Author: Daniel J. Kenny
Publisher:
ISBN:
Category : Cincinnati Industrial Exposition
Languages : en
Pages : 428
Book Description
Cincinnati Exposition Guide and Catalogue of the Fine Arts Department, Containing the Name and Address of Every Exhibitor at the Fifth Cincinnati Industrial Exposition of 1874, with a Full and Complete Record of the Articles Exhibited, and Description of the Same ...
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 576
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 576
Book Description
Official Guide to the World's Columbian Exposition ...
Author: John Joseph Flinn
Publisher:
ISBN:
Category : Exhibitions
Languages : en
Pages : 198
Book Description
Publisher:
ISBN:
Category : Exhibitions
Languages : en
Pages : 198
Book Description
Scientific American
Author:
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 432
Book Description
Monthly magazine devoted to topics of general scientific interest.
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 432
Book Description
Monthly magazine devoted to topics of general scientific interest.
Centennial History of Cincinnati and Representative Citizens
Author: Charles Theodore Greve
Publisher:
ISBN:
Category : Cincinnati (Ohio)
Languages : en
Pages : 1130
Book Description
Publisher:
ISBN:
Category : Cincinnati (Ohio)
Languages : en
Pages : 1130
Book Description
Musical Instruments at the World's Columbian Exposition
Author: Frank D. Abbott
Publisher:
ISBN:
Category : Chicago (Ill.)
Languages : en
Pages : 338
Book Description
Publisher:
ISBN:
Category : Chicago (Ill.)
Languages : en
Pages : 338
Book Description
Cincinnati in 1841
Author: Charles Cist
Publisher:
ISBN:
Category : Cincinnati (Ohio)
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category : Cincinnati (Ohio)
Languages : en
Pages : 428
Book Description
Records, Computers, and the Rights of Citizens
Author: United States. Department of Health, Education, and Welfare. Secretary's Advisory Committee on Automated Personal Data Systems
Publisher:
ISBN:
Category : Business records
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category : Business records
Languages : en
Pages : 396
Book Description
Official Guidebook to Omaha and Trans-Mississippi and International Exposition
Author: Megeath stationery company
Publisher:
ISBN:
Category : Trans-Mississippi and International Exposition
Languages : en
Pages : 142
Book Description
Publisher:
ISBN:
Category : Trans-Mississippi and International Exposition
Languages : en
Pages : 142
Book Description
Seurat's Circus Sideshow
Author: Richard Thomson
Publisher: Metropolitan Museum of Art
ISBN: 1588396150
Category : Art
Languages : en
Pages : 146
Book Description
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.
Publisher: Metropolitan Museum of Art
ISBN: 1588396150
Category : Art
Languages : en
Pages : 146
Book Description
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.