Author: Frank Vigneron
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372465
Category : Art
Languages : en
Pages : 214
Book Description
Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of contact grew wider as the conditions for globalization became more and more prevalent. Frank Vigneron observes and explores these changes through texts and the visual arts to reveal how these two civilizations, while keeping their own characteristics, managed to develop fruitful dialogues and create deeply intertwined cultures. As an example, the final chapter looks at contemporary Chinese calligraphy as an art that, even though it has no equivalent in Euro-America, successfully integrated cross-cultural theoretical elements, thus exemplifying how past and outside can combine into new artistic constructs.
China Pluperfect I
Author: Frank Vigneron
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372465
Category : Art
Languages : en
Pages : 214
Book Description
Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of contact grew wider as the conditions for globalization became more and more prevalent. Frank Vigneron observes and explores these changes through texts and the visual arts to reveal how these two civilizations, while keeping their own characteristics, managed to develop fruitful dialogues and create deeply intertwined cultures. As an example, the final chapter looks at contemporary Chinese calligraphy as an art that, even though it has no equivalent in Euro-America, successfully integrated cross-cultural theoretical elements, thus exemplifying how past and outside can combine into new artistic constructs.
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372465
Category : Art
Languages : en
Pages : 214
Book Description
Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of contact grew wider as the conditions for globalization became more and more prevalent. Frank Vigneron observes and explores these changes through texts and the visual arts to reveal how these two civilizations, while keeping their own characteristics, managed to develop fruitful dialogues and create deeply intertwined cultures. As an example, the final chapter looks at contemporary Chinese calligraphy as an art that, even though it has no equivalent in Euro-America, successfully integrated cross-cultural theoretical elements, thus exemplifying how past and outside can combine into new artistic constructs.
China Pluperfect II
Author: Frank Vigneron
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372473
Category : Art
Languages : en
Pages : 262
Book Description
This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art. It first looks at the concept of “ink art,” describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People’s Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has become a major art hub in the last two decades, has developed. The following is dedicated to the changing fortunes of art making in the countryside, observing how institutions in the Mainland and in Hong Kong have supported these practices very differently. Frank Vigneron finally considers how the different speeds of globalization, slow in the past and fast today, have determined some of the issues of past and outside in the present, particularly in the context of socially engaged art in both the Mainland and Hong Kong.
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372473
Category : Art
Languages : en
Pages : 262
Book Description
This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art. It first looks at the concept of “ink art,” describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People’s Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has become a major art hub in the last two decades, has developed. The following is dedicated to the changing fortunes of art making in the countryside, observing how institutions in the Mainland and in Hong Kong have supported these practices very differently. Frank Vigneron finally considers how the different speeds of globalization, slow in the past and fast today, have determined some of the issues of past and outside in the present, particularly in the context of socially engaged art in both the Mainland and Hong Kong.
Rethinking Displays of Chinese Contemporary Art
Author: Paul Gladston
Publisher: Springer Nature
ISBN: 9819729068
Category :
Languages : en
Pages : 264
Book Description
Publisher: Springer Nature
ISBN: 9819729068
Category :
Languages : en
Pages : 264
Book Description
The Standard Poland-China Record
Author: Standard Poland-China Record Association, Maryville, Mo
Publisher:
ISBN:
Category : Poland-China swine
Languages : en
Pages : 1052
Book Description
Publisher:
ISBN:
Category : Poland-China swine
Languages : en
Pages : 1052
Book Description
American Poland-China Record
Author: American Poland-China Record Association
Publisher:
ISBN:
Category : Poland
Languages : en
Pages : 1048
Book Description
Publisher:
ISBN:
Category : Poland
Languages : en
Pages : 1048
Book Description
Standard Poland-China Record
Author: Standard Poland-China Record Association, Maryville, Mo
Publisher:
ISBN:
Category : Poland-China swine
Languages : en
Pages : 1328
Book Description
Publisher:
ISBN:
Category : Poland-China swine
Languages : en
Pages : 1328
Book Description
The Threshold
Author: Zeb Raft
Publisher: BRILL
ISBN: 1684176581
Category : History
Languages : en
Pages : 280
Book Description
What happens when historiography—the way historical events are committed to writing—shapes historical events as they occur? How do we read biography when it is truly “life-writing,” its subjects fully engaged with the historiographical rhetoric that would record their words and deeds?
Publisher: BRILL
ISBN: 1684176581
Category : History
Languages : en
Pages : 280
Book Description
What happens when historiography—the way historical events are committed to writing—shapes historical events as they occur? How do we read biography when it is truly “life-writing,” its subjects fully engaged with the historiographical rhetoric that would record their words and deeds?
China's Place in Philology
Author: Joseph Edkins
Publisher:
ISBN:
Category : Chinese language
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : Chinese language
Languages : en
Pages : 480
Book Description
Introduction to Altaic Philology
Author: Igor de Rachewiltz
Publisher: BRILL
ISBN: 9004188894
Category : Language Arts & Disciplines
Languages : en
Pages : 544
Book Description
There are many excellent books dealing with Old Turkic, Preclassical and Classical Mongolian and Literary Manchu individually, but none providing in a single volume a comprehensive survey of all the three major Altaic languages. The present volume attempts to fill this gap; at the same time it reviews also the much debated Altaic Hypothesis. The book is intended for use by students at university level as well as by general readers with a basic knowledge of linguistics. The 39 language texts analysed in the volume are discussed within their historical and cultural context, thus vastly enlarging the scope of the purely linguistic investigation.
Publisher: BRILL
ISBN: 9004188894
Category : Language Arts & Disciplines
Languages : en
Pages : 544
Book Description
There are many excellent books dealing with Old Turkic, Preclassical and Classical Mongolian and Literary Manchu individually, but none providing in a single volume a comprehensive survey of all the three major Altaic languages. The present volume attempts to fill this gap; at the same time it reviews also the much debated Altaic Hypothesis. The book is intended for use by students at university level as well as by general readers with a basic knowledge of linguistics. The 39 language texts analysed in the volume are discussed within their historical and cultural context, thus vastly enlarging the scope of the purely linguistic investigation.
Kazakh
Author: Raikhangul Mukhamedova
Publisher: Routledge
ISBN: 1317573072
Category : Foreign Language Study
Languages : en
Pages : 304
Book Description
Kazakh: A Comprehensive Grammar is the first thorough analysis of Kazakh to be published in English. The volume is systematically organized to enable users to find information quickly and easily, and provides a thorough understanding of Kazakh grammar, with special emphasis given to syntax. Features of this book include: descriptions of phonology, morphology and syntax; examples from contemporary usage; tables summarizing discussions, for reference; a bibliography of works relating to Kazakh. Kazakh: A Comprehensive Grammar reflects the richness of the language, focusing on spoken and written varieties in post-Soviet Kazakhstan. It is an essential purchase for all linguists and scholars interested in Kazakh or in Turkic languages as well as advanced learners of Kazakh.
Publisher: Routledge
ISBN: 1317573072
Category : Foreign Language Study
Languages : en
Pages : 304
Book Description
Kazakh: A Comprehensive Grammar is the first thorough analysis of Kazakh to be published in English. The volume is systematically organized to enable users to find information quickly and easily, and provides a thorough understanding of Kazakh grammar, with special emphasis given to syntax. Features of this book include: descriptions of phonology, morphology and syntax; examples from contemporary usage; tables summarizing discussions, for reference; a bibliography of works relating to Kazakh. Kazakh: A Comprehensive Grammar reflects the richness of the language, focusing on spoken and written varieties in post-Soviet Kazakhstan. It is an essential purchase for all linguists and scholars interested in Kazakh or in Turkic languages as well as advanced learners of Kazakh.