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Author: William F. Lynch
Publisher: Intercollegiate Studies Institute
ISBN: 9781932236224
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 0
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Book Description
Christ and Apollo, originally published in 1960, is a classic of literary criticism, a book that Commonweal once predicted may well change the course of literary studies. It did not do that, of course. Its literary, philosophical, and theological presuppositions, as Glenn Arbery points out in his new introduction, were too different from those of the ruling theoretical paradigms for it to be given a hearing And that is precisely what makes it a volume worth returning to. In Christ and Apollo, William Lynch examines the Greek dramatists, Dante, Shakespeare, Proust, Camus, Graham Greene, and other writers in light of their affinities with two opposing tendencies. The symbol of the first approach is Apollo. For Lynch, this is the tendency to want to escape the finite, real world and the human condition of embodiment: it has much in common with what critic Allen Tate called the angelic imagination. The symbol of the other tendency is Christ, the Word made flesh. Artists working in this tradition give readers a glimpse of the infinite by working patiently and honestly with the materials of the finite world, in all its messy imprecision. For Lynch, then, as Arbery points out, limitation, or finitude, is the great human good. Praised by Flannery O'Connor, among others, Lynch's sophisticated work is in many ways an important elaboration of the New Criticism, avoiding that school of thought's formalist excesses while providing it with firmer philosophical ground. For anyone interested in understanding what distinguishes great literature, Christ and Apollo is an essential text.
Author: William F. Lynch
Publisher: Intercollegiate Studies Institute
ISBN: 9781932236224
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 0
Get Book
Book Description
Christ and Apollo, originally published in 1960, is a classic of literary criticism, a book that Commonweal once predicted may well change the course of literary studies. It did not do that, of course. Its literary, philosophical, and theological presuppositions, as Glenn Arbery points out in his new introduction, were too different from those of the ruling theoretical paradigms for it to be given a hearing And that is precisely what makes it a volume worth returning to. In Christ and Apollo, William Lynch examines the Greek dramatists, Dante, Shakespeare, Proust, Camus, Graham Greene, and other writers in light of their affinities with two opposing tendencies. The symbol of the first approach is Apollo. For Lynch, this is the tendency to want to escape the finite, real world and the human condition of embodiment: it has much in common with what critic Allen Tate called the angelic imagination. The symbol of the other tendency is Christ, the Word made flesh. Artists working in this tradition give readers a glimpse of the infinite by working patiently and honestly with the materials of the finite world, in all its messy imprecision. For Lynch, then, as Arbery points out, limitation, or finitude, is the great human good. Praised by Flannery O'Connor, among others, Lynch's sophisticated work is in many ways an important elaboration of the New Criticism, avoiding that school of thought's formalist excesses while providing it with firmer philosophical ground. For anyone interested in understanding what distinguishes great literature, Christ and Apollo is an essential text.
Author: William F Lynch
Publisher:
ISBN: 9781951319878
Category :
Languages : en
Pages : 330
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Book Description
Christ and Apollo juxtaposes Christian definiteness to romantic mythologizing. A strong warning might be in order: anyone coming to this book expecting a comparison of Jesus Christ to the god Apollo or a treatment of Greek mythology next to the Christian story will be disappointed. Lynch's Apollo is not the god who batters Achilles' armor from the shoulders of Patroklos in Book XVI of the Iliad, but the symbol of art as dream reconceived by Nietzsche in The Birth of Tragedy. Lynch treats Apollo not as a poetic particular-as real in that regard as Ajax or Odysseus-but as an imaginary deity over against the historical existence of Christ: "I take even the symbol of Apollo as a kind of infinite dream over against Christ who was full of definiteness and actuality-and was on that account rejected by every gnostic system since, even up to now. Even if a little unjustly, let Apollo stand for everything that is weak and pejorative in the 'aesthetic man' of Kierkegaard and for that kind of fantasy beauty which is a sort of infinite, which is easily gotten everywhere, but which will not abide the straitened gates of limitation that leads to stronger beauty." Christ and Apollo presents these "straitened gates of limitation" as the great good of literature. Insisting on the "universal limitation, or particularity" that provokes the response of the imagination, Lynch writes that "the heart, substance, and center of the human imagination, as of human life, must lie in the particular and limited image or thing." This sui generis study reaches into the very heart of literature's nature, from the Greek dramatists to Dante, from Shakespeare to Proust, from Camus to Greene.
Author: Carl A. P. Ruck
Publisher:
ISBN:
Category : Amanita muscaria
Languages : en
Pages : 336
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Book Description
When the apostle Paul proclaimed the new Christian Mystery to the factious congregation at Corinth, it was clear that this Eucharist was meant to replace the pagan Mystery that had been celebrated for over a millennium just a short distance away at the sanctuary of Eleusis. Christianity evolved within the context of Judaic and Hellenistic healing cults, magic, shamanism, and Mystery initiations. All four of these inevitably imply a sacred ethnopharmacology, with traditions going back to earlier ages of the ancient world. The essays in The Apples of Apollo edited by Ruck, Staples and Heinrich attempt to uncover the original food of the sacramental communion. After a preliminary review of the rites and etiquette of the sacramental wine of the god Dionysos, whom Christ would replace as sacrificial offering, the myth of Ixion (who is named for the semi-parasitic plant called mistletoe) is linked to Apollo's role in demanding human victims and the persistence of such rites in the Druidic solstice sacrifice of the "wicker man." Behind the symbolism of the mistletoe and other psychoactive plants lurks the Soma of the Vedic tradition and its botanical original, the fly-agaric mushroom. Rather than being marginal to Classical culture, the fly-agaric, and the array of metaphors its amazing transmutations suggest, is central to the myths of the Greek heroes, and in particular to the first of them all, the hero Perseus, who reformed the religion practiced at the ancient city of Mycenae.
Author: Jamie Claire Fumo
Publisher: University of Toronto Press
ISBN: 1442641703
Category : Biography & Autobiography
Languages : en
Pages : 369
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Book Description
'The wonderful breadth of Jamie Fumo's engaging examination of classical forms in the Middle Ages offers valuable new interpretations of Chaucer's work and rare -insight into medieval tropes of narrative authority.'-Suzanne Yeager, Department of English, Fordham University --
Author: Fritz Graf
Publisher: Routledge
ISBN: 1134372094
Category : History
Languages : en
Pages : 179
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Book Description
From his first attestations in Homer, to the opposition between Apollo and Dionysos in nineteenth- and twentieth-century thinking, Graf examines Greek religion and myth to provide a full account of Apollo in the ancient world.
Author: Denis Cosgrove
Publisher: JHU Press
ISBN: 9780801874444
Category : History
Languages : en
Pages : 356
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Book Description
"Cosgrove's analysis traces a pattern of associations between global images and the formation of Western identities, paying tribute to the richly complex cosmographic tradition out of which today's geographical imagination has emerged."--BOOK JACKET.
Author: William F. Lynch
Publisher:
ISBN:
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 267
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Book Description
Author: Yisrael Levin
Publisher: Routledge
ISBN: 1317047389
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Focusing on Algernon Charles Swinburne's poems on Apollo, Yisrael Levin calls for a re-examination of the poet's place in Victorian studies in light of his contributions to nineteenth-century intellectual history. Swinburne's Apollonian poetry, Levin argues, shows the poet's active participation in late-Victorian debates about the nature and function of faith in an age of changing religious attitudes. Levin traces the shifts that took place in Swinburne's conception of Apollo over a period of four decades, from Swinburne's attempt to define Apollo as an alternative to the Judeo-Christian deity to Swinburne's formation of a theological system revolving around Apollo and finally to the ways in which Swinburne's view of Apollo led to his agnostic view of spirituality. Even though Swinburne had lost his faith and rejected institutional religion by his early twenties, he retained a distinct interest in spiritual issues and paid careful attention to developments in religious thought. Levin persuasively shows that Swinburne was not simply a poet provocateur who enjoyed controversy but failed to provide valid cultural commentary, but was rather a profound thinker whose insights into nineteenth-century spirituality are expressed throughout his Apollonian poetry.
Author: Adolphe Napoléon Didron
Publisher:
ISBN:
Category : Art, Medieval
Languages : en
Pages : 492
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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