the motion picture—by setting out to determine if a Kansas yellow brick road really does lead to the end of the rainbow, and whether it first has to pass through Colorado's Overlook Hotel. Amid the multipurpose woodchippers, friendly exorcists, and faulty motel showers, resurrected baseball players, and miracle-working gardeners, he examines what the stories we tell reveal about American lives and uses this to sum up what he has learned about the promises, failures, and hope that is America.
Author: Lars Karl
Publisher: Berghahn Books
ISBN: 1782389970
Category : Performing Arts
Languages : en
Pages : 406
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Book Description
The national cinemas of Czechoslovakia and East Germany were two of the most vital sites of filmmaking in the Eastern Bloc, and over the course of two decades, they contributed to and were shaped by such significant developments as Sovietization, de-Stalinization, and the conservative retrenchment of the late 1950s. This volume comprehensively explores the postwar film cultures of both nations, using a “stereoscopic” approach that traces their similarities and divergences to form a richly contextualized portrait. Ranging from features to children’s cinema to film festivals, the studies gathered here provide new insights into the ideological, political, and economic dimensions of Cold War cultural production.
Author: Martin L. Johnson
Publisher: Indiana University Press
ISBN: 0253032547
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
"See yourself in the movies!" Prior to the advent of the home movie camera and the ubiquitousness of the camera phone, there was the local film. This cultural phenomenon, produced across the country from the 1890s to the 1950s, gave ordinary people a chance to be on the silver screen without leaving their hometowns. Through these movies, residents could see themselves in the same theaters where they saw major Hollywood motion pictures. Traveling filmmakers plied their trade in small towns and cities, where these films were received by locals as being part of the larger cinema experience. With access to the rare film clips under discussion, Main Street Movies documents the diversity and longevity of local film production and examines how itinerant filmmakers responded to industry changes to keep sponsors and audiences satisfied. From town pride films in the 1910s to Hollywood knockoffs in the 1930s, local films captured not just images of local people and places but also ideas about the function and meaning of cinema that continue to resonate today.
Author: Douglas Gomery
Publisher: Univ of Wisconsin Press
ISBN: 9780299132149
Category : Business & Economics
Languages : en
Pages : 412
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Book Description
Gomery (The coming of sound to the American cinema, 1975; The Hollywood studio system, 1986) draws upon his earlier work and that of other scholars to address the broader social functions of the film industry, showing how Hollywood adapted its business policies to diversity and change within American society. Includes 31 bandw photographs. Paper edition (unseen), $15.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Daniel P. Franklin
Publisher: Rowman & Littlefield
ISBN: 9780742538092
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
Films examined include: Master and commander - the far side of the world, The Coneheads, X2, The postman, Taxi driver, Working girl, Mr. Smith goes to Washington, Robocop, Showgirls, The passion of the Christ, Last tango in Paris, Pulp fiction, Kill Bill: Vol. 2.
Author: Monica Hanna
Publisher: Rutgers University Press
ISBN: 197880315X
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
The rise of digital media and globalization’s intensification since the 1990s have significantly refigured global cinema’s form and content. The coincidence of digitalization and globalization has produced what this book helps to define and describe as a flourishing border cinema whose aesthetics reflect, construct, intervene in, denature, and reconfigure geopolitical borders. This collection demonstrates how border cinema resists contemporary border fortification processes, showing how cinematic media have functioned technologically and aesthetically to engender contemporary shifts in national and individual identities while proposing alternative conceptions of these identities to those promulgated by the often restrictive current political rhetoric and ideologies that represent a backlash to globalization.
Author: C. Creekmur
Publisher: Springer
ISBN: 0230604919
Category : Social Science
Languages : en
Pages : 241
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Book Description
This book explores the intersections of film, justice, and the state in comparative perspective across a range of major Asian countries, including India, China, Japan, Korea, the Philippines, and Vietnam. The contributing authors cross the conventional border between the analysis of on-screen and off-screen intersections of law and cinema.
Author: Yorck Beese
Publisher: Springer Nature
ISBN: 3658445556
Category :
Languages : en
Pages : 416
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Book Description
Author: Matthew Holtmeier
Publisher: Edinburgh University Press
ISBN: 1474423426
Category : Electronic books
Languages : en
Pages : 200
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Book Description
The political films that have emerged on the global film festival circuit since the 1990s mark a shift in cinematic strategies for critically addressing dominant, militant, or otherwise repressive ideologies. From a focus on the representation of oppression in films like The Battle of Algiers, films such as Timbuktu, Nobody Knows About Persian Cats and Chop Shop now contribute to the active formation of political characters and viewers, a form not fully realized until the 21st century due to shifts in information technologies and resulting political organization. This book demonstrates that a contemporary form of political cinema has emerged, centered on the production of subjectivity and networks of protest, which depicts the active formation of political identities that resonates with off-screen protest movements.
Author: Noah Tsika
Publisher: Univ of California Press
ISBN: 0520386108
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 1990s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. However, after 1999, the exhibition sector was revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the immediate decades bracketing independence in 1960, and the years after 1999. At stake is the Nigerian postcolony’s role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate, but also a testament to cinema’s persistence—its capacity to stave off annihilation or, in this case, come back from the dead.
