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Author: Bill Nichols
Publisher: U of Minnesota Press
ISBN: 1452932662
Category :
Languages : en
Pages : 295
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Book Description
Multiple views of the famed Hungarian filmmaker and installation artist who turns home movies into history
Author: Bill Nichols
Publisher: U of Minnesota Press
ISBN: 1452932662
Category :
Languages : en
Pages : 295
Get Book Here
Book Description
Multiple views of the famed Hungarian filmmaker and installation artist who turns home movies into history
Author: Roger Christian
Publisher: Titan Books (US, CA)
ISBN: 1785650858
Category : Biography & Autobiography
Languages : en
Pages : 378
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Book Description
For the first time, Oscar-winning production designer and director Roger Christian reveals his life story, from his earliest work in the British film industry to his breakthrough contributions on such iconic science fiction masterpieces as Star Wars, Alien and his own rediscovered Black Angel. This candid biography delves into his relationships with legendary figures, as well as the secrets of his greatest work. The man who built the lightsaber finally speaks!
Author: Rachel O. Moore
Publisher: Duke University Press
ISBN: 9780822323884
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
An ambitious and original work which uses early film theory, anthropological insights, and avant--garde film to explore the relation of cinema to ritual healing.
Author: Laura Rascaroli
Publisher: Bloomsbury Publishing USA
ISBN: 1441101934
Category : Performing Arts
Languages : en
Pages : 390
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Book Description
With the advent of digital filmmaking and critical recognition of the relevance of self expression, first-person narratives, and personal practices of memorialization, interest in the amateur moving image has never been stronger. Bringing together key scholars in the field, and revealing the rich variety of amateur filmmaking-from home movies of Imperial India and film diaries of life in contemporary China, to the work of leading auteurs such as Joseph Morder and Péter Forgács-Amateur Filmmaking highlights the importance of amateur cinema as a core object of critical interest across an array of disciplines. With contributions on the role of the archive, on YouTube, and on the impact of new technologies on amateur filmmaking, these essays offer the first comprehensive examination of this growing field.
Author: Catherine Russell
Publisher: Duke University Press
ISBN: 0822372002
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology—the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers—provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Védrès's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Author: Nora M. Alter
Publisher: Columbia University Press
ISBN: 0231543999
Category : Performing Arts
Languages : en
Pages : 540
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Book Description
The essay—with its emphasis on the provisional and explorative rather than on definitive statements—has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Errol Morris, Trinh T. Minh-ha, and Rithy Panh. Characteristics of the essay film include the blending of fact and fiction, the mixing of art- and documentary-film styles, the foregrounding of subjective points of view, a concentration on public life, a tension between acoustic and visual discourses, and a dialogic encounter with audiences. This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by essay filmmakers. It features texts on the foundations of the essay film by writers such as Hans Richter and André Bazin; contemporary positions by, among others, Phillip Lopate and Michael Renov; and original essays by filmmakers themselves, including Laura Mulvey and Isaac Julien.
Author: Aa. Vv.
Publisher: Mimesis
ISBN: 8857529983
Category : Performing Arts
Languages : en
Pages : 238
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Book Description
As Jacques Derrida wrote in 1995, while considering Archive Fever, nothing is less reliable or less clear today than the word “archive”. Nevertheless, the historic-cultural dimension of the contemporary discursive practices in cinema and art develops in the semantic openendedness of the term, in the repositioning of the idea of archive.The individual disciplines involved in one such field – history of cinema and art, theory of cinema and art, aesthetics, semiotics, philology, etc. – begin to open up to questioning the notion of archive even ‘in negative’: in other words what – after Michel Foucault – the “archive” is not, or does not seem to be. The “archive” is not the ‘library of libraries’ or ‘encyclopedia’, it is not ‘memory’, it is not museum, it is not a ‘database’.In recent years, the attention focused on such ideas has not so much highlighted the ‘impulses’, ‘turns’ and specific forms of art (“art archive”) as it has revealed in many ways how the “archive” concerns us in the interrelation of aesthetic, political, ethical and legal levels among various disciplinary fields.
Author: Anna Artwińska
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111208664
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This volume examines Ibero-American as well as Slavic literatures of the 21st century and studies how historical imaginaries in family narratives are functionalized for both individual and collective and (post-)national identities. The analysis proceeds along three conceptual axes. What these narratives have in common is that they construct specific constellations of the historical imagination and of family, whereby 'family' is here conceived not so much as an organic micro-unity, but rather as changing, multiple relations between individual members, godparents, first- and second-degree relatives, non-blood-related family members, present and absent members, adopted children, etc. Furthermore, these novels are often grounded in trans-generational memories. They are written by members of a generation that, as a rule, did not directly experience these historical events. It is also significant that these narratives are no longer conceived as representing national identities, but paradigmatically speak for a collective that defines itself in regional, ethnic, religious or ideological terms. It seems, therefore, that these narratives of family constellations are in need of more flexible typological rubrics and interpretive frameworks. Intended as a sustained comparative study of these family narratives, this volume is a contribution in understanding how historical caesura, experiences, and their literary representation work on the self-understanding of the present.
Author: Michael Renov
Publisher: U of Minnesota Press
ISBN: 9780816634415
Category : Performing Arts
Languages : en
Pages : 318
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Book Description
The documentary, a genre as old as cinema itself, has traditionally aspired to objectivity. Whether making ethnographic, propagandistic, or educational films, documentarians have pointed the camera outward, drawing as little attention to themselves as possible. In recent decades, however, a new kind of documentary has emerged in which the filmmaker has become the subject of the work. Whether chronicling family history, sexual identity, or a personal or social world, this new generation of nonfiction filmmakers has defiantly embraced autobiography.In The Subject of Documentary, Michael Renov focuses on how documentary filmmaking has become an important means for both examining and constructing selfhood. By looking at key figures in documentary filmmaking as well as noncanonical video art and avant-garde artists, Renov broadens the definition of what counts as documentary, and explores the intersection of the personal and political, considering how memory can create a way into asking troubling questions about identity, oppression, and resiliency.Offering historical context for the explosion of personal nonfiction filmmaking in the 1980s and 1990s, Renov analyzes films in which the subjectivity of the filmmaker is expressly defined in relation to political struggle or historical trauma, from Haskell Wexler's Medium Cool to Jonas Mekas's Lost, Lost, Lost. And, looking beyond the traditional documentary, Renov contemplates such nontraditional modes of autobiographical practice as the essay film, the video confession, and the personal Web page.Unique in its attention to diverse expressions of personal nonfiction filmmaking, The Subject of Documentary forges a new understanding of the heightened role and function of subjectivity in contemporary documentary practice.Michael Renov is professor of critical studies at the USC School of Cinema-Television. He is the editor of Theorizing Documentary and the coeditor of Resolutions: Contemporary Video Practices (Minnesota, 1996) and Collecting Visible Evidence (Minnesota, 1999).
Author: Michael J. Shapiro
Publisher: John Wiley & Sons
ISBN: 1509507841
Category : Philosophy
Languages : en
Pages : 208
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Book Description
Catastrophic events like the bombing of Hiroshima, Hurricane Katrina’s devastation of New Orleans, and drone strikes periodically achieve renewed political significance as subsequent developments summon them back to public awareness. But why and how do different conceptions of time inform and challenge these key events and the narratives they create? In this book, Michael J. Shapiro provides an approach to politics and time that unsettles official collective histories by introducing analyses of lived experience articulated in cinematic, televisual, musical, and literary genres. His investigation is framed by questions of our responsibility to acknowledge those victims of violence and catastrophe who have failed to rise above the threshold of public recognition. Ultimately, by focusing on time as an active force shaping our conception of political life, we can deepen our understanding of complex political dynamics and improve the theories and methods we rely on to interpret them. This bold and original book will be of interest to students and scholars of political theory, cultural studies and cinema studies looking for a new perspective on the temporal aspects of political life.
