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Author: Dustin Tahmahkera
Publisher: U of Nebraska Press
ISBN: 1496230078
Category : Social Science
Languages : en
Pages : 289
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Book Description
For centuries Comanches have captivated imaginations. Yet their story in popular accounts abruptly stops with the so-called fall of the Comanche empire in 1875, when Quanah Parker led Comanches onto the reservation in southwestern Oklahoma. In Cinematic Comanches, the first tribal-specific history of Comanches in film and media, Parker descendant Dustin Tahmahkera examines how Comanches represent themselves and are represented by others in recent media. Telling a story of Comanche family and extended kin and their relations to film, Tahmahkera reframes a distorted and defeated history of Comanches into a vibrant story of cinematic traditions, agency, and cultural continuity. Co-starring a long list of Comanche actors, filmmakers, consultants, critics, and subjects, Cinematic Comanches moves through the politics of tribal representation and history to highlight the production of Comanchería cinema. From early silent films and 1950s Westerns to Disney’s The Lone Ranger and the story of how Comanches captured its controversial Comanche lead Johnny Depp, Tahmahkera argues that Comanche nationhood can be strengthened through cinema. Tahmahkera’s extensive research includes interviews with elder LaDonna Harris, who adopted Depp during filming in one of the most contested films in recent Indigenous cinematic history. In the fragmented popular narrative of the rise and fall of Comanches, Cinematic Comanches calls for considering mediated contributions to the cultural resurgence of Comanches today.
Author: Dustin Tahmahkera
Publisher: U of Nebraska Press
ISBN: 1496230078
Category : Social Science
Languages : en
Pages : 289
Get Book Here
Book Description
For centuries Comanches have captivated imaginations. Yet their story in popular accounts abruptly stops with the so-called fall of the Comanche empire in 1875, when Quanah Parker led Comanches onto the reservation in southwestern Oklahoma. In Cinematic Comanches, the first tribal-specific history of Comanches in film and media, Parker descendant Dustin Tahmahkera examines how Comanches represent themselves and are represented by others in recent media. Telling a story of Comanche family and extended kin and their relations to film, Tahmahkera reframes a distorted and defeated history of Comanches into a vibrant story of cinematic traditions, agency, and cultural continuity. Co-starring a long list of Comanche actors, filmmakers, consultants, critics, and subjects, Cinematic Comanches moves through the politics of tribal representation and history to highlight the production of Comanchería cinema. From early silent films and 1950s Westerns to Disney’s The Lone Ranger and the story of how Comanches captured its controversial Comanche lead Johnny Depp, Tahmahkera argues that Comanche nationhood can be strengthened through cinema. Tahmahkera’s extensive research includes interviews with elder LaDonna Harris, who adopted Depp during filming in one of the most contested films in recent Indigenous cinematic history. In the fragmented popular narrative of the rise and fall of Comanches, Cinematic Comanches calls for considering mediated contributions to the cultural resurgence of Comanches today.
Author: Dustin Tahmahkera
Publisher: U of Nebraska Press
ISBN: 0803286880
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Cinematic Comanches engages in a description and critical appraisal of Indigenous hype, visual representation, and audience reception of Comanche culture and history through the 2013 Disney film The Lone Ranger.
Author: Daniel J. Gelo
Publisher: Texas A&M University Press
ISBN: 1623495946
Category : History
Languages : en
Pages : 274
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Book Description
Winner, 2018 Presidio La Bahia Award, sponsored by the Sons of the Republic of Texas In 1851, an article appeared in a German journal, Geographisches Jahrbuch (Geographic Yearbook), that sought to establish definitive connections, using language observations, among the Comanches, Shoshones, and Apaches. Heinrich Berghaus’s study was based on lexical data gathered by a young German settler in Texas, Emil Kriewitz, and included a groundbreaking list of Comanche words and their German translations. Berghaus also offered Kriewitz’s cultural notes on the Comanches, a discussion of the existing literature on the three tribes, and an original map of Comanche hunting grounds. Perhaps because it was published only in German, the existence of Berghaus’s study has been all but unknown to North American scholars, even though it offers valuable insights into Native American languages, toponyms, ethnonyms, hydronyms, and cultural anthropology. It was also a significant document revealing the history of German-Comanche relations in Texas. Daniel J. Gelo and Christopher J. Wickham now make available for the first time a reliable English translation of this important nineteenth-century document. In addition to making the article accessible to English speakers, they also place Berghaus’s work into historical context and provide detailed commentary on its value for anthropologists and historians who study German settlement in Texas. Comanches and Germans on the Texas Frontier will make significant contributions to multiple disciplines, opening a new lens onto Native American ethnography and ethnology.
Author: S. C. Gwynne
Publisher: Simon and Schuster
ISBN: 1416597158
Category : History
Languages : en
Pages : 394
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Book Description
*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.
Author: Glenn Frankel
Publisher: Bloomsbury Publishing USA
ISBN: 1620400650
Category : History
Languages : en
Pages : 433
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Book Description
Traces the making of the influential 1950s film inspired by the story of Cynthia Ann Parker, sharing lesser-known aspects of Parker's 1836 abduction by the Comanche and her heartbreaking return to white culture, in an account that also explores how the movie reflects period ambiguities. 30,000 first printing. Movie tie-in.
Author: Dustin Tahmahkera
Publisher: UNC Press Books
ISBN: 1469618680
Category : Language Arts & Disciplines
Languages : en
Pages : 263
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Book Description
Tribal Television: Viewing Native People in Sitcoms
Author: Norman K Denzin
Publisher: SAGE
ISBN: 9780803975453
Category : Social Science
Languages : en
Pages : 256
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Book Description
In this insightful book, one of America's leading commentators on culture and society turns his gaze upon cinematic race relations, examining the relationship between film, race and culture. Acute, richly illustrated and timely, the book deepens our understanding of the politics of race and the symbolic complexity of segregation and discrimination.
Author: Meredith K. James
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 128
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Book Description
This study explores the importance of the literary reservation of the mind in twentieth century native American literature. The book examines the contradictory nature of what the literary reservation space means primarily in the works of Sherman Alexie, but also includes discussions of works by N. Scott Momaday, Leslie Marmon Silko, and Louise Erdrich. Authors often recreate reservation space in positive ways, so their characters are able to survive colonial imposition and administration. The book deals with how Native authors reconcile fragmented identities with the landscape, and how damaging perceptions and policies regarding Native peoples have contributed to the reservation of the mind.
Author: Glenn Frankel
Publisher: Bloomsbury Publishing USA
ISBN: 1620409488
Category : History
Languages : en
Pages : 417
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Book Description
From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just thirty-two days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favorite film, celebrating moral fortitude. Yet what has been often overlooked is that High Noon was made during the height of the Hollywood blacklist, a time of political inquisition and personal betrayal. In the middle of the film shoot, screenwriter Carl Foreman was forced to testify before the House Committee on Un-American Activities about his former membership in the Communist Party. Refusing to name names, he was eventually blacklisted and fled the United States. (His co-authored screenplay for another classic, The Bridge on the River Kwai, went uncredited in 1957.) Examined in light of Foreman's testimony, High Noon's emphasis on courage and loyalty takes on deeper meaning and importance. In this book, Pulitzer Prize-winning journalist Glenn Frankel tells the story of the making of a great American Western, exploring how Carl Foreman's concept of High Noon evolved from idea to first draft to final script, taking on allegorical weight. Both the classic film and its turbulent political times emerge newly illuminated.
Author: David Delgado Shorter
Publisher: U of Nebraska Press
ISBN: 0803226462
Category : Foreign Language Study
Languages : en
Pages : 390
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Book Description
In this innovative, performative approach to the expressive culture of the Yaqui (Yoeme) peoples of the Sonora and Arizona borderlands, David Delgado Shorter provides an altogether fresh understanding of Yoeme worldviews. Based on extensive field study, Shorter's interpretation of the community's ceremonies and oral traditions as forms of "historical inscription" reveals new meanings of their legends of the Talking Tree, their narrative of myth-and-history known as the Testamento, their fabled deer dances, funerary rites, and church processions.
