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Author: Hong Zhang
Publisher: Global Academic Publishing
ISBN: 1438456166
Category : Foreign Language Study
Languages : en
Pages : 250
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Book Description
Offering an innovative approach to language learning, Chinese through Song helps students develop their language proficiency and music appreciation through the use of folk, popular, and art songs. Because songs emphasize the color, pronunciation, and intonation of every syllable, they can be a valuable tool for improving a student's spoken language skills. By learning and performing the songs in this book, students will expand their vocabularies and improve their pronunciation, voice projection, and language expression—all while learning about Chinese culture in a fun and stimulating way. This revised and expanded edition includes thirty songs, many of them new to this edition. They feature lucid and vivid language, as well as beautiful and relatively simple melodies. They are good for voice development and can be practiced in different modes of performance, including solos, duets, rounds, and musical dramas. Each chapter comprises up to seven sections: (1) a song, including sheet music and lyrics in Chinese characters and pinyin Romanization; (2) a line-by-line English translation; (3) a vocabulary list designed for students who have completed at least one year of Chinese; (4) cultural notes that help students understand the historical and social context of the song; (5) language notes on the use of key words and important sentence patterns; (6) singing instructions, including remarks on interpretation and performance; and (7) language exercises for both classroom practice and homework assignments. Chinese through Song may be used in several ways: as the main textbook for an interdisciplinary, intermediate-level course, emphasizing both language acquisition and musical performance; as a supplement to regular Chinese language classes, from elementary through advanced levels; as a resource for extracurricular activities (for example, a Chinese chorus or a performance at a Chinese New Year party); and as a general songbook.
Author: Hong Zhang
Publisher: Global Academic Publishing
ISBN: 1438456166
Category : Foreign Language Study
Languages : en
Pages : 250
Get Book Here
Book Description
Offering an innovative approach to language learning, Chinese through Song helps students develop their language proficiency and music appreciation through the use of folk, popular, and art songs. Because songs emphasize the color, pronunciation, and intonation of every syllable, they can be a valuable tool for improving a student's spoken language skills. By learning and performing the songs in this book, students will expand their vocabularies and improve their pronunciation, voice projection, and language expression—all while learning about Chinese culture in a fun and stimulating way. This revised and expanded edition includes thirty songs, many of them new to this edition. They feature lucid and vivid language, as well as beautiful and relatively simple melodies. They are good for voice development and can be practiced in different modes of performance, including solos, duets, rounds, and musical dramas. Each chapter comprises up to seven sections: (1) a song, including sheet music and lyrics in Chinese characters and pinyin Romanization; (2) a line-by-line English translation; (3) a vocabulary list designed for students who have completed at least one year of Chinese; (4) cultural notes that help students understand the historical and social context of the song; (5) language notes on the use of key words and important sentence patterns; (6) singing instructions, including remarks on interpretation and performance; and (7) language exercises for both classroom practice and homework assignments. Chinese through Song may be used in several ways: as the main textbook for an interdisciplinary, intermediate-level course, emphasizing both language acquisition and musical performance; as a supplement to regular Chinese language classes, from elementary through advanced levels; as a resource for extracurricular activities (for example, a Chinese chorus or a performance at a Chinese New Year party); and as a general songbook.
Author: Hong Zhang
Publisher:
ISBN:
Category : Chinese language
Languages : en
Pages : 149
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Book Description
Author: Yiwu Liao
Publisher: Houghton Mifflin Harcourt
ISBN: 0547892632
Category : Biography & Autobiography
Languages : en
Pages : 433
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Book Description
From the renowned Chinese poet in exile comes a gorgeous and shocking account of his years in prison following the Tiananmen Square protests.
Author: Yong Ho
Publisher:
ISBN: 9780781805667
Category : Foreign Language Study
Languages : en
Pages : 196
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Book Description
This introduction to Mandarin Chinese is designed for those with little or no prior experience in the language.
Author: David Mingyue Liang
Publisher: Conran Octopus
ISBN:
Category : Music
Languages : en
Pages : 346
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Book Description
Music in Chinese culture is not an isolated phenomenon, but is rather a contextual phenomenon broadly related to all aspects of life. In historical China, music was integrally related to banquets, archery events, dances, etc. The word for "music" in Chinese is yue. In its inclusive meaning, yue refers to the "arts" and to music, and, together with morals, law, and politics, was traditionally considered to be one of the four fundamental societal functions. Primarily because of this emphasis, every feudal state, dynasty and republic throughout history had established an official music organization or bureau of music indicating the import of music within the society. The book is organized into two parts: one, a diachronic orientation of major musical events throughout history, and two, a synchronic focus on musical content and context. In the historical section, the patterns and themes are emphasized, so that a sense of continuation, interrelationships and changes can be observed. In part two, six topical subjects have been selected, based on what the author believes represent a sense of balance of major subjects and styles in Chinese music, that is topics on aesthetics, notation-transmission, instrumental music (high art and regional styles), theatrical music, and major musical instruments. -- Back cover.
Author: Barry J. Naughton
Publisher: MIT Press
ISBN: 0262344076
Category : Business & Economics
Languages : en
Pages : 609
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Book Description
The new edition of a comprehensive overview of the modern Chinese economy, revised to reflect the end of the “miracle growth” period. This comprehensive overview of the modern Chinese economy by a noted expert on China's economic development offers a quality and breadth of coverage not found in any other English-language text. In The Chinese Economy, Barry Naughton provides both a broadly focused introduction to China's economy since 1949 and original insights based on his own extensive research. This second edition has been thoroughly revised to reflect a decade of developments in China's economy, notably the end of the period of “miracle growth” and the multiple transitions it now confronts—demographic, technological, macroeconomic, and institutional. Coverage of macroeconomic and financial policy has been significantly expanded. After covering endowments, legacies, economic systems, and general issues of economic structure, labor, and living standards, the book examines specific economic sectors, including agriculture, industry, technology, and foreign trade and investment. It then treats financial, macroeconomic, and environmental issues. The book covers such topics as patterns of growth and development, including population growth and the one-child family policy; the rural and urban economies, including rural industrialization and urban technological development; incoming and outgoing foreign investment; and environmental quality and the sustainability of growth. The book will be an essential resource for students, teachers, scholars, business practitioners, and policymakers. It is suitable for classroom use for undergraduate or graduate courses.
Author: Mary RICHARD
Publisher:
ISBN:
Category :
Languages : en
Pages : 43
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Book Description
Author: Barry J. Naughton
Publisher: MIT Press
ISBN: 0262534797
Category : Business & Economics
Languages : en
Pages : 609
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Book Description
The new edition of a comprehensive overview of the modern Chinese economy, revised to reflect the end of the “miracle growth” period. This comprehensive overview of the modern Chinese economy by a noted expert on China's economic development offers a quality and breadth of coverage not found in any other English-language text. In The Chinese Economy, Barry Naughton provides both a broadly focused introduction to China's economy since 1949 and original insights based on his own extensive research. This second edition has been thoroughly revised to reflect a decade of developments in China's economy, notably the end of the period of “miracle growth” and the multiple transitions it now confronts—demographic, technological, macroeconomic, and institutional. Coverage of macroeconomic and financial policy has been significantly expanded. After covering endowments, legacies, economic systems, and general issues of economic structure, labor, and living standards, the book examines specific economic sectors, including agriculture, industry, technology, and foreign trade and investment. It then treats financial, macroeconomic, and environmental issues. The book covers such topics as patterns of growth and development, including population growth and the one-child family policy; the rural and urban economies, including rural industrialization and urban technological development; incoming and outgoing foreign investment; and environmental quality and the sustainability of growth. The book will be an essential resource for students, teachers, scholars, business practitioners, and policymakers. It is suitable for classroom use for undergraduate or graduate courses.
Author: Michael Saffle
Publisher: University of Michigan Press
ISBN: 0472122711
Category : Music
Languages : en
Pages : 345
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Book Description
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
Author: Allen Artz Wiant
Publisher: Trafford Publishing
ISBN: 155395436X
Category : Biography & Autobiography
Languages : en
Pages : 305
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Book Description
Bliss Wiant went to China in 1923 with the lofty goal of some day introducing hymns to Chinese Christians that would not sound foreign to them. It was a goal that occupied much of his life. The locale of his work was Yenching University, which was arguably the premier institution of higher education in China. There he established a department of music, and enabled students to discover and develop their musical talents. There also he taught students who had never before seen a western musical score, to sing and to love Handel's Messiah and other great music of the west. In less than 10 years after its first performance, the reputation of the university chorus was such that it was invited by the government of China to present the Messiah in Nanking, the national capitol, as the finale to a two-week exposition of the arts. A major milestone in the pursuit of his life's goal was reached in that same year (1937), when a hymnal (English Title, "Hymns of Universal Praise") was published. This was the culmination of years of collaborative effort involving scores of individuals. Not only was the hymnal a uniquely inter-denominational achievement, it also included for the first time, a substantial number of original, indigenous hymns. Wiant's work in China produced in him a great love for the people as well as a deep admiration for their culture, which he saw both as misunderstood and unappreciated in the U.S. Consequently he devoted much of his energy in the years that followed to being a cultural ambassador, representing China to his own countrymen. An important manifestation of this was his work and that of his wife, Mildred, in translating into English a number of the Chinese hymns that first appeared in Hymns of Universal Praise. Several of these are now found in hymns used in the U.S., in effect closing a circle begun when Wiant went to China in 1923.
