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Author: David Witter
Publisher: Arcadia Publishing
ISBN: 1625845820
Category : History
Languages : en
Pages : 149
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Book Description
By the end of America's "Golden Age of Magic," Chicago had taken center stage in front of an American audience drawn to the craft by the likes of Harry Houdini and Howard Thurston. Cashing in on a craze that rivaled big-band mania, magic shops and clubs sprang up everywhere across the Windy City, packed in customers and put down roots. Over the last century, for example, Magic, Inc. has outfitted magicians from Harry Blackstone Sr. to Penn and Teller to David Copperfield. Magic was an integral part of Chicago's culture, from its earliest venture into live television to the card sharps and hucksters lurking in its amusement parks and pool halls. David Witter keeps track of the shell game of Chicago's fascinating magic history from its vaudeville circuit to its contemporary resurgence.
Author: David Witter
Publisher: Arcadia Publishing
ISBN: 1625845820
Category : History
Languages : en
Pages : 149
Get Book Here
Book Description
By the end of America's "Golden Age of Magic," Chicago had taken center stage in front of an American audience drawn to the craft by the likes of Harry Houdini and Howard Thurston. Cashing in on a craze that rivaled big-band mania, magic shops and clubs sprang up everywhere across the Windy City, packed in customers and put down roots. Over the last century, for example, Magic, Inc. has outfitted magicians from Harry Blackstone Sr. to Penn and Teller to David Copperfield. Magic was an integral part of Chicago's culture, from its earliest venture into live television to the card sharps and hucksters lurking in its amusement parks and pool halls. David Witter keeps track of the shell game of Chicago's fascinating magic history from its vaudeville circuit to its contemporary resurgence.
Author: Graham M. Jones
Publisher: University of Chicago Press
ISBN: 022651871X
Category : History
Languages : en
Pages : 219
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Book Description
In Magic’s Reason, Graham M. Jones tells the entwined stories of anthropology and entertainment magic. The two pursuits are not as separate as they may seem at first. As Jones shows, they not only matured around the same time, but they also shared mutually reinforcing stances toward modernity and rationality. It is no historical accident, for example, that colonial ethnographers drew analogies between Western magicians and native ritual performers, who, in their view, hoodwinked gullible people into believing their sleight of hand was divine. Using French magicians’ engagements with North African ritual performers as a case study, Jones shows how magic became enshrined in anthropological reasoning. Acknowledging the residue of magic’s colonial origins doesn’t require us to dispense with it. Rather, through this radical reassessment of classic anthropological ideas, Magic’s Reason develops a new perspective on the promise and peril of cross-cultural comparison.
Author: David Anthony Witter
Publisher:
ISBN: 9781626191273
Category : Games & Activities
Languages : en
Pages : 0
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Book Description
By the end of America's Golden Age of Magic," Chicago had taken center stage in front of an American audience drawn to the craft by the likes of Harry Houdini and Howard Thurston. Cashing in on a craze that rivaled big-band mania, magic shops and clubs sprang up everywhere across the Windy City, packed in customers and put down roots. Over the last century, for example, Magic, Inc. has outfitted magicians from Harry Blackstone Sr. to Penn and Teller to David Copperfield. Magic was an integral part of Chicago's culture, from its earliest venture into live television to the card sharps and hucksters lurking in its amusement parks and pool halls. David Witter keeps track of the shell game of Chicago's fascinating magic history from its vaudeville circuit to its contemporary resurgence."
Author: Caroline Stevermer
Publisher: Tor Books
ISBN: 1466820837
Category : Fiction
Languages : en
Pages : 352
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Book Description
Reminiscent of The Golem and the Jinni, The Glass Magician by Caroline Stevermer is a magical and romantic tale set in New York’s Gilded Age. New York 1905—The Vanderbilts. The Astors. The Morgans. They are the cream of society—and they own the nation on the cusp of a new century. Thalia Cutler doesn’t have any of those family connections. What she does know is stage magic and she dazzles audiences with an act that takes your breath away. That is, until one night when a trick goes horribly awry. In surviving she discovers that she can shapeshift, and has the potential to take her place among the rich and powerful. But first, she’ll have to learn to control that power...before the real monsters descend to feast. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Lee Siegel
Publisher: University of Chicago Press
ISBN: 0226756874
Category : History
Languages : en
Pages : 469
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Book Description
"Scholar and magician, Siegel uncovers the age-old practices of magic in sacred rites and rituals and unveils the contemporary world of Indian magic of street and stage entertainers. Siegel's journeys take him from ancient Sanskrit texts to the slums of New Dehli as he explores India's remarkable magical tradition." --Publisher's description.
Author: Ioan P. Culianu
Publisher: University of Chicago Press
ISBN: 0226123162
Category : History
Languages : en
Pages : 286
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Book Description
It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.
Author: Elissa Washuta
Publisher: Tin House Books
ISBN: 1951142403
Category : Literary Collections
Languages : en
Pages : 300
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Book Description
Finalist for the PEN Open Book Award Longlisted for the PEN/Jean Stein Award A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year "Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." —The New York Times Book Review Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.
Author: Chicago Magic Co
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
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Book Description
Author: Scott Green
Publisher:
ISBN: 9781548665227
Category :
Languages : en
Pages : 300
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Book Description
Available way cheaper at ScottMakesMagic.com. Learn the secrets to create, sell and perform a magic show that plays to both adults and children.
Author: Gary Tomlinson
Publisher: University of Chicago Press
ISBN: 9780226807928
Category : History
Languages : en
Pages : 318
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Book Description
Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
