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Author: Klaus Mühlhahn
Publisher: LIT Verlag Münster
ISBN: 3643902700
Category : Performing Arts
Languages : en
Pages : 163
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Book Description
Since 1978, the changes brought on by China's reforms have had an inevitable and significant impact on the development of literature, the arts, and the whole spectrum of culture. As well, contemporary Chinese films have reflected this transition towards commercialization and internationalization, which has included constant changes in cultural policies and the economic conditions for film production. The articles in this collection argue that contemporary Chinese films display a profound shift in identity construction. They explore Chinese identities related to class, nation, and gender, and they highlight aspects of individual identity. All of these are marked by contradiction, tension, multiple versions, changes over time, and other evidence of contingency and construction. The book draws attention to uncertain and unpredictable qualities of "Chineseness" which are often torn between past and present, but are also increasingly comprised of local, national, and global elements. (Series: Chinese History and Society / Berliner China-Hefte - Vol. 40)
Author: Klaus Mühlhahn
Publisher: LIT Verlag Münster
ISBN: 3643902700
Category : Performing Arts
Languages : en
Pages : 163
Get Book
Book Description
Since 1978, the changes brought on by China's reforms have had an inevitable and significant impact on the development of literature, the arts, and the whole spectrum of culture. As well, contemporary Chinese films have reflected this transition towards commercialization and internationalization, which has included constant changes in cultural policies and the economic conditions for film production. The articles in this collection argue that contemporary Chinese films display a profound shift in identity construction. They explore Chinese identities related to class, nation, and gender, and they highlight aspects of individual identity. All of these are marked by contradiction, tension, multiple versions, changes over time, and other evidence of contingency and construction. The book draws attention to uncertain and unpredictable qualities of "Chineseness" which are often torn between past and present, but are also increasingly comprised of local, national, and global elements. (Series: Chinese History and Society / Berliner China-Hefte - Vol. 40)
Author: Gina Marchetti
Publisher:
ISBN: 9781592135189
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
A look at Chinese filmmaking in the post-1989 American diaspora
Author: Philippa Gates
Publisher: Routledge
ISBN: 1136591559
Category : Social Science
Languages : en
Pages : 446
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Book Description
This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 1950's and 1960's Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions. .
Author: Sheldon H. Lu
Publisher: University of Hawaii Press
ISBN: 9780824818456
Category : Performing Arts
Languages : en
Pages : 438
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Book Description
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
Author: Sheldon H. Lu
Publisher: University of Hawaii Press
ISBN: 0824865294
Category : Performing Arts
Languages : en
Pages : 429
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Book Description
Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
Author: Elisabeth Croll
Publisher: Zed Books
ISBN:
Category : Political Science
Languages : en
Pages : 236
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Book Description
Describes the changing reality of women's lives during the China's republican, revolutionary and reform eras
Author: Geng Song
Publisher: University of Michigan Press
ISBN: 0472220047
Category : Social Science
Languages : en
Pages : 253
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Book Description
The serial narrative is one of the most robust and popular forms of storytelling in contemporary China. With a domestic audience of one billion-plus and growing transnational influence and accessibility, this form of storytelling is becoming the centerpiece of a fast-growing digital entertainment industry and a new symbol and carrier of China’s soft power. Televising Chineseness: Gender, Nation, and Subjectivity explores how television and online dramas imagine the Chinese nation and form postsocialist Chinese gendered subjects. The book addresses a conspicuous paradox in Chinese popular culture today: the coexistence of increasingly diverse gender presentations and conservative gender policing by the government, viewers, and society. Using first-hand data collected through interviews and focus group discussions with audiences comprising viewers of different ages, genders, and educational backgrounds, Televising Chineseness sheds light on how television culture relates to the power mechanisms and truth regimes that shape the understanding of gender and the construction of gendered subjects in postsocialist China.
Author: Jens Damm
Publisher: LIT Verlag Münster
ISBN: 3643909608
Category : Social Science
Languages : en
Pages : 160
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Book Description
The rapidly changing role of China - once an isolated pariah state, now a G-20 member and an emerging superpower in Asia and beyond - is one of the factors to be considered in any conceptualization of the current state of global affairs. The articles in this issue offer preliminary insights into the expansive topic of China's diversified economic, political and cultural interactions with the world. U.S. policies towards Tibet during the Cold War period are examined as well as current global Chinese business networks, China's foreign policy in the 21st century, and the developing relations between China and the five Central Asian states. Jens Damm is an Associate Professor at Chang Jung University, Tainan. He is currently leading a three-year research project at the Oriental Institute of the Czech Academy of Sciences. Mechthild Leutner is Professor emerita of Modern Chinese History and Culture at Freie Universitaet Berlin. Niu Dayong is a Professor of the History Department, Peking University. His research is mainly focused on the interactions between China and foreign powers in recent decades.
Author: Andrew David Jackson
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
This collection of essays explores the mosaic of East Asian cinema by focusing on issues of identity, history and trans-regional cultural flow within this dynamic region. The argument of the editors is firstly, cinematic cross-pollination within East Asian film has been a constant since 1945, and second, any discussion of the complex identity of East Asia and its national cinemas must consider regional historical issues. These arguments run counter to recent literature published in the field of East Asian cinema that claim responses to Western globalization and modernization are the shaping forces for Asian cultural identity.
Author: Song Hwee Lim
Publisher: Bloomsbury Publishing
ISBN: 1911239554
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.
