Author: Patrick Miles
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 82
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Book Description
Chekhov's plays have become the most popular ones in Britain next to Shakespeare's. This is the first book to consider this phenomenon from its beginnings in 1909 to the present. It embodies the facts of Chekhov's progress on the British stage, which involves such giants of twentieth-century theater as Komisarjevsky, Bernard Shaw, Peggy Ashcroft and John Gielgud, but it also examines the highly contentious issues of directing, acting and translating Chekhov in Britain today. It is a book intended for those interested in the living British theater.
Author: Patrick Miles
Publisher: Cambridge University Press
ISBN: 9780521384674
Category : Biography & Autobiography
Languages : en
Pages : 278
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Book Description
This is the first book to consider the whole subject of Chekhov's impact on the British stage. Recently Chekhov's plays have come to occupy a place in the British classical repertoire second only to Shakespeare. The British, American and Russian authors of these essays examine this phenomenon both historically and synchronically. First they discuss why Chekhov's plays were so slow to find an audience in Britain, what the early productions were really like, and how Bernard Shaw, Peggy Ashcroft, the Moscow Art Theatre and politics influenced the British style of Chekhov. They then address the often controversial issues of directing, acting, designing and translating Chekhov in Britain today. The volume concludes with a selective chronology of British productions of Chekhov's plays and will be of interest to students and scholars of the theatre, as well as theatre-goers, theatre-practitioners and Russianists.
Author: Anton Pavlovich Chekhov
Publisher:
ISBN: 9781623160319
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Chekhov started writing about theatre in newspaper articles and in his own letters even before he began writing plays. Collected here in translation, these writings reveal Chekhov's instinctive curiosity about the way theatre works-- and his concerns about how best to realize his own intentions as a playwright.--Publisher.
Author: Stuart Young
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Anton Pavlovich Chekhov
Publisher: Opus on Theatre
ISBN: 9781623160289
Category : Music
Languages : en
Pages : 0
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Book Description
Chekhov started writing about theatre in newspaper articles and in his own letters even before he began writing plays. Collected here in translation, these writings reveal Chekhov's instinctive curiosity about the way theatre works-- and his concerns about how best to realize his own intentions as a playwright.--Publisher.
Author: Dan Rebellato
Publisher: Bloomsbury Publishing
ISBN: 184943915X
Category : Drama
Languages : en
Pages : 114
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Book Description
I don't know who he is but he's old, he's got to know stuff... he's got to be like wise and stuff yeah? Anton Chekhov, masterful playwright and mirror to Russian society, awakening from one hundred years of sleep, is thrust rudely into twenty first century Britain. Reality shows, fashionistas, Z-list celebrities, illegal immigrants, chuggers and wags. Pole dancing, YouTube, Twitter and 5-a-day. Chekhov in Hell takes you on a whirlwind tour of modern day Britain.
Author: Geraldine Brodie
Publisher: Routledge
ISBN: 1315436795
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Translating for performance is a difficult – and hotly contested – activity. Adapting Translation for the Stage presents a sustained dialogue between scholars, actors, directors, writers, and those working across these boundaries, exploring common themes and issues encountered when writing, staging, and researching translated works. It is organised into four parts, each reflecting on a theatrical genre where translation is regularly practised: The Role of Translation in Rewriting Naturalist Theatre Adapting Classical Drama at the Turn of the Twenty-First Century Translocating Political Activism in Contemporary Theatre Modernist Narratives of Translation in Performance A range of case studies from the National Theatre’s Medea to The Gate Theatre’s Dances of Death and Emily Mann’s The House of Bernarda Alba shed new light on the creative processes inherent in translating for the theatre, destabilising the literal/performable binary to suggest that adaptation and translation can – and do – coexist on stage. Chronicling the many possible intersections between translation theory and practice, Adapting Translation for the Stage offers a unique exploration of the processes of translating, adapting, and relocating work for the theatre.
Author: Cynthia Marsh
Publisher: Springer Nature
ISBN: 3030443337
Category : Performing Arts
Languages : en
Pages : 399
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Book Description
This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?
Author: Anton Chekhov
Publisher: Crossroad Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 112
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Book Description
The play focuses on the lives of three sisters, Olga, Masha, and Irina, young women of the Russian gentry who try to fill their days in order to construct a life that feels meaningful while surrounded by an array of military men, servants, husbands, suitors, and lovers, all of whom constitute a distractions from the passage of time and from the sisters' desire to return to their beloved Moscow.
Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 9780521783958
Category : Drama
Languages : en
Pages : 468
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Book Description
Many now consider Chekhov a playwright equal to Shakespeare. Senelick studies how his reputation evolved, and how the presentation of his plays varied and altered from their initial productions in Russia to recent postmodern deconstructions.
