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Author: Jack Curtis Dubowsky
Publisher: Springer
ISBN: 1137454210
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.
Author: Jack Curtis Dubowsky
Publisher: Springer
ISBN: 1137454210
Category : Performing Arts
Languages : en
Pages : 270
Get Book Here
Book Description
Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.
Author: Karl Schoonover
Publisher: Duke University Press
ISBN: 082237367X
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cultures, geopolitics, and aesthetics to disrupt dominant modes of world making. Whether in its exploration of queer cinematic temporality, the paradox of the queer popular, or the deviant ecologies of the queer pastoral, Schoonover and Galt reimagine the scope of queer film studies. The authors move beyond the gay art cinema canon to consider a broad range of films from Chinese lesbian drama and Swedish genderqueer documentary to Bangladeshi melodrama and Bolivian activist video. Schoonover and Galt make a case for the centrality of queerness in cinema and trace how queer cinema circulates around the globe–institutionally via film festivals, online consumption, and human rights campaigns, but also affectively in the production of a queer sensorium. In this account, cinema creates a uniquely potent mode of queer worldliness, one that disrupts normative ways of being in the world and forges revised modes of belonging.
Author: Florian Grandena
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034301831
Category : Gays in motion pictures
Languages : en
Pages : 0
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Book Description
The last three decades have witnessed the proliferation of gay/lesbian-themed films both on our screens and at international film festivals. This trend - termed 'hypervisibility' by Julianne Pidduck - has gone far beyond the boundaries of countries with a multicultural tradition and now reaches many territories, including the French-speaking world. What is the narrative and thematic originality of such films in French-speaking contexts? Do such feature films develop problematics and approaches specific to areas such as metropolitan France or Francophone Canada? The sixteen essays included in this collection (six in English and ten in French) aim to answer to such questions by offering in-depth and challenging discussions of film productions from France and Quebec, ranging from Patrice Chéreau's L'Homme blessé/The Wounded Man (1983) via Josiane Balasko's Gazon maudit (1995) to Jean-Marc Vallée's C.R.A.Z.Y. (2005). Works by Olivier Ducastel and Jacques Martineau, Sébastien Lifshitz, Gaël Morel, François Ozon and Léa Pool are also examined.
Author: Nick Rees-Roberts
Publisher: Edinburgh University Press
ISBN: 0748634193
Category : Social Science
Languages : en
Pages : 177
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Book Description
French Queer Cinema examines the representation of queer identities and sexualities in contemporary French filmmaking. This groundbreaking volume is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video in France. French Queer Cinema addresses the emergence of a gay cinema in the French context since the late 1990s, including critical coverage of films by important contemporary directors such as Francois Ozon, Sebastien Lifshitz, Patrice Chereau, Andre Techine and Christophe Honore. Nick Rees-Roberts transposes contemporary Anglo-American Queer Theory to the study of French screen culture, drawing particular attention to issues of race and migration such as problematic fantasies of Arab masculinities in queer cinematic production. This theoretically-informed book engages with a number of fault-lines running through queer cultural representation in France including transgender dissent and the effects of AIDS and loss on the formation of queer identities and sexualities.
Author: Barbara Mennel
Publisher: Columbia University Press
ISBN: 0231850204
Category : Performing Arts
Languages : en
Pages : 145
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Book Description
Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys illustrates queer cinematic aesthetics by highlighting key films that emerged at historical turning points throughout the twentieth century. Barbara Mennel traces the representation of gays and lesbians from the sexual liberation movements of the roaring 1920s in Berlin to the Stonewall Rebellion in New York City and the emergence of queer activism and film in the early 1990s. She explains early tropes of queerness, such as the boarding school or the vampire, and describes the development of camp from 1950s Hollywood to underground art of the late 1960s in New York City. Mennel concludes with an exploration of the contemporary mainstreaming of gay and lesbian films and global queer cinema. Queer Cinema: Schoolgirls, Vampires and Gay Cowboys not only offers an introduction to a gay and lesbian film history, but also contributes to an academic discussion about queer subversion of mainstream film.
Author: Ellis Hanson
Publisher: Duke University Press
ISBN: 9780822323426
Category : Performing Arts
Languages : en
Pages : 380
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Book Description
Brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism.
Author: Anne E. Duggan
Publisher: Wayne State University Press
ISBN: 0814338542
Category : Social Science
Languages : en
Pages : 206
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Book Description
Both film and fairy-tale studies scholars will enjoy Duggan's fresh look at the distinctive cinema of Jacques Demy.
Author: Lindsey B. Green-Simms
Publisher: Duke University Press
ISBN: 1478022639
Category : Performing Arts
Languages : en
Pages : 171
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Book Description
In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance—contrary to traditional narratives about resistance that center overt and heroic struggle—is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival.
Author: Bradbury-Rance Clara Bradbury-Rance
Publisher: Edinburgh University Press
ISBN: 1474435386
Category : Performing Arts
Languages : en
Pages : 327
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Book Description
The unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation. Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.
Author: Zoran Lee Pecic
Publisher: Springer
ISBN: 1349948829
Category : Performing Arts
Languages : en
Pages : 164
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Book Description
This book looks closely at some of the most significant films within the field of queer Sinophone cinema. Examining queerness in films produced in the PRC, Taiwan and Hong Kong, the book merges the Sinophone with the queer, theorising both concepts as local and global, homebound as well as diasporic. Queerness in this book not only problematises the positioning of non-normative desires within the Sinophone; it also challenges Eurocentric critical perspectives on filmic representation that are tied to the idea of the binary between East/West. New Queer Sinophone Cinema will appeal to scholars in Chinese and film studies, as well as to anyone who is interested in queer Chinese cinema.
