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Author: David Clarke
Publisher: Hong Kong University Press
ISBN: 9888455915
Category : Art
Languages : en
Pages : 257
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Book Description
China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London
Author: David Clarke
Publisher: Hong Kong University Press
ISBN: 9888455915
Category : Art
Languages : en
Pages : 257
Get Book Here
Book Description
China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London
Author: A. Kipnis
Publisher: Springer
ISBN: 1137268964
Category : Social Science
Languages : en
Pages : 361
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Book Description
Rapid industrialization, urbanization, and marketization have led to startling social changes in reform-era China. Mindful of the many forms of social theory that relate modernity to individualism, this volume addresses social and cultural change through the lens of psychological anthropology.
Author: Jana S. Rošker
Publisher: Cambridge Scholars Publishing
ISBN: 1443867721
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
The editors are grateful to the Chiang Ching-kuo Foundation for its generous support of their research work which enabled them to publish the present book. The present book carefully maps the Chinese modernisation discourse, highlighting its relationship to other, similar discourses, and situating it within historical and theoretical contexts. In contrast to the majority of recent discussions of a “Chinese development model” that tend to focus more on institutional then cultural factors, and are more narrowly concerned with economic matters than overall social development, the book offers several important focal points for many presently overlooked issues and dilemmas. The multifaceted perspectives contained in this anthology are not limited to economic, social, and ecological issues, but also include political and social functions of ideologies and cultural conditioned values, representing the axial epistemological grounds of modern Chinese society. 2011 was the 100th anniversary of the Xinhai Revolution. The centennial is relevant not only in terms of state ideology, but also plays a significant role within academic research into Chinese society and culture. This historic turning point likewise represents the symbolic and concrete linkages and tensions between tradition and modernity, progress and conservatism, traditional values and the demands for adjustment to contemporary societies. The book shows that Chinese transition from tradition to modernity cannot be understood in a framework of a unified general model of society, but rather through a more complex insight into the interrelations among elements of physical environment, social structure, philosophy, history, and culture.
Author: Wen-hsin Yeh
Publisher: Univ of California Press
ISBN: 9780520222182
Category : History
Languages : en
Pages : 462
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Book Description
A splendid essay collection focusing on ordinary people in the chaotic post-emperor, pre-Communist period of China's history.
Author: Yongnian Zheng
Publisher: World Scientific
ISBN: 9811210802
Category : Political Science
Languages : en
Pages : 339
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Book Description
This book is a collection of essays in honour of Professor Wang Gungwu. Professor Wang is not only a great historian on Chinese history in general and the Chinese overseas in particular, but has much wider influence through remarkable domain crossing, namely spatial crossing characterised by geographical straddling between inside and outside of China, temporal crossing from the ancient past to the contemporary, inter-disciplinary crossing from history to the social sciences, and intellectual crossing from the academia to public activism. He has been a long-lasting source of inspiration for understanding some of the most pressing and complex issues in our times, including the nature of China's rise and its implications for the regional and world order. In a nutshell, this book presents Wang as a highly active educator-scholar who has achieved the highest academic standard as well as far-reaching influence over issues that concern all walks of life.By focusing on the theme of Chineseness and China's modernity, this book adds depth to the analysis of China's rise and its implications for the region and the world. It contains a chapter providing the most comprehensive and updated review of Wang's scholarship thus far. Another chapter demonstrates how Wang, based on his deep understanding of Chinese civilisation and history, articulates a distinct view of the world order that differs from either the thesis of 'Thucydides's trap' or the advocacy of mutual accommodation. Interestingly, this book also includes a chapter that highlights Wang's 'Southeast Asian-ness', suggesting that Wang's scholarship cautions against not only western-centric views towards China, but also Sino-centric views towards Southeast Asia. In short, this edited volume is both a reference book for understanding Wang's scholarship and an extension of his scholarship to the analysis of China's growing international influence and its implications for the world order.
Author: Weili Ye
Publisher: Stanford University Press
ISBN: 0804780412
Category : History
Languages : en
Pages : 509
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Book Description
The students who came to the United States in the early twentieth century to become modern Chinese by studying at American universities played pivotal roles in Chinese intellectual, economic, and diplomatic life upon their return to China. These former students exemplified key aspects of Chinese "modernity," introducing new social customs, new kinds of interpersonal relationships, new ways of associating in groups, and a new way of life in general. Although there have been books about a few especially well-known persons among them, this is the first book in either English or Chinese to study the group as a whole. The collapse of the traditional examination system and the need to earn a living outside the bureaucracy meant that although this was not the first generation of Chinese to break with traditional ways of thinking, these students were the first generation of Chinese to live differently. Based on student publications, memoirs, and other writings found in this country and in China, the author describes their multifaceted experience of life in a foreign, modern environment, involving student associations, professional activities, racial discrimination, new forms of recreation and cultural expression, and, in the case of women students, the unique challenges they faced as females in two changing societies.
Author: Charles A. Laughlin
Publisher: University of Hawaii Press
ISBN: 082483125X
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
The Chinese essay is arguably China’s most distinctive contribution to modern world literature, and the period of its greatest influence and popularity—the mid-1930s—is the central concern of this book. What Charles Laughlin terms "the literature of leisure" is a modern literary response to the cultural past that manifests itself most conspicuously in the form of short, informal essay writing (xiaopin wen). Laughlin examines the essay both as a widely practiced and influential genre of literary expression and as an important counter-discourse to the revolutionary tradition of New Literature (especially realistic fiction), often viewed as the dominant mode of literature at the time. After articulating the relationship between the premodern traditions of leisure literature and the modern essay, Laughlin treats the various essay styles representing different groups of writers. Each is characterized according to a single defining activity: "wandering" in the case of the Yu si (Threads of Conversation) group surrounding Lu Xun and Zhou Zuoren; "learning" with the White Horse Lake group of Zhejiang schoolteachers like Feng Zikai and Xia Mianzun; "enjoying" in the case of Lin Yutang’s Analects group; "dreaming" with the Beijing school. The concluding chapter outlines the impact of leisure literature on Chinese culture up to the present day. The Literature of Leisure and Chinese Modernity dramatizes the vast importance and unique nature of creative nonfiction prose writing in modern China. It will be eagerly read by those with an interest in twentieth-century Chinese literature, modern China, and East Asian or world literatures.
Author: Peter Gue Zarrow
Publisher: Peter Lang
ISBN: 9780820479453
Category : Foreign Language Study
Languages : en
Pages : 264
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Book Description
Over the first half of the twentieth century, the lives of millions of urban Chinese were transformed by new ideas, new objects, new jobs, new leisure pursuits, new forms of transportation, new architecture: in a word, new «life-styles» and habits of mind. What did these changes mean to ordinary people? The essays in this book examine how prevailing discourses - on nationalism, feminism, democracy, individualism, socialism, and the like - emerged and were absorbed into the lived experiences and material culture of ordinary Chinese. Only from intimate personal experiences with forces ranging from war, revolution, and state-building to advertising blitzes and boycotts was Chinese modernity forged, forged out of «forces» larger than individuals but simultaneously observed, interpreted, adapted, and absorbed by those individuals.
Author: Yong-nian Zheng
Publisher:
ISBN: 9789811210792
Category : China
Languages : en
Pages : 322
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Book Description
"This book is a collection of essays in honour of Professor Wang Gungwu. Professor Wang is not only a great historian on Chinese history in general and the Chinese overseas in particular, but has much wider influence through remarkable domain crossing, namely spatial crossing characterised by geographical straddling between inside and outside of China, temporal crossing from the ancient past to the contemporary, inter-disciplinary crossing from history to the social sciences, and intellectual crossing from the academia to public activism. He has been a long-lasting source of inspiration for understanding some of the most pressing and complex issues in our times, including the nature of China's rise and its implications for the regional and world order. In a nutshell, this book presents Wang as a highly active educator-scholar who has achieved the highest academic standard as well as far-reaching influence over issues that concern all walks of life. By focusing on the theme of Chineseness and China's modernity, this book adds depth to the analysis of China's rise and its implications for the region and the world. It contains a chapter providing the most comprehensive and updated review of Wang's scholarship thus far. Another chapter demonstrates how Wang, based on his deep understanding of Chinese civilisation and history, articulates a distinct view of the world order that differs from either the thesis of "Thucydides's trap" or the advocacy of mutual accommodation. Interestingly, this book also includes a chapter that highlights Wang's "Southeast Asian-ness", suggesting that Wang's scholarship cautions against not only western-centric views towards China, but also Sino-centric views towards Southeast Asia. In short, this edited volume is both a reference book for understanding Wang's scholarship and an extension of his scholarship to the analysis of China's growing international influence and its implications for the world order. Contents: Introduction; Approaches to History and Domain Crossings of a Pioneering Scholar: Reflections on Wang Gungwu and His Scholarship; The Southeast Asian-ness of a China Scholar; Where History Meets Contemporary Policy; Globalisation and the Chineseness of the Chinese State; "Chineseness" in History Textbooks: The Narrative of Early China as a Case; The Logic of Political Reform: To What End Chinese Politics; Party Modernisation and Bureaucratic Reform in the Era of Xi Jinping; Decline and Repositioning of the Communist Youth League in China; Indigenous Technology as Chinese Modernity; The Use of History in Divided China: Diverging Reappraisals of the KMT in Mainland China and Taiwan; The State of Cross-Strait Relations in the Wake of Taiwan's January 2016 Election; A Nanyang Approach to the Belt and Road Initiative: Malaysia and Its Dilemmas; Beijing's New Policy Towards the Chinese Overseas: Some Reflections; China and Globalisation: China's Rise, Globalisation 4.0 and Innovative Global Governance."--
Author: Sheldon H. Lu
Publisher: University of Hawaii Press
ISBN: 0824861868
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
This ambitious work is a multimedia, interdisciplinary study of Chinese modernity in the context of globalization from the late nineteenth century to the present. Sheldon Lu draws on Chinese literature, film, art, photography, and video to broadly map the emergence of modern China in relation to the capitalist world-system in the economic, social, and political realms. Central to his study is the investigation of biopower and body politics, namely, the experience of globalization on a personal level. Lu first outlines the trajectory of the body in modern Chinese literature by focusing on the adventures, pleasures, and sufferings of the male (and female) body in the writings of selected authors. He then turns to avant-garde and performance art, tackling the physical self more directly through a consideration of work that takes the body as its very theme, material, and medium. In an exploration of mass visual culture, Lu analyzes artistic reactions to the multiple, uneven effects of globalization and modernization on both the physical landscape of China and the interior psyche of its citizens. This is followed by an inquiry into contemporary Chinese urban space in popular cinema and experimental photography and art. Examples are offered that capture the daily lives of contemporary Chinese as they struggle to make the transition from the vanishing space of the socialist lifestyle to the new capitalist economy of commodities. Lu reexamines the history and implications of China’s belated integration into the capitalist world system before closing with a postscript that traces the genealogy of the term "postsocialism" and points to the real relevance of the idea for the investigation of everyday life in China in the twenty-first century.
