Author: René Yvon Lefebvre d'Argencé
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 160
Book Description
Chinese Treasures from the Avery Brundage Collection
Author: René Yvon Lefebvre d'Argencé
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 160
Book Description
Chinese Treasures from the Avery Brundage Collection
Author: René Yvon Lefebvre d'Argencé
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 166
Book Description
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 166
Book Description
Chinese Jades in the Avery Brundage Collection
Author: René Yvon Lefebvre d'Argencé
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
The Guennol Collection
Author: Ida Ely Rubin
Publisher: Metropolitan Museum of Art
ISBN: 0870992759
Category : Art
Languages : en
Pages : 353
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870992759
Category : Art
Languages : en
Pages : 353
Book Description
The China Collectors
Author: Karl E. Meyer
Publisher: St. Martin's Press
ISBN: 1466879297
Category : Art
Languages : en
Pages : 442
Book Description
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
Publisher: St. Martin's Press
ISBN: 1466879297
Category : Art
Languages : en
Pages : 442
Book Description
Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?
Before Confucius
Author: Edward L. Shaughnessy
Publisher: State University of New York Press
ISBN: 1438419708
Category : History
Languages : en
Pages : 276
Book Description
Edward L. Shaughnessy examines the original composition of China's oldest books, the Classic of Changes, the Venerated Documents, and the Classic of Poetry. By describing the original contexts in which these books were written and what they meant to their original authors and readers, this work sheds light on both the degree to which Chinese culture already was literate by 1000 BC, and also on how the later classical tradition eventually diverged from these origins.
Publisher: State University of New York Press
ISBN: 1438419708
Category : History
Languages : en
Pages : 276
Book Description
Edward L. Shaughnessy examines the original composition of China's oldest books, the Classic of Changes, the Venerated Documents, and the Classic of Poetry. By describing the original contexts in which these books were written and what they meant to their original authors and readers, this work sheds light on both the degree to which Chinese culture already was literate by 1000 BC, and also on how the later classical tradition eventually diverged from these origins.
Treasures from the Metropolitan Museum of Art
Author: Laurance P. Roberts
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 100
Book Description
Catalogue of an Exhibition of the Ceramic Art of China
Author: Arts Council of Great Britain
Publisher:
ISBN:
Category : Porcelain, Chinese
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Porcelain, Chinese
Languages : en
Pages : 368
Book Description
A Decade of Collecting
Author: Asian Art Museum of San Francisco. Avery Brundage Collection
Publisher:
ISBN:
Category : Art, Asian
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Art, Asian
Languages : en
Pages : 200
Book Description
Oriental Art Sales
Author: Sotheby Parke Bernet Inc
Publisher:
ISBN:
Category : Art, Asian
Languages : en
Pages : 1018
Book Description
Publisher:
ISBN:
Category : Art, Asian
Languages : en
Pages : 1018
Book Description