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Author: Geoffrey Chaucer
Publisher: W W Norton & Company Incorporated
ISBN: 9780393925883
Category : Fiction
Languages : en
Pages : 396
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Book Description
This Norton Critical Edition presents Chaucer's four dream visions and selected shorter poems and is suitable for both beginning and advanced students.
Author: Geoffrey Chaucer
Publisher: W W Norton & Company Incorporated
ISBN: 9780393925883
Category : Fiction
Languages : en
Pages : 396
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Book Description
This Norton Critical Edition presents Chaucer's four dream visions and selected shorter poems and is suitable for both beginning and advanced students.
Author: Michael St. John
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 246
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Book Description
Specialists of Chaucer and his contemporaries will be the audience for this volume on the poet's use of Aristotelian psychology, Boethius, Dante, and French court poets to create aspects of courtly identity through language and experience. St. John (English, U. of Leicester, UK) provides detailed analyses of the Book of the Duchess, House of Fame, Parliament of Fowls, and Legend of Good Women to develop his case. He shows that Chaucer's use of the dream vision can be interpreted as an exploration of individual subjectivity in a social context, an expression of Chaucer's Christian beliefs, and his awareness of the dialogue courtly society engenders. Annotation copyrighted by Book News Inc., Portland, OR
Author: Geoffrey Chaucer
Publisher: SMK Books
ISBN: 9781515428534
Category :
Languages : en
Pages : 184
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Book Description
Author: Constance B. Hieatt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111342506
Category : Language Arts & Disciplines
Languages : en
Pages : 120
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Book Description
No detailed description available for "The realism of dream visions".
Author: Geoffrey Chaucer
Publisher: Penguin UK
ISBN: 0141959894
Category : Poetry
Languages : en
Pages : 259
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Book Description
Spanning Chaucer's working life, these four poems build on the medieval convention of 'love visions' - poems inspired by dreams, woven into rich allegories about the rituals and emotions of courtly love. In The Book of the Duchess, the most traditional of the four, the dreamer meets a widower who has loved and lost the perfect lady, and The House of Fame describes a dream journey in which the poet meets with classical divinities. Witty, lively and playful, The Parliament of Birds details an encounter with the birds of the world in the Garden of Nature as they seek to meet their mates, while The Legend of Good Women sees Chaucer being censured by the God of Love, and seeking to make amends, for writing poems that depict unfaithful women. Together, the four create a marvellously witty, lively and humane self-portrait of the poet.
Author: A. C. Spearing
Publisher: CUP Archive
ISBN: 9780521211949
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
This 1976 book is a study of the medieval English dream-poem set against classical and medieval visionary and religious writings.
Author: Suzanne Conklin Akbari
Publisher: University of Toronto Press
ISBN: 0802036058
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
During the later Middle Ages, new optical theories were introduced that located the power of sight not in the seeing subject, but in the passive object of vision. This shift had a powerful impact not only on medieval science but also on theories of knowledge, and this changing relationship of vision and knowledge was a crucial element in late medieval religious devotion. In Seeing through the Veil, Suzanne Conklin Akbari examines several late medieval allegories in the context of contemporary paradigm shifts in scientific and philosophical theories of vision. After a survey on the genre of allegory and an overview of medieval optical theories, Akbari delves into more detailed studies of several medieval literary works, including the Roman de la Rose, Dante's Vita Nuova, Convivio, and Commedia, and Chaucer's dream visions and Canterbury Tales. The final chapter, 'Division and Darkness, ' centres on the legacy of allegory in the fifteenth century. Offering a new interdisciplinary, synthetic approach to late medieval intellectual history and to major works within the medieval literary canon, Seeing through the Veil will be an essential resource to the study of medieval literature and culture, as well as philosophy, history of art, and history of science.
Author: Megan G. Leitch
Publisher: Manchester University Press
ISBN: 152615109X
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
Author: J. Stephen Russell
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Author: Kathryn L. Lynch
Publisher: Stanford University Press
ISBN: 080476641X
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
In the High Middle Ages, the dream narrative was an enormously popular and influential form. Along with the romance, it was perhaps the genre of the age. It has come down to us in such classics twelfth to fourteenth-century classics as The Divine Comedy, the Romance of the Rose, Piers Plowman, Chaucer's early poetry, and the works of Guillaume de Machaut. This book redefines the dream vision by attending to its role in philosophical debate of the time, a conservative role in defense of the high medieval synthesis of reason and revelation. Lynch shows how the epistemological basis of this synthesis and the theories of visions that emerged from it drew on Arabic commentaries of Aristotle. These theories informed poetic visions modeled on Boethius's Consolation of Philosophy, a work she discusses in detail before turning to Alain de Lille, Jean de Meun, and Dante. A final section, on John Gower's Confessio Amantis shows how fourteenth and fifteenth-century writers extended and finally moved beyond the conventional form of the dream vision.
