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Author: Richard Wrigley
Publisher: Troubador Publishing Ltd
ISBN: 1906510288
Category : Photography
Languages : en
Pages : 229
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Book Description
This collection is based on the papers given at a conference at the University of Nottingham in September 2005. The conference was intended to explore Rome as a site for the making of films, and also its changing role as a setting for cinematic narrative. The resulting collection of essays will contribute to the burgeoning genre of studies on cinema and the city, by focusing on one particularly rich case study both for the nature of the films discussed, and the complexities of the city and its representation. The volume will also reach beyond film studies in so far as the subject draws on and informs other approaches to Rome's cultural history (geography, art history, urban history, classics).The essays address topics ranging from the interwar period to the present. A diverse set of cinematic interactions and interventions are placed within the context of the evolving architectural, social and political fabric of Rome in a period of rapid and often traumatic historical change. Implicit in the conception of the conference was the idea that cinematic representations of the city inherit and rework established habits of visualisation used to produce images of the Eternal city. Three other tropes which constitute key elements in Rome's international reputation can be seen as being embedded in cinematic narratives. Firstly, the trope of transformation - artisic, narratives.Firstly, the trope of transformation -artisic, psychological, spiritual; secondly, the city's reputation as a cosmopolitan crossroad. Thirdly, Rome's status as a locus classicus for the juxtaposition of the ancient and the modern, which was given a new relevance and complexity in films which sought to focus on aspects of contemporary life, be it in the Fascist era, or the extreme contrasts of poverty and international bohemianism of the postwar era.
Author: Richard Wrigley
Publisher: Troubador Publishing Ltd
ISBN: 1906510288
Category : Photography
Languages : en
Pages : 229
Get Book Here
Book Description
This collection is based on the papers given at a conference at the University of Nottingham in September 2005. The conference was intended to explore Rome as a site for the making of films, and also its changing role as a setting for cinematic narrative. The resulting collection of essays will contribute to the burgeoning genre of studies on cinema and the city, by focusing on one particularly rich case study both for the nature of the films discussed, and the complexities of the city and its representation. The volume will also reach beyond film studies in so far as the subject draws on and informs other approaches to Rome's cultural history (geography, art history, urban history, classics).The essays address topics ranging from the interwar period to the present. A diverse set of cinematic interactions and interventions are placed within the context of the evolving architectural, social and political fabric of Rome in a period of rapid and often traumatic historical change. Implicit in the conception of the conference was the idea that cinematic representations of the city inherit and rework established habits of visualisation used to produce images of the Eternal city. Three other tropes which constitute key elements in Rome's international reputation can be seen as being embedded in cinematic narratives. Firstly, the trope of transformation - artisic, narratives.Firstly, the trope of transformation -artisic, psychological, spiritual; secondly, the city's reputation as a cosmopolitan crossroad. Thirdly, Rome's status as a locus classicus for the juxtaposition of the ancient and the modern, which was given a new relevance and complexity in films which sought to focus on aspects of contemporary life, be it in the Fascist era, or the extreme contrasts of poverty and international bohemianism of the postwar era.
Author: Maria Wyke
Publisher: Routledge
ISBN: 1317796071
Category : History
Languages : en
Pages : 248
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Book Description
Brought vividly to life on screen, the myth of ancient Rome resonates through modern popular culture. Projecting the Past examines how the cinematic traditions of Hollywood and Italy have resurrected ancient Rome to address the concerns of the present. The book engages contemporary debates about the nature of the classical tradition, definitions of history, and the place of the past in historical film.
Author: Gabriel Solomons
Publisher: Intellect Books
ISBN: 178320298X
Category : Performing Arts
Languages : en
Pages : 132
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Book Description
Rome is a city rich in history and culture and imbued with a realism and romanticism that has captured the imaginations of filmmakers throughout the twentieth and twenty-first centuries. With over two and a half thousand years of continuing history, Rome has served as the setting for countless memorable films, creating a backdrop that spans all genres and emotions. World Film Locations: Rome takes the reader on a cinematic journey through the city with stops at key locations that include the Pantheon, Piazza Navona, Via Veneto, Piazza del Popolo, Sant’Angelo Bridge and, of course, the Trevi Fountain, made famous world-wide in its appearances in Federico Fellini’s La Dolce Vita and Jean Negulesco’s Three Coins in the Fountain. A carefully selected compilation of forty-five key films set in Rome, including The Belly of an Architect, The Facts of Murder, The Bicycle Thief, Roman Holiday and The Great Beauty, is complemented by essays that further examine the relationship between the city and cinema to provide an engaging, colourful and insightful page-turning journey for both travellers and film buffs alike.
Author: Elena Theodorakopoulos
Publisher:
ISBN: 9781904675280
Category : History
Languages : en
Pages : 0
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Book Description
Ancient Rome at the Cinema' is a lucid study of the worlds created in Roman historical epics. Based on analysis of the visual and narrative fabric of seven films set in Ancient Rome, 'Ancient Rome at the Cinema' demonstrates how cinematic versions of Ancient Rome have been able to captivate us, and inscribe their versions of the city and its history onto our imagination. Theodorakopoulos uses film theory and criticism to examine the ways in which historical drama creates the past through story-telling and visual effects. Particular emphasis is put on the tension between narrative and spectacle which is an inherent feature of cinema, and a long-standing preoccupation of film critics and theorists from the 1930s to the present. The book also examines the techniques and the rhetoric of realism which feature especially prominently in historical films. 'Ancient Rome at the Cinema' is a companion volume to 'Ancient Greece in Film and Popular Culture' by Gideon Nisbet (9781904675785, 2008, 2nd edition).
Author: David Forgacs
Publisher: Bloomsbury Publishing
ISBN: 1838717897
Category : Performing Arts
Languages : en
Pages : 82
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Book Description
Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations.
Author: Marta Garcia Morcillo
Publisher: Routledge
ISBN: 1135013160
Category : History
Languages : en
Pages : 410
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Book Description
In film imagery, urban spaces show up not only as spatial settings of a story, but also as projected ideas and forms that aim to recreate and capture the spirit of cultures, societies and epochs. Some cinematic cities have even managed to transcend fiction to become part of modern collective memory. Can we imagine a futuristic city not inspired at least remotely by Fritz Lang’s Metropolis? In the same way, ancient Babylon, Troy and Rome can hardly be shaped in popular imagination without conscious or subconscious references to the striking visions of Griffiths’ Intolerance, Petersen’s Troy and Scott’s Gladiator, to mention only a few influential examples. Imagining Ancient Cities in Film explores for the first time in scholarship film representations of cities of the Ancient World from early cinema to the 21st century. The volume analyzes the different choices made by filmmakers, art designers and screen writers to recreate ancient urban spaces as more or less convincing settings of mythical and historical events. In looking behind and beyond intended archaeological accuracy, symbolic fantasy, primitivism, exoticism and Hollywood-esque monumentality, this volume pays particular attention to the depiction of cities as faces of ancient civilizations, but also as containers of moral ideas and cultural fashions deeply rooted in the contemporary zeitgeist and in continuously revisited traditions.
Author: Nevnihal Erdoğan
Publisher: Bentham Science Publishers
ISBN: 9815223321
Category : Architecture
Languages : en
Pages : 454
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Book Description
In Architecture in Cinema, more than 40 architects, writers, thinkers, and academicians examine the magnificent works of cinema that contribute to the art of architecture and bring them to the attention of the architectural community. The contributors have compiled essays on fifty masterpieces of classic and contemporary cinema, including films such as The Cabinet of Dr. Caligari, Ben Hurr, The Lord of The Rings trilogy, Nomadland and more. The book aims to stimulate the imagination of readers and offer approaches to understanding fantasy, sociological concepts, ecological problems, and political ideas. The contributors also focus on the elements of creativity, such as utopian or dystopian themes, aesthetics and artistry. Architecture in Cinema is an informative reference for anyone interested in how architecture is featured in the cinematic medium. Scholars of architecture, urban planning, fine arts, humanities, social sciences, and various design disciplines, will also find the book refreshing.
Author: Howard Finn
Publisher: Bloomsbury Publishing
ISBN: 1350242578
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
Cinema was the most important new artistic medium of the twentieth century and modernism was the most important new aesthetic movement across the arts in the twentieth century. However, what exactly is the relationship between cinema and modernism? Cinematic Modernism and Contemporary Film explores how in the early twentieth century cinema came to be seen as one of the new technologies which epitomised modernity and how cinema itself reflected ideas, hopes and fears concerning modern life. Howard Finn examines the emergence of a new 'international style' of cinema, combining a poetic aesthetic of the image with genre-based fictional narrative and documentary realism. He provides concise accounts of how theorists such as André Bazin, Siegfried Kracauer, Gilles Deleuze and Jacques Rancière have discussed this cinematic aesthetic, clarifying debates over terms such as 'realism', 'classical' and 'avant-garde' as well as recent controversies over terms such as 'slow cinema' and 'vernacular modernism'. He further argues the influence of modernism through close readings of many contemporary films, including films by Abbas Kiarostami, Béla Tarr, Jia Zhangke, and Angela Schanelec. Drawing on a broad range of examples, including Soviet montage, Italian neorealism, postwar new waves and the 'new cinema' of Taiwan and Iran, this book explores the cultural significance of modernism and its lasting influence over cinema.
Author: Frank Burke
Publisher: John Wiley & Sons
ISBN: 1444332287
Category : Performing Arts
Languages : en
Pages : 644
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Book Description
Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike
Author: Peter Bondanella
Publisher: Bloomsbury Publishing USA
ISBN: 1501307649
Category : Performing Arts
Languages : en
Pages : 753
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Book Description
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
