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Author: Mattia Fumanti
Publisher: Silvana Editoriale
ISBN: 9788836637645
Category : Art
Languages : en
Pages : 187
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Book Description
"This book is a journey through the defining moments and choices in the life and career of Christian Boltanski, which led the artist to reflect upon the outcome of some of the main historical events of the twentieth century and on the need to reconsider appropriate methods of representation. History, histories and the statute of the image are the fulcrums of the conversation he proposes. This conversation focuses in particular on the following fundamental themes: the difference between collective memory, recollection and oblivion; the relation between the individual and the crowd; the entity of absence intended as proof of a destroyed presence, but also as a device for the reactivation of memory; the incidence of an isolated gaze, that of the observer, upon whose primacy the history of western art has built its foundations."--Back cover.
Author: Mattia Fumanti
Publisher: Silvana Editoriale
ISBN: 9788836637645
Category : Art
Languages : en
Pages : 187
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Book Description
"This book is a journey through the defining moments and choices in the life and career of Christian Boltanski, which led the artist to reflect upon the outcome of some of the main historical events of the twentieth century and on the need to reconsider appropriate methods of representation. History, histories and the statute of the image are the fulcrums of the conversation he proposes. This conversation focuses in particular on the following fundamental themes: the difference between collective memory, recollection and oblivion; the relation between the individual and the crowd; the entity of absence intended as proof of a destroyed presence, but also as a device for the reactivation of memory; the incidence of an isolated gaze, that of the observer, upon whose primacy the history of western art has built its foundations."--Back cover.
Author: Christian Boltanski
Publisher: MFA Publications
ISBN:
Category : Artists
Languages : en
Pages : 264
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Book Description
Christian Boltanski's votive installations, archives and objects, revolving around the fragile polarities of memory and amnesia, identity and anonymity, have made him one of the world's most renowned contemporary artists. And yet, despite the centrality of biography and testimony to his work, Boltanski's own story is little known and has never been fully told. Published on the occasion of the artist's sixty-fifth birthday, The Possible Life of Christian Boltanski, written in the form of a book-length interview (which the artist likens to a "psychoanalysis" or "confession") with the art historian Catherine Grenier, is Boltanski's oral autobiography. In it, he recounts his unusual wartime childhood ("my mother hid my father under the floorboards. He stayed there for a year and a half, between two floors in the house. He'd come out from time to time--I'm living proof of that "), his career, friendships and marriage, successes and regrets, his approaches to art and teaching, how he created various installations, his relations with dealers and the public, and other matters that illuminate as never before his complex, enigmatic works. Boltanski is refreshingly phlegmatic about the realities of the world (art and otherwise), and he relates his remarkable stories--some enormously amusing, others tragic--with a matter-of-factness and self-deprecating humor that highlight his capacity for humane responsiveness. As both the self-portrait of a major contemporary artist and a frank, fascinating memoir, this is a document of capital importance.
Author: Alice Balestrino
Publisher: Sapienza Università Editrice
ISBN: 8893771837
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
Past (Im)perfect Continuous. Trans-Cultural Articulations of the Postmemory of WWII presents an international and interdisciplinary approach to the comprehension of the postmemory of WWII, accounting for a number of different intellectual trajectories that investigate WWII and the Holocaust as paradigms for other traumas within a global and multidirectional context. Indeed, by exceeding the geographical boundaries of nations and states and overcoming contextual specificities, postmemory foregrounds continuous, active, connective, transcultural, and always imperfect representations of violence that engage with the alterity of other histories and other subjects. 75 years after the end of WWII, this volume is primarily concerned with the convergence between postmemory and underexamined aspects of the history and aftermath of WWII, as well as with several sociopolitical anxieties and representational preoccupations. Drawing from different disciplines, the critical and visual works gathered in this volume interrogate the referential power of postmemory, considering its transcultural interplay with various forms, media, frames of reference, conceptual registers, and narrative structures.
Author: Miwon Kwon
Publisher: MIT Press
ISBN: 9780262612029
Category : Architecture
Languages : en
Pages : 236
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Book Description
A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Author: Luc Boltanski
Publisher: Verso
ISBN: 9781859845547
Category : Business & Economics
Languages : en
Pages : 664
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Book Description
A century after the publication of Max Weber's The Protestant Ethic and the "Spirit" of Capitalism , a major new work examines network-based organization, employee autonomy and post-Fordist horizontal work structures.
Author: Christian Boltanski
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 52
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Book Description
Author: Hans Ulrich Obrist
Publisher: Penguin UK
ISBN: 0718194217
Category : Art
Languages : en
Pages : 162
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Book Description
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.
Author: André Breton
Publisher: Grove Press
ISBN: 9780802150264
Category : Fiction
Languages : en
Pages : 164
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Book Description
"Nadja, " originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various "surreal" people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. "The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as "not so much a thing as a way things happen, " Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.
Author: David Campany
Publisher: Phaidon Press Limited
ISBN:
Category : Art
Languages : en
Pages : 304
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Book Description
Surveys the presence of photography in artistic practice from the 1960s onwards.
Author: John Quin
Publisher: Emerald Group Publishing
ISBN: 1837537569
Category : Medical
Languages : en
Pages : 151
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Book Description
As TikTokers, YouTubers and traditional artists continue to reimagine the video form, this book explores the value of this medium within medical practice and patient care, as well as everyday creative expression.
