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Author: Sue Clayton
Publisher: Bloomsbury Publishing
ISBN: 1786732041
Category : Art
Languages : en
Pages : 370
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Book Description
The 1970s was an enormously creative period for experimental film. Its innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer/director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences. Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as William Raban and Stephen Dwoskin - and Mulvey and Clayton themselves - this important book takes account of a wave of socially aware film practice without which today's activist, queer, minority and feminist voices would have struggled to gather such volume.
Author: Sue Clayton
Publisher: Bloomsbury Publishing
ISBN: 1786732041
Category : Art
Languages : en
Pages : 370
Get Book Here
Book Description
The 1970s was an enormously creative period for experimental film. Its innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer/director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences. Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as William Raban and Stephen Dwoskin - and Mulvey and Clayton themselves - this important book takes account of a wave of socially aware film practice without which today's activist, queer, minority and feminist voices would have struggled to gather such volume.
Author: Dong Hoon Kim
Publisher: Edinburgh University Press
ISBN: 1474421822
Category : History
Languages : en
Pages : 263
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Book Description
In this ground-breaking investigation into the seldom-studied film culture of colonial Korea (1910-1945), Dong Hoon Kim brings new perspectives to the associations between colonialism, modernity, film historiography and national cinema. By reconstructing the lost intricacies of colonial film history, Eclipsed Cinema explores under-investigated aspects of colonial film culture, such as the representational politics of colonial cinema, the film unit of the colonial government, the social reception of Hollywood cinema, and Japanese settlers' film culture. Filling a significant void in Asian film history, Eclipsed Cinema greatly expands the critical and historical scopes of early cinema and Korean and Japanese film histories, as well as modern Asian culture, and colonial and postcolonial studies.
Author: Kylo-Patrick R. Hart
Publisher: McFarland
ISBN: 1476642877
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Arctic cinemas represent a noteworthy new subfield of film studies, and in the current era of unprecedented global warming, interest in the Arctic region and its cinematic portrayals has never been greater. Individually and collectively, films pertaining to Arctic inhabitants and experiences have substantially influenced viewer perceptions of the region throughout the world, often serving as blank slates for the fantasies and projections of individuals elsewhere with regard to its challenging landscape and perceived "otherworldliness." Written by a blend of academic scholars, artists, and filmmakers, this collection of essays provides a transnational overview of the variety of works--ranging from art films and documentaries to horror and road movies--that fall under the conceptual rubric of "Arctic cinemas," and examines their contributions to past and present perceptions of the Arctic. Theoretical and analytical approaches represented here include critical theory, cultural studies, ecocriticism, ethnography, gender studies, genre theory, historiography, and indigenous studies.
Author: Michael T. Martin
Publisher: Indiana University Press
ISBN: 0253066271
Category : Performing Arts
Languages : en
Pages : 555
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Book Description
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.
Author: Christian Quendler
Publisher: Taylor & Francis
ISBN: 1317434196
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?
Author: A. Gabriel Meléndez
Publisher: Rutgers University Press
ISBN: 0813561086
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Hidden Chicano Cinema examines how New Mexico, situated within the boundaries of the United States, became a stand-in for the exotic non-western world that tourists, artists, scientists, and others sought to possess at the dawn of early filmmaking, a disposition stretching from the silent era to today as filmmakers screen their fantasies of what they wished the Southwest Borderlands to be. The book highlights “film moments” in this region’s history including the “filmic turn” ushered in by Chicano/a filmmakers who created new ways to represent their community and region. A. Gabriel Meléndez narrates the drama, intrigue, and politics of these moments and accounts for the specific cinematic practices and the sociocultural detail that explains how the camera itself brought filmmakers and their subjects to unexpected encounters on and off the screen. Such films as Adventures in Kit Carson Land, The Rattlesnake, and Red Sky at Morning, among others, provide examples of movies that have both educated and misinformed us about a place that remains a “distant locale” in the mind of most film audiences.
Author: Catherine Russell
Publisher: Duke University Press
ISBN: 9780822323198
Category : Performing Arts
Languages : en
Pages : 422
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Book Description
A sophisticated theoretical consideration of the related aesthetics and histories of ethnographic and experimental non-fiction films.
Author: Anna Grimshaw
Publisher: Indiana University Press
ISBN: 0253221587
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Once hailed as a radical breakthrough in documentary and ethnographic filmmaking, observational cinema has been criticized for a supposedly detached camera that objectifies and dehumanizes the subjects of its gaze. The author's provide a critical historyand in-depth appraisal of this movement.
Author: Firesign Theatre (Performing group)
Publisher:
ISBN: 9780881455090
Category :
Languages : en
Pages : 36
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Book Description
Danger is Firesign's take on the hard-boiled detective character, with firstperson narration and crazy adventures that often involve mistaken identity, and of course there's always a dangerous dame. The skits spoof the conventions of those old detective radio shows, right down to the special effects, the sponsors, the on-air host, the convoluted plots, and just about anything else that one might have heard on a classic serial. "The Beatles of comedy." -Library of Congress "The Firesign Theatre is a comedy group that uses the recording studio at least as brilliantly as any rock group ..." -Robert Christgau ..". [Firesign is] the funniest team in America today, combining elements of W C Fields, James Joyce, Lord Buckley, contemporary television and Thirties radio, scrambling it all up in a collective consciousness that defies description, and then spewing it out in a free-form half-hour epic presentation of sheer insanity ... Their timing is dynamite, their dialog kaleidoscopic, and their satire is, so to speak, acidic. WAITING FOR THE ELECTRICIAN ... a masterpiece of paranoia." -Ed Ward, Rolling Stone
Author: Margo A. Kasdan
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
