Author: Eric Zuesse
Publisher:
ISBN: 9780615573014
Category : Christianity
Languages : en
Pages : 378
Book Description
CHRIST'S VENTRILOQUISTS is a work of investigative history. It documents and describes Christianity's creation-event, in the year 49 or 50, in Antioch (present-day Antakya, Turkey), 20 years after Jesus had been crucified in Jerusalem for sedition against Roman rule. On this occasion, Paul broke away from the Jewish sect that Jesus had begun, and he took with him the majority of this sect's members; he convinced these people that Jesus had been a god, and that the way to win eternal salvation in heaven is to worship him as such. Paul here explicitly introduced, for the first time anywhere, the duality of the previously unitary Jewish God, a duality consisting of the Father and the Son; and he implicitly introduced also the third element of the Trinity, the Holy Ghost. This work also explains and documents the tortuous 14-year-long conflict Paul had had with this sect's leader, Jesus's brother James, a conflict which caused Paul, in about the year 50, to perpetrate his coup d'état against James, and to start his own new religion: Christianity. Then, this historical probe documents that the four canonical Gospel accounts of the words and actions of "Jesus" were written decades after Jesus, by followers of Paul, not by followers of Jesus; and that these writings placed into the mouth of "Jesus" the agenda of Paul. Paul thus effectively became, via his followers, Christ's ventriloquist. A work such as this can be documented and produced only now, after the development (during the past 70 years) of modern legal/forensic methodology. Previously, the only available methods, which scholars have used, simply assumed the honesty-of-intent of all classical documents, especially of canonical religious ones, such as Paul's epistles, and the Four Gospels. Only now is it finally possible to penetrate deeper than that, to reach the writer's intent, and not merely his assertions, and to identify when this intent is to deceive instead of to inform. Whereas scholars have been able to discuss only the truth or falsity of particular canonical statements, it is now possible to discuss also the honesty or deceptiveness of individual statements. This opens up an unprecedented new research tool for historians, and CHRIST'S VENTRILOQUISTS is the first work to use these new methods to reconstruct, on this legal/forensic basis, not just how crimes took place, but how and why major historical events (criminal or not), such as the start of Christianity, actually occurred. The author explains: "What I am doing in this work is to reconstruct from the New Testament the crucial events that produced it, without assuming whether what the NT says in any given passage is necessarily true or even honest. Instead of treating the NT as a work that 'reports history,' the NT is treated as a work whose history is itself being investigated and reported. Its origin goes back to this coup d'état that Paul perpetrated in Antioch in the year 49 or 50 against Jesus's brother James in Jerusalem, whom Jesus in Jerusalem had appointed in the year 30 as his successor to lead the Jewish sect that Jesus had started. The Gospel accounts of 'Jesus' reflected Paul's coup d'état - not actually Jesus, who would be appalled at the Christian concept of 'Christ.' That concept was radically different from the Jewish concept of the messiah, and Paul knew this when he created it."
Christ's Ventriloquists
Author: Eric Zuesse
Publisher:
ISBN: 9780615573014
Category : Christianity
Languages : en
Pages : 378
Book Description
CHRIST'S VENTRILOQUISTS is a work of investigative history. It documents and describes Christianity's creation-event, in the year 49 or 50, in Antioch (present-day Antakya, Turkey), 20 years after Jesus had been crucified in Jerusalem for sedition against Roman rule. On this occasion, Paul broke away from the Jewish sect that Jesus had begun, and he took with him the majority of this sect's members; he convinced these people that Jesus had been a god, and that the way to win eternal salvation in heaven is to worship him as such. Paul here explicitly introduced, for the first time anywhere, the duality of the previously unitary Jewish God, a duality consisting of the Father and the Son; and he implicitly introduced also the third element of the Trinity, the Holy Ghost. This work also explains and documents the tortuous 14-year-long conflict Paul had had with this sect's leader, Jesus's brother James, a conflict which caused Paul, in about the year 50, to perpetrate his coup d'état against James, and to start his own new religion: Christianity. Then, this historical probe documents that the four canonical Gospel accounts of the words and actions of "Jesus" were written decades after Jesus, by followers of Paul, not by followers of Jesus; and that these writings placed into the mouth of "Jesus" the agenda of Paul. Paul thus effectively became, via his followers, Christ's ventriloquist. A work such as this can be documented and produced only now, after the development (during the past 70 years) of modern legal/forensic methodology. Previously, the only available methods, which scholars have used, simply assumed the honesty-of-intent of all classical documents, especially of canonical religious ones, such as Paul's epistles, and the Four Gospels. Only now is it finally possible to penetrate deeper than that, to reach the writer's intent, and not merely his assertions, and to identify when this intent is to deceive instead of to inform. Whereas scholars have been able to discuss only the truth or falsity of particular canonical statements, it is now possible to discuss also the honesty or deceptiveness of individual statements. This opens up an unprecedented new research tool for historians, and CHRIST'S VENTRILOQUISTS is the first work to use these new methods to reconstruct, on this legal/forensic basis, not just how crimes took place, but how and why major historical events (criminal or not), such as the start of Christianity, actually occurred. The author explains: "What I am doing in this work is to reconstruct from the New Testament the crucial events that produced it, without assuming whether what the NT says in any given passage is necessarily true or even honest. Instead of treating the NT as a work that 'reports history,' the NT is treated as a work whose history is itself being investigated and reported. Its origin goes back to this coup d'état that Paul perpetrated in Antioch in the year 49 or 50 against Jesus's brother James in Jerusalem, whom Jesus in Jerusalem had appointed in the year 30 as his successor to lead the Jewish sect that Jesus had started. The Gospel accounts of 'Jesus' reflected Paul's coup d'état - not actually Jesus, who would be appalled at the Christian concept of 'Christ.' That concept was radically different from the Jewish concept of the messiah, and Paul knew this when he created it."
Publisher:
ISBN: 9780615573014
Category : Christianity
Languages : en
Pages : 378
Book Description
CHRIST'S VENTRILOQUISTS is a work of investigative history. It documents and describes Christianity's creation-event, in the year 49 or 50, in Antioch (present-day Antakya, Turkey), 20 years after Jesus had been crucified in Jerusalem for sedition against Roman rule. On this occasion, Paul broke away from the Jewish sect that Jesus had begun, and he took with him the majority of this sect's members; he convinced these people that Jesus had been a god, and that the way to win eternal salvation in heaven is to worship him as such. Paul here explicitly introduced, for the first time anywhere, the duality of the previously unitary Jewish God, a duality consisting of the Father and the Son; and he implicitly introduced also the third element of the Trinity, the Holy Ghost. This work also explains and documents the tortuous 14-year-long conflict Paul had had with this sect's leader, Jesus's brother James, a conflict which caused Paul, in about the year 50, to perpetrate his coup d'état against James, and to start his own new religion: Christianity. Then, this historical probe documents that the four canonical Gospel accounts of the words and actions of "Jesus" were written decades after Jesus, by followers of Paul, not by followers of Jesus; and that these writings placed into the mouth of "Jesus" the agenda of Paul. Paul thus effectively became, via his followers, Christ's ventriloquist. A work such as this can be documented and produced only now, after the development (during the past 70 years) of modern legal/forensic methodology. Previously, the only available methods, which scholars have used, simply assumed the honesty-of-intent of all classical documents, especially of canonical religious ones, such as Paul's epistles, and the Four Gospels. Only now is it finally possible to penetrate deeper than that, to reach the writer's intent, and not merely his assertions, and to identify when this intent is to deceive instead of to inform. Whereas scholars have been able to discuss only the truth or falsity of particular canonical statements, it is now possible to discuss also the honesty or deceptiveness of individual statements. This opens up an unprecedented new research tool for historians, and CHRIST'S VENTRILOQUISTS is the first work to use these new methods to reconstruct, on this legal/forensic basis, not just how crimes took place, but how and why major historical events (criminal or not), such as the start of Christianity, actually occurred. The author explains: "What I am doing in this work is to reconstruct from the New Testament the crucial events that produced it, without assuming whether what the NT says in any given passage is necessarily true or even honest. Instead of treating the NT as a work that 'reports history,' the NT is treated as a work whose history is itself being investigated and reported. Its origin goes back to this coup d'état that Paul perpetrated in Antioch in the year 49 or 50 against Jesus's brother James in Jerusalem, whom Jesus in Jerusalem had appointed in the year 30 as his successor to lead the Jewish sect that Jesus had started. The Gospel accounts of 'Jesus' reflected Paul's coup d'état - not actually Jesus, who would be appalled at the Christian concept of 'Christ.' That concept was radically different from the Jewish concept of the messiah, and Paul knew this when he created it."
Divine Ventriloquism in Medieval English Literature
Author: M. Hayes
Publisher: Springer
ISBN: 0230118739
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
A study of medieval attitudes towards the ventriloquism of God's and Christ's voices through human media, which reveals a progression from an orthodox view of divine vocal power to an anxiety over the authority of the priest's voice to a subversive take on the divine voice that foreshadows Protestant devotion.
Publisher: Springer
ISBN: 0230118739
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
A study of medieval attitudes towards the ventriloquism of God's and Christ's voices through human media, which reveals a progression from an orthodox view of divine vocal power to an anxiety over the authority of the priest's voice to a subversive take on the divine voice that foreshadows Protestant devotion.
Dumbstruck - A Cultural History of Ventriloquism
Author: Steven Connor
Publisher: OUP Oxford
ISBN: 0191541842
Category : History
Languages : en
Pages : 458
Book Description
Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of 'seeming to speak where one is not', speak so resonantly to our contemporary technological condition? These are the kind of questions which impel Steven Connor's wide-ranging, restlessly inquisitive history of ventriloquism and the disembodied voice. He tracks his subject from its first recorded beginnings in ancient Israel and Greece, through the fulminations of early Christian writers against the unholy (and, they believed, obscenely produced) practices of pagan divination, the aberrations of the voice in mysticism, witchcraft and possession, and the strange obsession with the vagrant figure of the ventriloquist, newly conceived as male rather than female, during the Enlightenment. He retrieves the stories of some of the most popular and versatile ventriloquists and polyphonists of the nineteenth century, and investigates the survival of ventriloquial delusions and desires in spiritualism and the 'vocalic uncanny' of technologies like telephone, radio, film, and internet. Learned but lucid, brimming with anecdote and insight, this is much more than an archaeology of one of the most regularly derided but tenaciously enduring of popular arts. It is also a series of virtuoso philosophical and psychological reflections on the problems and astonishments, the raptures and absurdities of the unhoused voice.
Publisher: OUP Oxford
ISBN: 0191541842
Category : History
Languages : en
Pages : 458
Book Description
Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of 'seeming to speak where one is not', speak so resonantly to our contemporary technological condition? These are the kind of questions which impel Steven Connor's wide-ranging, restlessly inquisitive history of ventriloquism and the disembodied voice. He tracks his subject from its first recorded beginnings in ancient Israel and Greece, through the fulminations of early Christian writers against the unholy (and, they believed, obscenely produced) practices of pagan divination, the aberrations of the voice in mysticism, witchcraft and possession, and the strange obsession with the vagrant figure of the ventriloquist, newly conceived as male rather than female, during the Enlightenment. He retrieves the stories of some of the most popular and versatile ventriloquists and polyphonists of the nineteenth century, and investigates the survival of ventriloquial delusions and desires in spiritualism and the 'vocalic uncanny' of technologies like telephone, radio, film, and internet. Learned but lucid, brimming with anecdote and insight, this is much more than an archaeology of one of the most regularly derided but tenaciously enduring of popular arts. It is also a series of virtuoso philosophical and psychological reflections on the problems and astonishments, the raptures and absurdities of the unhoused voice.
Money and Magic in Early Modern Drama
Author: David Hawkes
Publisher: Bloomsbury Publishing
ISBN: 1350247057
Category : Drama
Languages : en
Pages : 265
Book Description
Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.
Publisher: Bloomsbury Publishing
ISBN: 1350247057
Category : Drama
Languages : en
Pages : 265
Book Description
Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.
Acts (Understanding the Bible Commentary Series)
Author: David J. Williams
Publisher: Baker Books
ISBN: 1441237453
Category : Religion
Languages : en
Pages : 284
Book Description
The Understanding the Bible Commentary Series helps readers navigate the strange and sometimes intimidating literary terrain of the Bible. These accessible volumes break down the barriers between the ancient and modern worlds so that the power and meaning of the biblical texts become transparent to contemporary readers. The contributors tackle the task of interpretation using the full range of critical methodologies and practices, yet they do so as people of faith who hold the text in the highest regard. Pastors, teachers, and lay people alike will cherish the truth found in this commentary series.
Publisher: Baker Books
ISBN: 1441237453
Category : Religion
Languages : en
Pages : 284
Book Description
The Understanding the Bible Commentary Series helps readers navigate the strange and sometimes intimidating literary terrain of the Bible. These accessible volumes break down the barriers between the ancient and modern worlds so that the power and meaning of the biblical texts become transparent to contemporary readers. The contributors tackle the task of interpretation using the full range of critical methodologies and practices, yet they do so as people of faith who hold the text in the highest regard. Pastors, teachers, and lay people alike will cherish the truth found in this commentary series.
The Belief of the First Three Centuries Concerning Christ's Mission to the Underworld
Author: Huidekoper
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Book Description
The Belief of the First Three Centuries Concerning Christ's Mission to the Underworld
Author: Frederic Huidekoper
Publisher:
ISBN:
Category : Eschatology
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category : Eschatology
Languages : en
Pages : 210
Book Description
Works: Indirect testimony; Acta Pilati; Christ's mission to the underworld
Author: Frederic Huidekoper
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 510
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 510
Book Description
The Greek Life of Adam and Eve
Author: John R. Levison
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110756447
Category : Literary Criticism
Languages : en
Pages : 1260
Book Description
For the first time, Jack Levison offers the English-speaking world a comprehensive commentary on the Greek Life of Adam and Eve, an epic of pain, death, and hope. An exhaustive introduction clarifies issues of literary character, manuscripts and versions, and provenance; the commentary itself provides rich discussions of the Greek text, illuminated by Jewish scripture and ancient Greek and Hebrew literature. Fresh translation and bibliography.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110756447
Category : Literary Criticism
Languages : en
Pages : 1260
Book Description
For the first time, Jack Levison offers the English-speaking world a comprehensive commentary on the Greek Life of Adam and Eve, an epic of pain, death, and hope. An exhaustive introduction clarifies issues of literary character, manuscripts and versions, and provenance; the commentary itself provides rich discussions of the Greek text, illuminated by Jewish scripture and ancient Greek and Hebrew literature. Fresh translation and bibliography.
Ventriloquism
Author: George Schindler
Publisher: Courier Corporation
ISBN: 0486477606
Category : Games & Activities
Languages : en
Pages : 162
Book Description
One of the world's most famous magicomedians and ventriloquists discusses every aspect of his art, revealing a wealth of insider's tricks. Schindler shows how to cultivate a variety of voices and offers helpful suggestions for putting an act together, developing comedy material and scripts, and handling bookings and publicity. 38 figures and photos.
Publisher: Courier Corporation
ISBN: 0486477606
Category : Games & Activities
Languages : en
Pages : 162
Book Description
One of the world's most famous magicomedians and ventriloquists discusses every aspect of his art, revealing a wealth of insider's tricks. Schindler shows how to cultivate a variety of voices and offers helpful suggestions for putting an act together, developing comedy material and scripts, and handling bookings and publicity. 38 figures and photos.