Cinema and Soviet Society, 1917-1953 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Cinema and Soviet Society, 1917-1953 PDF full book. Access full book title Cinema and Soviet Society, 1917-1953 by Peter Kenez. Download full books in PDF and EPUB format.
Author: Peter Kenez
Publisher: CUP Archive
ISBN: 9780521428637
Category : History
Languages : en
Pages : 300
Get Book Here
Book Description
The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.
Author: Peter Kenez
Publisher: CUP Archive
ISBN: 9780521428637
Category : History
Languages : en
Pages : 300
Get Book Here
Book Description
The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.
Author: Peter Kenez
Publisher:
ISBN: 9780755604616
Category : Electronic books
Languages : en
Pages : 252
Get Book Here
Book Description
In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.
Author: Peter Kenez
Publisher: Cambridge University Press
ISBN: 1139451022
Category : History
Languages : en
Pages : 352
Get Book Here
Book Description
An examination of political, social and cultural developments in the Soviet Union. The book identifies the social tensions and political inconsistencies that spurred radical change in the government of Russia, from the turn of the century to the revolution of 1917. Kenez envisions that revolution as a crisis of authority that posed the question, 'Who shall govern Russia?' This question was resolved with the creation of the Soviet Union. Kenez traces the development of the Soviet Union from the Revolution, through the 1920s, the years of the New Economic Policies and into the Stalinist order. He shows how post-Stalin Soviet leaders struggled to find ways to rule the country without using Stalin's methods but also without openly repudiating the past, and to negotiate a peaceful but antipathetic coexistence with the capitalist West. In this second edition, he also examines the post-Soviet period, tracing Russia's development up to the time of publication.
Author: David Gillespie
Publisher: Wallflower Press
ISBN: 9781903364048
Category : Performing Arts
Languages : en
Pages : 126
Get Book Here
Book Description
This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.
Author: Kirill Postoutenko
Publisher: Springer Nature
ISBN: 3030883671
Category : History
Languages : en
Pages : 442
Get Book Here
Book Description
This book provides a systematic account of media and communication development in Soviet society from the October Revolution to the death of Stalin. Summarizing earlier research and drawing upon previously unpublished archival materials, it covers the main aspects of public and private interaction in the Soviet Union, from public broadcast to kitchen gossip. The first part of the volume covers visual, auditory and tactile channels, such as posters, maps and monuments. The second deals with media, featuring public gatherings, personal letters, telegraph, telephone, film and radio. The concluding part surveys major boundaries and flows structuring the Soviet communicate environment. The broad scope of contributions to this volume will be of great interest to students and researchers working on the Soviet Union, and twentieth-century media and communication more broadly.
Author: Peter Kenez
Publisher: Cambridge University Press
ISBN: 1316869903
Category : History
Languages : en
Pages : 393
Get Book Here
Book Description
This concise yet comprehensive textbook examines political, social, and cultural developments in the Soviet Union and the post-Soviet period. It begins by identifying the social tensions and political inconsistencies that spurred radical change in Russia's government, from the turn of the century to the revolution of 1917. Peter Kenez presents this revolution as a crisis of authority that the creation of the Soviet Union resolved. The text traces the progress of the Soviet Union through the 1920s, the years of the New Economic Policies, and into the Stalinist order. It illustrates how post-Stalin Soviet leaders struggled to find ways to rule the country without using Stalin's methods - but also without openly repudiating the past - and to negotiate a peaceful but antipathetic coexistence with the capitalist West. This updated third edition includes substantial new material, discussing the challenges Russia currently faces in the era of Putin.
Author: Peter Rollberg
Publisher: Rowman & Littlefield
ISBN: 1442268425
Category : Performing Arts
Languages : en
Pages : 891
Get Book Here
Book Description
Russian and Soviet cinema occupies a unique place in the history of world cinema. Legendary filmmakers such as Sergei Eisenstein, Vsevolod Pudovkin, Dziga Vertov, Andrei Tarkovsky, and Sergei Paradjanov have created oeuvres that are being screened and studied all over the world. The Soviet film industry was different from others because its main criterion of success was not profit, but the ideological and aesthetic effect on the viewer. Another important feature is Soviet cinema’s multinational (Eurasian) character: while Russian cinema was the largest, other national cinemas such as Georgian, Kazakh, and Ukrainian played a decisive role for Soviet cinema as a whole. The Historical Dictionary of Russian and Soviet Cinema provides a rich tapestry of factual information, together with detailed critical assessments of individual artistic accomplishments. This second edition of Historical Dictionary of Russian and Soviet Cinema contains a chronology, an introduction, and a bibliography. The dictionary section has over 600 cross-referenced entries on directors, performers, cinematographers, composers, designers, producers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian and Soviet Cinema.
Author: Oksana Sarkisova
Publisher: Bloomsbury Publishing
ISBN: 178672040X
Category : Social Science
Languages : en
Pages : 354
Get Book Here
Book Description
Filmmakers in the early decades of the Soviet Union sought to create a cinematic map of the new state by portraying its land and peoples on screen. Such films created blueprints of the Soviet domain's scenic, cultural and ethnographic perimeters and brought together - in many ways disparate - nations under one umbrella. Categorised as kulturfilms, they served as experimental grounds for developing the cinematic formulae of a multiethnic, multinational Soviet identity. Screening Soviet Nationalities examines the non-fictional representations of Soviet borderlands from the Far North to the Northern Caucasus and Central Asia between 1925-1940. Beginning with Dziga Vertov and his vision of the Soviet space as a unified, multinational mosaic, Oksana Sarkisova rediscovers films by Vladimir Erofeev, Vladimir Shneiderov, Alexander Litvinov, Mikhail Slutskii, Amo Bek-Nazarov, Mikhail Kalatozov, Roman Karmen and other filmmakers who helped construct an image of Soviet ethnic diversity and left behind a lasting visual legacy.The book contributes to our understanding of changing ethnographic conventions of representation, looks at studies of diversity despite the homogenising ambitions of the Soviet project, and reexamines methods of blending reality and fiction as part of both ideological and educational agendas. Using a wealth of unexplored archival evidence from the Russian State Documentary Film and Photo Archive (RGAKFD) as well as the Gosfilmofond state film archive, Sarkisova examines constructions of exoticism, backwardness and Soviet-driven modernity through these remarkable and underexplored historical travelogues.
Author: Derek Spring
Publisher: Routledge
ISBN: 1136128360
Category : Social Science
Languages : en
Pages : 324
Get Book Here
Book Description
Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.
Author: Helena Goscilo
Publisher: Academic Studies PRess
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
Get Book Here
Book Description
A beneficiary of the pioneering incorporation of sound and synchronicity into cinema, the Hollywood musical became the most popular film genre in America’s thirties and forties. Its eastward migration resulted in a barrage of Polish screen musicals that relied on the country’s famous cabaret stars, while in the Soviet Union it inspired the audience-pleasing kolkhoz musicals of Ivan Pyr’ev and their urban counterpart, directed by Grigorii Aleksandrov. Like Stalin, Slavic moviegoers delectated tuneful melodies, mobile bodies in choreographed dance numbers, colorful costumes, and the notion that “all’s well that ends well.” Yet Slavic versions of the musical elaborated scenarios that differed from the Hollywood model. This volume examines the vagaries of this genre in both countries, from its early instantiations to its contemporary variations almost a century after its dramatic birth.
