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Author: Brendan Patrick Riley
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
ABSTRACT: It suggests that parallel distributed processing provides a model for pedagogy and research, applicable to both classroom and scholarly work. Cinema, Computers, and War explores the relationship between criticism, technology, and modern digital culture. It uses these technologies to invent new methods for film scholarship--not to define film studies in the age of electracy, but to make room for it.
Author: Brendan Patrick Riley
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
ABSTRACT: It suggests that parallel distributed processing provides a model for pedagogy and research, applicable to both classroom and scholarly work. Cinema, Computers, and War explores the relationship between criticism, technology, and modern digital culture. It uses these technologies to invent new methods for film scholarship--not to define film studies in the age of electracy, but to make room for it.
Author: Paul Virilio
Publisher: Verso Books
ISBN: 1789604796
Category : Philosophy
Languages : en
Pages : 180
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Book Description
Reveals the convergence of perception and destruction in the parallel technologies of warfare and cinema.
Author: C. Kempshall
Publisher: Springer
ISBN: 1137491760
Category : History
Languages : en
Pages : 135
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Book Description
The First World War in Computer Games analyses the depiction of combat, the landscape of the trenches, and concepts of how the war ended through computer games. This book explores how computer games are at the forefront of new representations of the First World War.
Author: Andrew Utterson
Publisher: British Film Institute
ISBN: 9781844573233
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Andrew Utterson's unique study charts the beginnings of digital cinema, addressing both how filmmakers used new digital technologies and how attitudes and anxieties about the rise of the computer were represented in films such as Lang's Desk Set, Godard's Alphaville, Kubrick's 2001: A Space Odyssey and Crichton's Westworld.
Author: Andrew Utterson
Publisher: British Film Institute
ISBN: 9781844573233
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Andrew Utterson's unique study charts the beginnings of digital cinema, addressing both how filmmakers used new digital technologies and how attitudes and anxieties about the rise of the computer were represented in films such as Lang's Desk Set, Godard's Alphaville, Kubrick's 2001: A Space Odyssey and Crichton's Westworld.
Author: Michael Berry
Publisher: University of Hawaii Press
ISBN: 0824875109
Category : History
Languages : en
Pages : 345
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Book Description
Divided Lenses: Screen Memories of War in East Asia is the first attempt to explore how the tumultuous years between 1931 and 1953 have been recreated and renegotiated in cinema. This period saw traumatic conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War, and pivotal events such as the Rape of Nanjing, Pearl Harbor, the Battle of Iwo Jima, and the bombings of Hiroshima and Nagasaki, all of which left a lasting imprint on East Asia and the world. By bringing together a variety of specialists in the cinemas of East Asia and offering divergent yet complementary perspectives, the book explores how the legacies of war have been reimagined through the lens of film. This turbulent era opened with the Mukden Incident of 1931, which signaled a new page in Japanese militaristic aggression in East Asia, and culminated with the Korean War (1950–1953), a protracted conflict that broke out in the wake of Japan's post–World War II withdrawal from Korea. Divided Lenses explores the ways in which events of the intervening decades have continued to shape politics and popular culture throughout East Asia and the world. The essays in part I examine historical trends at work in various "national" cinemas, including China, Taiwan, Japan, Korea, and the United States. Those in part 2 focus on specific themes present in the cinema portraying this period—such as comfort women in Chinese film, the Nanjing Massacre, or nationalism—and how they have been depicted or renegotiated in contemporary films. Of particular interest are contributions drawing from other forms of screen culture, such as television and video games. Divided Lenses builds on the growing interest in East Asian cinema by examining how these historic conflicts have been imagined, framed, and revisited through the lens of cinema and screen culture. It will interest later generations living in the shadow of these events, as well as students and scholars in the fields of cinema studies, cultural studies, cold war studies, and World War II history.
Author: John Armitage
Publisher: SAGE
ISBN: 1446265390
Category : Social Science
Languages : en
Pages : 253
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Book Description
Paul Virilio is one of the most significant and stimulating French cultural theorists writing today. Increasingly hailed as the ′archaeologist of the future′, Virilio is noted for his proclamation that the logic of ever increasing acceleration lies at the heart of the organization and transformation of the contemporary world. The first book to afford a properly critical evaluation of Virilio′s cultural theory, it includes an interview with Virilio; a recently translated example of his work; and a select bibliography of his writings. The commissioned contributions by leading cultural and social theorists examine Virilio′s work from his early speculations on military and urban space to his current writings on dromology, politics, new communications technologies, disappearance, and the fallout from `the information bomb′.
Author: Douglas M. Kellner
Publisher: John Wiley & Sons
ISBN: 1444360493
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces Films and documentaries discussed include: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst others Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwise Investigates Hollywood’s treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000s Shows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural conditions to elect Barack Obama
Author: Jones Irwin
Publisher: Rodopi
ISBN: 9789042019331
Category : War
Languages : en
Pages : 256
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Book Description
If the practice of war is as old as human history, so too is the need to reflect upon war, to understand its meaning and implications. The Pre-Socratic philosopher Heraclitus asserted in 600BC that War (polemos) is justice, thus inaugurating a long philosophical tradition of consideration of the morality of war. In recent times, the increased specialisation of academic disciplines has led a to a fragmentation of the thematic of war within the academy - the topic of war is as likely to be addressed by sociologists, cultural theorists, psychologists and even computer scientists as it is by historians, philosophers or political scientists. This diversity of disciplinary approaches to war is undoubtedly fruitful in itself but can lead to an isolation of respective disciplinary analyses of war from each other. In July 2002, at Mansfield College, Oxford, an inter-disciplinary conference on war (entitled 'War and Virtual War') was held so as to redress some of this disciplinary isolationism and to forge an integrative dialogue on war, in all its facets. The papers in this volume were nominated by delegates as the most paradigmatic of the ethos of the original project and the most successful in achieving its aims of inter-disciplinarity and critical dialogue.
Author: Helmar Schramm
Publisher: Walter de Gruyter
ISBN: 3110201550
Category : Literary Criticism
Languages : en
Pages : 625
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Book Description
This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the authors present a novel view of the conditions surrounding the creation of these spatial forms. Account is taken both of the institutional framework of these spaces and their placement within the history of ideas, the architectural models and the modular differentiations, and the scientific consequences of particular design decisions. Manifold paths are followed between the location of the observer in the representational space of science and the organization in time and space of sight, speech and action in the canon of European theatrical forms. Not only is an account given of the mutual architectural and intellectual influence of the spaces of knowledge and the performance spaces of art; they are also analyzed to ascertain what was possible in them and through them. This volume is the English translation of Kunstkammer, Laboratorium, Bühne (de Gruyter, Berlin, 2003).
