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Author: Michael J. Shapiro
Publisher: Routledge
ISBN: 1134002076
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
"The new violent cartographies -- Preemption up close : film and Pax Americana -- Fogs of war -- The sublime today : re-partitioning the global sensible -- Aesthetics of disintegration : allegiance and intimacy in the former "Eastern bloc"--Perpetual war?"
Author: Michael J. Shapiro
Publisher: Routledge
ISBN: 1134002076
Category : Performing Arts
Languages : en
Pages : 190
Get Book Here
Book Description
"The new violent cartographies -- Preemption up close : film and Pax Americana -- Fogs of war -- The sublime today : re-partitioning the global sensible -- Aesthetics of disintegration : allegiance and intimacy in the former "Eastern bloc"--Perpetual war?"
Author: Michael J. Shapiro
Publisher: Routledge
ISBN: 1134002068
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
In recent years, film has been one of the major genres within which the imaginaries involved in mapping the geopolitical world have been represented and reflected upon. In this book, one of America's foremost theorists of culture and politics treats those aspects of the "geopolitical aesthetic" that must be addressed in light of both the post cold war and post 9/11 world and contemporary film theory and philosophy. Beginning with an account of his experience as a juror at film festival’s, Michael J. Shapiro’s Cinematic Geopolitics analyzes the ways in which film festival space and both feature and documentary films function as counter-spaces to the contemporary "violent cartography" occasioned by governmental policy, especially the current "war on terror." Influenced by the cinema-philosophy relationship developed by Gilles Deleuze and the politics of aesthetics thinking of Jacques Ranciere, the book’s chapters examines a range of films from established classics like the Deer Hunter and the Battle of Algiers to contemporary films such as Dirty Pretty Things and the Fog of War. Shapiro’s use of philosophical and theoretical works makes this cutting edge examination of film and politics essential reading for all students and scholars with an interest in film and politics.
Author: Marcus Power
Publisher: Routledge
ISBN: 1317999185
Category : Political Science
Languages : en
Pages : 222
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Book Description
With a detailed range of approaches, this new collection investigates how cinematic narratives can and have been used to portray different political 'threats' and 'dangers'. Including a range of chapters with a contemporary focus, it studies issues such as: how the geopolitical world has been constructed through film how cinema can provide explanatory narratives in periods of cultural and political anxiety, uneasiness and uncertainty. Examining the ways in which film impacts upon popular understandings of national identity and the changing geopolitical world, the book looks at how audiences make sense of the (geo)political messages and meanings contained within a variety of films - from the US productions of Hollywood, to Palestinian, Mexican, British, and German cinematic traditions. This thought-provoking book draws on an international range of contributions to discuss and fully investigate world cinema in light of key contemporary issues. This book was previously published as a special issue of Geopolitics.
Author: Marijke de Valck
Publisher: Leiden University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
The first comprehensive study of film festivals that marks key historical moments and offers surprising insights into the workings of a highly influentiual cultural network
Author: Robert A. Saunders
Publisher: Routledge
ISBN: 131756989X
Category : Science
Languages : en
Pages : 281
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Book Description
This seminal book explores the complex relationship between popular geopolitics and nation branding among the Newly Independent States of Eurasia, and their combined role in shaping contemporary national image and statecraft within and beyond the region. It provides critical perspectives on international relations, nationalism, and national identity through the use of innovative approaches focusing on popular culture, new media, public diplomacy, and alternative "narrators" of the nation. By positing popular geopolitics and nation branding as contentious forces and complementary flows, the study explores the tensions and elisions between national self-image and external perceptions of the nation, and how this complex interplay has become integral to contemporary global affairs.
Author: Robert A. Saunders
Publisher: Routledge
ISBN: 1351205013
Category : Science
Languages : en
Pages : 300
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Book Description
This book brings together scholars from across a variety of academic disciplines to assess the current state of the subfield of popular geopolitics. It provides an archaeology of the field, maps the flows of various frameworks of analysis into (and out of) popular geopolitics, and charts a course forward for the discipline. It explores the real-world implications of popular culture, with a particular focus on the evolving interdisciplinary nature of popular geopolitics alongside interrelated disciplines including media, cultural, and gender studies.
Author: Onoriu Colăcel
Publisher: McFarland
ISBN: 1476631018
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
Prior to the collapse of communism, Romanian historical movies were political, encouraging nationalistic feelings and devotion to the state. Vlad the Impaler and other such iconic figures emerged as heroes rather than loathsome bloodsuckers, celebrating a shared sense of belonging. The past decade has, however, presented Romanian films in which ordinary people are the stars--heroes, go-getters, swindlers and sore losers. The author explores a wide selection, old and new, of films set in the Romanian past.
Author: James Phillips
Publisher: Stanford University Press
ISBN: 9780804758000
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
This anthology of philosophical essays explores the interpersonal and political contexts in and against which the films of ten major postwar filmmakers were made.
Author: Catherine Zimmer
Publisher: NYU Press
ISBN: 1479864374
Category : Law
Languages : en
Pages : 286
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Book Description
In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance.
Author: Miia Huttunen
Publisher: Routledge
ISBN: 100053412X
Category : Political Science
Languages : en
Pages : 165
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Book Description
Politicised Cinema demonstrates how taking a collection of seemingly apolitical films and using them as an instrument for serving explicit political aims can be used as a force for good. Through an analysis of Orient: A Survey of Films Produced in Countries of Arab and Asian Culture, a film catalogue published by UNESCO and the BFI in 1959 to promote intercultural understanding between the East and the West, this book argues for the importance of studying the ways the interpretation of films can be guided to serve a specific political agenda, even when the films themselves were originally produced with very different aims in mind. The author focuses on how the catalogue positions culture and its cinematic representations as a marker of difference between the Eastern and Western worlds, and shows that even major cultural conflicts such as the Cold War and the decolonisation process can be reframed in service of UNESCO’s cultural diplomatic agenda. The book explores the ways in which the catalogue of Eastern films deemed suitable for Western audiences became a weapon to fight against prejudice, intolerance, and bigotry in a politicised battle over dismantling the proclaimed link between difference and conflict. This book will be of interest to students, researchers, and academics in visual politics, cinematic international relations, cultural diplomacy, global governance, and international cultural politics, as well as film studies, Asian studies, and cultural studies. In addition, policymakers and practitioners in the fields of cultural diplomacy and cultural policy will find the empirical case study to be of use in practical work.
