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Author: Henry Taylor Blake
Publisher:
ISBN:
Category : New Haven (Conn.)
Languages : en
Pages : 342
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Author: Henry Taylor Blake
Publisher:
ISBN:
Category : New Haven (Conn.)
Languages : en
Pages : 342
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Book Description
Author: Laura A. Macaluso
Publisher: Rowman & Littlefield
ISBN: 144225341X
Category : Art
Languages : en
Pages : 195
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Book Description
The Amistad incident, one of the few successful ship revolts in the history of enslavement, has been discussed by historians for decades, even becoming the subject of a Steven Spielberg film in 1997, which brought the story to wide audiences. But, while historians have examined the Amistad case for its role in the long history of the Atlantic, the United States and slavery, there is an oil on canvas painting of one man, Cinqué, at the center of this story, an image so crucial to the continual retelling and memorialization of the Amistad story, it is difficult to think about the Amistad and not think of this image. Visual and material culture about the Amistad in the form of paintings, prints, monuments, memorials, museum exhibits, quilts and banners, began production in the late summer of 1839 and has not yet ceased. Art of the Amistad and The Portrait of Cinqué is the first book to survey in total these Amistad inspired images and related objects, and to find in them shared ideals and cultural creations, but also divergent applications of the story based on intended audience and local context. Tracing the revolutionary creation of what art historian Stephen Eisenman calls “a highly individualized, noble portrait of an African man,” Art of the Amistad and The Portrait of Cinqué is built around visual and material culture, and thus does not use images merely as illustration, but tells its story through the wide range of images and materials presented. While the Portrait of Cinqué seems to sit quietly behind Plexiglass at a local history museum, the impact of this 175-year old painting is palpable; very few portraits from the 19th century—let alone a portrait of a black man—remain a relevant part of culture as the Portrait of Cinqué continues to be today. Art of the Amistad the Portrait of Cinqué is about the art and artifacts that continue to inform and inspire our understanding of transatlantic history—a journey 175 years in the making.
Author: Karla Rothstein
Publisher: Bloomsbury Publishing USA
ISBN: 1440869065
Category : Social Science
Languages : en
Pages : 297
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Book Description
This book reviews the spectrum of death, from when the living person turns to corpse until the person lives in the memory of mourners, and its impact on the ecology of the socio-cultural community and physical environment. This book demonstrates that American society today is in a pivotal period for re-imaging end-of-life care, funerary services, human disposition methods, memorializing, and mourning. The editors and contributors outline the past, present, and future of death care rituals, pointing to promising new practices and innovative projects that show how we can better integrate the dying and dead with the living and create positive change that supports sustainable stewardship of our environment. Individual chapters describe prevailing practices and issues in different settings where people die and in postmortem rituals; disposition and current ecologically and, in urban areas, spatially unsustainable methods; law of human remains; customs and trends among key stakeholders, such as cemeteries and funeral directors; and relevant technological advances. The book culminates in a presentation of emerging sustainable disposition technologies and innovative designs for proposed public memorial projects that respond to shifting values, beliefs, and priorities among an increasingly diverse population.
Author: Genevieve Fabre
Publisher: Oxford University Press
ISBN: 019802455X
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
As Nathan Huggins once stated, altering American history to account fully for the nation's black voices would change the tone and meaning--the frame and the substance--of the entire story. Rather than a sort of Pilgrim's Progress tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre's No Exit than to the vision of life in Bunyan. The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading scholars has come together to examine the role of historical consciousness and imagination in African-American culture. The result is a complex picture of the dynamic ways in which African-American historical identity constantly invents and transmits itself in literature, art, oral documents, and performances. Each of the scholars represented has chosen a different "site of memory"--from a variety of historical and geographical points, and from different ideological, theoretical, and artistic perspectives. Yet the book is unified by a common concern with the construction of an emerging African-American cultural memory. The renowned group of contributors, including Hazel Carby, Werner Sollors, Vèvè Clark, Catherine Clinton, and Nellie McKay, among others, consists of participants of the five-year series of conferences at the DuBois Institute at Harvard University, from which this collection originated. Conducted under the leadership of Geneviève Fabre, Melvin Dixon, and the late Nathan Huggins, the conferences--and as a result, this book--represent something of a cultural moment themselves, and scholars and students of American and African-American literature and history will be richer as a result.
Author: Gretchen Townsend Buggeln
Publisher: UPNE
ISBN: 9781584653226
Category : Architecture
Languages : en
Pages : 336
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Book Description
Following the American Revolution, the majority of Connecticut's religious societies tore down their boxy eighteenth-century meetinghouses and replaced them with something totally different: spired churches with an elaborate entrance portico on one of the shorter facades. These new buildings signaled a change in how these Christians conceptualized worship space, and in their fundamental understanding of the relationship between the spiritual and material aspects of their lives. Because these new churches evoked a much-beloved myth of tightly-bound communities sharing democratic values and faith in God, they have often been romanticized as emblems of a bygone era of pastoral serenity. Yet, New England of the early nineteenth century--and its religious life in particular--was anything but tranquil. Revivalism, evangelicalism, and religious pluralism meshed with social, economic, and political dislocation to create a volatile period in which Christianity's place was uncertain. This study argues that religious belief and practice, altered in substance and even more so in style by evangelicalism, revival, and a pervasive culture of sensibility, called for new notions of worship. These new buildings helped individuals and congregations regain their equilibrium and developed their spiritual sensibilities and sense of community. They also soothed republican concerns about the need for a religious populace and were important signs of civility and refinement. As the most striking buildings in many Connecticut towns, these churches tell us what citizens of the early republic thought was important, and what they wanted visitors to find remarkable in a distinctive American landscape.
Author: Richard Joseph Purcell
Publisher:
ISBN:
Category : Connecticut
Languages : en
Pages : 498
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Book Description
Author: Joseph Le Roy Harrison
Publisher:
ISBN:
Category : Cooperative cataloging
Languages : en
Pages : 218
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Author:
Publisher:
ISBN:
Category : Cataloging, Cooperative
Languages : en
Pages : 402
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Author: Stanislaus Vincent Henkels
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 358
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Book Description
Author: New Hampshire State Library
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 832
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