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Author: Peter Kenez
Publisher: CUP Archive
ISBN: 9780521428637
Category : History
Languages : en
Pages : 300
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Book Description
The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.
Author: Peter Kenez
Publisher: CUP Archive
ISBN: 9780521428637
Category : History
Languages : en
Pages : 300
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Book Description
The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.
Author: Peter Kenez
Publisher:
ISBN: 9780755604616
Category : Electronic books
Languages : en
Pages : 252
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Book Description
In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.
Author: David Gillespie
Publisher: Wallflower Press
ISBN: 9781903364048
Category : Performing Arts
Languages : en
Pages : 126
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Book Description
This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.
Author: Richard Taylor
Publisher: Bloomsbury Publishing
ISBN: 1838718508
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
This work maps the rich, varied cinema of Eastern Europe, Russia and the former USSR. Over 200 entries cover a variety of topics spanning a century of endeavour and turbulent history from Czech animation to Soviet montage, from the silent cinemas dating back to World War I through to the varied responses to the conflicts in the former Yugoslavia. It includes entries on actors and actresses, film festivals, studios, genres, directors, film movements, critics, producers and technicians, taking the coverage up to the late 1990s. In addition to the historical material of key figures like Eisenstein and Wadja, the editors provide separate accounts of the trajectory of the cinemas of Eastern Europe and of Russia in the wake of the collapse of communism.
Author: Stephen Hutchings
Publisher: Routledge
ISBN: 1134400586
Category : History
Languages : en
Pages : 235
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Book Description
Providing many interesting case studies and bringing together many leading authorities on the subject, this book examines the importance of film adaptations of literature in Russian cinema, especially during the Soviet period when the cinema was accorded a vital role in imposing the authority of the communist regime on the consciousness of the Soviet people.
Author: Nicholas Rzhevsky
Publisher: Routledge
ISBN: 1317476867
Category : Political Science
Languages : en
Pages : 566
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Book Description
Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.
Author: Stephen M. Norris
Publisher: Indiana University Press
ISBN: 025302790X
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
“Examines in a remarkably rich and varied way the construction of otherness and foreignness within this complexly ‘national’ cinema tradition.” —John MacKay, Yale University Identifying who was “inside” and who was “outside” the Soviet/Russian body politic has been a matter of intense and violent urgency, especially in the high Stalinist and post-Soviet periods. It is a theme encountered prominently in film. Employing a range of interpretive methods practiced in Russian/Soviet film studies, Insiders and Outsiders in Russian Cinema highlights the varied ways that Russian and Soviet cinema constructed otherness and foreignness. While the essays explore the “us versus them” binary well known to students of Russian culture and the ways in which Russian films depicted these distinctions, the book demonstrates just how impossible maintaining this binary proved to be. Contributors are Anthony Anemone, Julian Graffy, Peter Kenez, Joan Neuberger, Stephen M. Norris, Oleg Sulkin, Yuri Tsivian, Emma Widdis, and Josephine Woll. “An anthology that is the best I have ever had the pleasure of reading . . . Lucidly written, well researched, persuasively argued, lavishly illustrated, Insiders and Outsiders in Russian Cinema can be read with pleasure and profit by anyone from the general reader interested in Russian culture to the most seasoned Russian film specialist.” —Denise J. Youngblood, University of Vermont, Russian Review “In a word, the theoretical richness and sophistication of this collection parallel the complexity of its topics and serve as an excellent cross-section of how the theme of foreigners and outsiders is examined in contemporary studies in film.” —Slavonic & East European Journal
Author: David Welch
Publisher: Routledge
ISBN: 1134607563
Category : History
Languages : en
Pages : 286
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Book Description
Modern European History brings together a unique selection of documents covering the period from 1871 to 2000. The collection is organised by topic, and a clear historical context and chronological chart provide background for each section. This second edition brings the book up to date and includes such key themes in European history as: * Bismarck and Imperial Germany * the Russian Revolution * the origins and aftermath of the First and Second World Wars * Fascist Italy and Nazi Germany * The Spanish Civil War * The Cold War * European Integration 1945-1999 Containing documents such as extracts from diaries, speeches, treaties, poetry, radio broadcasts, photographs, cartoons, political posters and propaganda, this is an essential resource for students of modern British and European history.
Author: David C. Gillespie
Publisher: Routledge
ISBN: 1317874137
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others. The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema. Subsequent chapters explore a variety of topics: The literary space - the cinematic rendering of the literary text, from 'Sovietized' versions to bolder and more innovative interpretations, as well as adaptations of foreign classics The Russian film comedy looks at this perennially popular genre over the decades, from the 'domestication' of laughter under Stalin to the emergence of satire The historical film - how history has been used in film to affirm prevailing ideological norms, from October to Taurus Women and Russian film discusses some of the female stars of the Soviet screen (Liubov Orlova, Vera Alentova, Liudmila Gurchenko), as well as films made by male and female directors, such as Askoldov and Kira Muratova Film and ideology shows why ideology was an essential component of Soviet films such as The Maxim Trilogy, and how it was later definitively rejected The Russian war film looks at Civil War and Second World War films, and the post-Soviet treatment of recent conflicts in Afghanistan and Chechnya Private life and public morality explores the evolution of melodramas about youth angst, town and village life, personal relationships, and the emergence of the dominant sub-genre of the 1990s, the gangster thriller Autobiography, memory and identity offers a close reading of the work of Andrei Tarkovskii, Russia's greatest post-war director, whose films, including Andrei Rublev and Mirror, place him among the foremost European auteur film-makers Russian Cinema offers a close analysis of over 300 films illustrated with representative stills throughout. As with other titles in the Inside Film series it includes comprehensive filmographies, a thorough bibliography and an annotated further reading list. The book is a jargon-free, accessible study that will be of interest to undergraduates of film studies, modern languages, Russian language and literature, as well as cineastes, film teachers and researchers.
Author: Catherine Fowler
Publisher: Psychology Press
ISBN: 9780415240918
Category : History
Languages : en
Pages : 296
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Book Description
This comprehensive introduction to national cinemas in Europe brings together classic writings by key filmmakers such as Sergei Eisenstein, Luis Buñuel and John Grierson, and critics from Andre Bazin to Peter Wollen.
