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Author: Sheldon H. Lu
Publisher: University of Hawaii Press
ISBN: 0824861868
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
This ambitious work is a multimedia, interdisciplinary study of Chinese modernity in the context of globalization from the late nineteenth century to the present. Sheldon Lu draws on Chinese literature, film, art, photography, and video to broadly map the emergence of modern China in relation to the capitalist world-system in the economic, social, and political realms. Central to his study is the investigation of biopower and body politics, namely, the experience of globalization on a personal level. Lu first outlines the trajectory of the body in modern Chinese literature by focusing on the adventures, pleasures, and sufferings of the male (and female) body in the writings of selected authors. He then turns to avant-garde and performance art, tackling the physical self more directly through a consideration of work that takes the body as its very theme, material, and medium. In an exploration of mass visual culture, Lu analyzes artistic reactions to the multiple, uneven effects of globalization and modernization on both the physical landscape of China and the interior psyche of its citizens. This is followed by an inquiry into contemporary Chinese urban space in popular cinema and experimental photography and art. Examples are offered that capture the daily lives of contemporary Chinese as they struggle to make the transition from the vanishing space of the socialist lifestyle to the new capitalist economy of commodities. Lu reexamines the history and implications of China’s belated integration into the capitalist world system before closing with a postscript that traces the genealogy of the term "postsocialism" and points to the real relevance of the idea for the investigation of everyday life in China in the twenty-first century.
Author: Sheldon H. Lu
Publisher: University of Hawaii Press
ISBN: 0824861868
Category : Literary Criticism
Languages : en
Pages : 281
Get Book Here
Book Description
This ambitious work is a multimedia, interdisciplinary study of Chinese modernity in the context of globalization from the late nineteenth century to the present. Sheldon Lu draws on Chinese literature, film, art, photography, and video to broadly map the emergence of modern China in relation to the capitalist world-system in the economic, social, and political realms. Central to his study is the investigation of biopower and body politics, namely, the experience of globalization on a personal level. Lu first outlines the trajectory of the body in modern Chinese literature by focusing on the adventures, pleasures, and sufferings of the male (and female) body in the writings of selected authors. He then turns to avant-garde and performance art, tackling the physical self more directly through a consideration of work that takes the body as its very theme, material, and medium. In an exploration of mass visual culture, Lu analyzes artistic reactions to the multiple, uneven effects of globalization and modernization on both the physical landscape of China and the interior psyche of its citizens. This is followed by an inquiry into contemporary Chinese urban space in popular cinema and experimental photography and art. Examples are offered that capture the daily lives of contemporary Chinese as they struggle to make the transition from the vanishing space of the socialist lifestyle to the new capitalist economy of commodities. Lu reexamines the history and implications of China’s belated integration into the capitalist world system before closing with a postscript that traces the genealogy of the term "postsocialism" and points to the real relevance of the idea for the investigation of everyday life in China in the twenty-first century.
Author: Sheldon H. Lu
Publisher: University of Hawaii Press
ISBN: 0824831772
Category : Literary Criticism
Languages : en
Pages : 282
Get Book Here
Book Description
This ambitious work is a multimedia, interdisciplinary study of Chinese modernity in the context of globalization from the late nineteenth century to the present. Sheldon Lu draws on Chinese literature, film, art, photography, and video to broadly map the emergence of modern China in relation to the capitalist world-system in the economic, social, and political realms. Central to his study is the investigation of biopower and body politics, namely, the experience of globalization on a personal level. Lu first outlines the trajectory of the body in modern Chinese literature by focusing on the adventures, pleasures, and sufferings of the male (and female) body in the writings of selected authors. He then turns to avant-garde and performance art, tackling the physical self more directly through a consideration of work that takes the body as its very theme, material, and medium. In an exploration of mass visual culture, Lu analyzes artistic reactions to the multiple, uneven effects of globalization and modernization on both the physical landscape of China and the interior psyche of its citizens. This is followed by an inquiry into contemporary Chinese urban space in popular cinema and experimental photography and art. Examples are offered that capture the daily lives of contemporary Chinese as they struggle to make the transition from the vanishing space of the socialist lifestyle to the new capitalist economy of commodities. Lu reexamines the history and implications of China’s belated integration into the capitalist world system before closing with a postscript that traces the genealogy of the term "postsocialism" and points to the real relevance of the idea for the investigation of everyday life in China in the twenty-first century.
Author: Susan Greenhalgh
Publisher: Stanford University Press
ISBN: 9780804748803
Category : Social Science
Languages : en
Pages : 420
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Book Description
'Governing China's Population' tells the story of political and cultural shifts, from the perspectives of both regime and society.
Author: Wenjin Cui
Publisher: Routledge
ISBN: 1000476499
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
This book explores an extraordinary case of affirmative biopolitics through the study of Lu Xun (1881–1936), the most prominent cultural figure of modern China. Diverging from the Enlightenment-humanist framework in reference to which Lu Xun is commonly interpreted, it demonstrates how his thinking is defined by a naturalistic conception of culture that is best understood in the global context of what Foucault defines as the biological turn of modernity. In comparison to ontologically-grounded modern Western theories of life, it brings to light the deep connection between Lu Xun’s affirmative biopolitics and the epistemic ground of Chinese tradition―what is known as correlative thinking. Combining close readings of literary texts with a theoretical consideration of broader issues of culture, this book is an essential read for scholars and students who are interested in Lu Xun, modern Chinese intellectual history, comparative studies of Chinese and Western thought, and the question of affirmative biopolitics.
Author: Shumei Shi
Publisher: Univ of California Press
ISBN: 0520249445
Category : History
Languages : en
Pages : 266
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Book Description
A vanguard excursion into sophisticated cultural criticism situated at the intersections of Chinese studies, Asian American studies, diaspora studies & transnational studies, this text argues that the visual has become the primary means of mediating identities under global capitalism.
Author: Rey Chow
Publisher: Columbia University Press
ISBN: 9780231133333
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
What is the sentimental and how can we understand it through the cinema of a particular culture in an age of globalisation? Chow explores these questions by examining nine contemporary Chinese directors whose accomplishments have become historic events in world cinema.
Author: Susan L. Mann
Publisher: Cambridge University Press
ISBN: 1139502484
Category : History
Languages : en
Pages : 257
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Book Description
Gender and sexuality have been neglected topics in the history of Chinese civilization, despite the fact that there is a massive amount of historical evidence on the subject. China's late imperial government was arguably more concerned about gender and sexuality among its subjects than any other pre-modern state. How did these and other late imperial legacies shape twentieth-century notions of gender and sexuality in modern China? Susan Mann answers this by focusing on state policy, ideas about the physical body and notions of sexuality and difference in China's recent history, from medicine to the theater to the gay bars; from law to art and sports. More broadly, the book shows how changes in attitudes toward sex and gender in China during the twentieth century have cast a new light on the process of becoming modern, while simultaneously challenging the universalizing assumptions of Western modernity.
Author: W. Ho
Publisher: Springer
ISBN: 1137514701
Category : Social Science
Languages : en
Pages : 189
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Book Description
This unique book investigates the tug-of-war between the free market economy and authoritative state regulation in Chinese culture after 1989. Contextualizing close textual readings of cinematic and television texts, both officially sanctioned and independently made, Wing Shan Ho illuminates the complex process in which cultural producers and consumers negotiate with both the state and the market in articulating new forms of subjectivity. Ho examines the types of Chinese subjects that the state applauds and aggrandizes in contrast to those that it condemns and attempts to eliminate. Her focus on the socialist spirit exposes inherent contradictions in the current Chinese project of nation-building. This comparative study shines a harsh light on these cultural products and on much more: the confluence between commerce and politics and popular culture, the interaction between state and individuals in popular culture, and the complexity of governmentality in an era of globalization.
Author: Yingjin Zhang
Publisher: University of Hawaii Press
ISBN: 0824837703
Category : Political Science
Languages : en
Pages : 274
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Book Description
In this milestone work, prominent China film scholar Yingjin Zhang proposes "polylocality" as a new conceptual framework for investigating the shifting spaces of contemporary Chinese cinema in the age of globalization. Questioning the national cinema paradigm, Zhang calls for comparative studies of underdeveloped areas beyond the imperative of transnationalism. The book begins by addressing theories and practices related to space, place, and polylocality in contemporary China before focusing on the space of scholarship and urging scholars to move beyond the current paradigm and explore transnational and comparative film studies. This is followed by a chapter that concentrates on the space of production and surveys the changing landscape of postsocialist filmmaking and the transformation of China’s urban generation of directors. Next is an examination of the space of polylocality and the cinematic mappings of Beijing and a persistent "reel" contact with polylocality in hinterland China. In the fifth chapter Zhang explores the space of subjectivity in independent film and video and contextualizes experiments by young directors with various documentary styles. Chapter 6 calls attention to the space of performance and addresses issues of media and mediation by way of two kinds of playing: the first with documentary as troubling information, the second with piracy as creative intervention. The concluding chapter offers an overview of Chinese cinema in the new century and provides production and reception statistics. Combining inspired critical insights, original observations, and new information, Cinema, Space, and Polylocality in a Globalizing China is a significant work on current Chinese film and a must-read for film scholars and anyone seriously interested in cinema more generally or contemporary Chinese culture.
Author: Sheldon H. Lu
Publisher: Hong Kong University Press
ISBN: 9622090869
Category : Social Science
Languages : en
Pages : 384
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Book Description
This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.
