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Author: Jonas Mekas
Publisher: Columbia University Press
ISBN: 0231541589
Category : Performing Arts
Languages : en
Pages : 496
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Book Description
In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.
Author: Jonas Mekas
Publisher: Columbia University Press
ISBN: 0231541589
Category : Performing Arts
Languages : en
Pages : 496
Get Book Here
Book Description
In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.
Author: Gönül Dönmez-Colin
Publisher: Reaktion Books
ISBN: 1861895836
Category : Performing Arts
Languages : en
Pages : 271
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Book Description
Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike.
Author: Brittany D. Friesner
Publisher: Indiana University Press
ISBN: 0253058104
Category : Performing Arts
Languages : en
Pages : 525
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Book Description
In its first ten years, a small Midwestern cinema has attracted some of the most intriguing and groundbreaking filmmakers from around the world, screened the best in arthouse and repertory films, and presented innovative and unique cinematic experiences. Indiana University Cinema tells the story of how the cinema on the campus of Indiana University Bloomington grew into a vibrant, diverse, and thoughtfully curated cinematheque. Detailing its creation of a transformative cinematic experience throughout its inaugural decade, the IU Cinema has arguably become one of the best venues for watching movies in the country. Featuring 17 exclusive interviews with filmmakers and actors, as well as an afterword from Jonathan Banks (Breaking Bad and Better Call Saul), Indiana University Cinema, is a lavishly illustrated book that is sure to please everyone from the casual moviegoer to the most passionate cinephile.
Author: Jeffrey Middents
Publisher: UPNE
ISBN: 1584658428
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
A study of Peruvian Cinema and the role of criticism in forming a national cinematic vision
Author: Andy Black
Publisher: Noir Publishing
ISBN: 0953656454
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Continuing from the success of the first four Necronomicon books, volume five again seeks out controversial and transgressive cinema from around the globe. The dark underbelly of this tome reveals yet more perverse delights within cult, horror and erotic cinema. the cult film genre is still very popular with big budget releases such as Grindhouse 28, 28 Weeks Later and Hostel 2 showing with Residents Evil: Extinction, Rogue & Doomsday, all due at cinemas by December 07.
Author: Salomé Aguilera Skvirsky
Publisher: Duke University Press
ISBN: 1478007079
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
From IKEA assembly guides and “hands and pans” cooking videos on social media to Mister Rogers's classic factory tours, representations of the step-by-step fabrication of objects and food are ubiquitous in popular media. In The Process Genre Salomé Aguilera Skvirsky introduces and theorizes the process genre—a heretofore unacknowledged and untheorized transmedial genre characterized by its representation of chronologically ordered steps in which some form of labor results in a finished product. Originating in the fifteenth century with machine drawings, and now including everything from cookbooks to instructional videos and art cinema, the process genre achieves its most powerful affective and ideological results in film. By visualizing technique and absorbing viewers into the actions of social actors and machines, industrial, educational, ethnographic, and other process films stake out diverse ideological positions on the meaning of labor and on a society's level of technological development. In systematically theorizing a genre familiar to anyone with access to a screen, Skvirsky opens up new possibilities for film theory.
Author: Michael Boyce Gillespie
Publisher: Duke University Press
ISBN: 0822373882
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
Author: Amresh Sinha
Publisher: Columbia University Press
ISBN: 023116193X
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
Includes bibliographical references and index.
Author: Justin Decloux
Publisher:
ISBN: 9781794544581
Category :
Languages : en
Pages : 107
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Book Description
The blockbuster podcast is now an UNMISSABLE NEW BOOK! Will Sloan and Justin Decloux, hosts of The Important Cinema Club podcast, take you on a spine-tingling journey through the darkest recesses of film history to share their twisted cinematic obsessions! You'll GASP at studies of Albert Pyun, Joe D'Amato, William Beaudine, Mabel Normand, Apichatpong Weerasethakul, and Jackie Chan... SCREAM at primers on the Bruceploitation and Hong Kong Girls-with-Guns genres... SHUDDER at reportage from Hamilton's Trash Cinema and the Laser Blast Film Society... SHRIEK at appreciations of Joe Dante's Looney Tunes: Back in Action, Charlie Chaplin's Monsieur Verdoux, and Steve Oedeker's Kung Pow: Enter the Fist... RAISE AN EYEBROW at interviews on the eccentric cinema of Matt Farley, David DeCoteau, and Gary Graver... and so much more! DO YOU HAVE WHAT IT TAKES TO JOIN THE IMPORTANT CINEMA CLUB?
Author: Thomas J. Connelly
Publisher: Northwestern University Press
ISBN: 0810139235
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace.
