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Author: Craig Clunas
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Author: Craig Clunas
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 120
Get Book Here
Book Description
Author: Craig Clunas
Publisher: Oxford University Press, USA
ISBN: 9780192842077
Category : Art
Languages : en
Pages : 260
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Book Description
China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : China trade porcelain
Languages : en
Pages : 544
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Book Description
Author: William Christie
Publisher: Sydney University Press
ISBN: 1743325991
Category : History
Languages : en
Pages : 234
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Book Description
In the 18th and 19th centuries, relations between China and the West were defined by the Qing dynasty’s strict restrictions on foreign access and by the West’s imperial ambitions. Cultural, political and economic interactions were often fraught, with suspicion and misunderstanding on both sides. Yet trade flourished and there were instances of cultural exchange and friendship, running counter to the official narrative. Tribute and Trade: China and Global Modernity explores encounters between China and the West during this period and beyond, into the early 20th century, through examples drawn from art, literature, science, politics, music, cooking, clothing and more. How did China and the West see each other, how did they influence each other, and what were the lasting legacies of this contact?
Author: John Ayers
Publisher: Routledge
ISBN: 1136799826
Category : History
Languages : en
Pages : 164
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Book Description
Dehua porcelain, or Blanc de Chine as it is known in the West, is pure ivory-white porcelain made at the Dehua kilns in the southern Chinese province of Fujian. It rose to international significance in the 17th century and inspired aristocratic patronage in the development of European porcelain. Its popularity at home and abroad continued and the k
Author:
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882373313
Category : Art
Languages : en
Pages : 120
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Book Description
西方人眼中的清代中國神祕而綺麗，從珠江河上華美的畫舫到婦女裹著的三寸金蓮，凡此種種都引發西方人極大的好奇心。這些對中國的異想，造就了外銷畫的商機。採用西方繪畫技法的通草紙畫盛行於十九世紀晚清時期的廣州，由於繪畫內容充滿中國風情丶價格便宜且方便攜帶，而成為留駐口岸的歐美商人丶收藏者丶水手等人士極受歡迎的紀念品。小小的通草紙畫，既有助縮小中西之間彼此理解的差距，同時也反映了西方人對這片異域的一種浪漫想像。 本圖冊展示了香港中文大學圖書館所收藏丶繪製於十九世紀廣州的通草紙畫，呈現出一幅幅生動的昔日生活場景。飄洋近兩個世紀後，這些既美麗又脆弱的「明信片」再次回到它的產地。儘管物換星移，然而中國百年前豐富的民生面貌透過薄薄的通草紙畫得以留存下來，在我們面前仍然絢爛繽紛。 The Qing Dynasty of China was perceived as mysterious and beautiful in the eyes of Westerners. From the magnificent pleasure boats on the Pearl River to women with bound feet, all these sparked great curiosity among Europeans and Americans. These fantasies about China created a lucrative market for export paintings. Pith paper paintings, which adopted Western painting techniques, were prevalent in Guangzhou during the late Qing period in the 19th century. Due to their Chinese themes, affordable prices and portability, these paintings became popular souvenirs among European and American traders, collectors, and sailors residing at the port. These small pith paper paintings not only helped bridge the gap of mutual understanding between the East and the West, but also reflected the Westerners’ romantic imagination of this exotic land. This album showcases the pith paper paintings collected by the Chinese University of Hong Kong Library. Created in 19th-century Guangzhou, these artworks vividly depict daily life scenes of that era. After almost two centuries, these beautiful yet fragile“postcards” have returned to their place of origin. Despite the changes over time, the rich social landscape of China from a century ago is preserved through these delicate pith paper paintings, still radiating with vibrant colours before us.
Author: Ms Audrey Wang
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409455459
Category : Art
Languages : en
Pages : 285
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Book Description
Chinese Antiquities: An Introduction to the Art Market provides an essential guide to the growing market for Chinese antiquities, encompassing all sectors of the market, from Classical Chinese paintings and calligraphy to ceramics, jade, bronze and ritual sculpture. Aimed at current and aspiring collectors, investors and galleries interested in Chinese antiquities, the book sets out to demystify the process of buying and selling in the Asian context, highlighting Asia-specific issues that market-players might encounter and making this category of art more accessible to newcomers to the market.
Author: Amanda Elizabeth Lange
Publisher: Historic Deerfield Incorporated
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
"This illustrated, full-color catalogue represents the first survey of Historic Deerfields Chinese export art collection. Written by Curator of Historic Interiors Amanda E. Lange, Chinese Export Art at Historic Deerfield presents new research on the involvement of rural New England in the China trade and features in-depth object entries."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Michelle Ying Ling Huang
Publisher: Cambridge Scholars Publishing
ISBN: 1443868558
Category : Art
Languages : en
Pages : 355
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Book Description
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.
Author: Craig Clunas
Publisher: Princeton University Press
ISBN: 0691253021
Category : Art
Languages : en
Pages : 304
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Book Description
A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
