Author: Richard Beckman
Publisher: Springer Nature
ISBN: 3030253457
Category : Literary Criticism
Languages : en
Pages : 155
Book Description
Charm in Literature from Classical to Modernism: Charmed Life discusses charm as both an emotional and aesthetic phenomenon. Beginning with the first appearance of literary charm in the Sirens episode of the Odyssey, Richard Beckman traces charm throughout canonical literature, examining the metamorphoses of charm through the millennia. The book examines the works of Chaucer, Spenser, Shakespeare, Milton, Pope, Wordsworth, Coleridge, Proust, Joyce, Mann, and others, considering the multiplicity of ways charm is defined, depicted, and utilized by authors. Positioning these poems, dramas, and novels as case studies, Beckman reveals the mercurial yet enduring connotations of charm.
Charm in Literature from Classical to Modernism
Author: Richard Beckman
Publisher: Springer Nature
ISBN: 3030253457
Category : Literary Criticism
Languages : en
Pages : 155
Book Description
Charm in Literature from Classical to Modernism: Charmed Life discusses charm as both an emotional and aesthetic phenomenon. Beginning with the first appearance of literary charm in the Sirens episode of the Odyssey, Richard Beckman traces charm throughout canonical literature, examining the metamorphoses of charm through the millennia. The book examines the works of Chaucer, Spenser, Shakespeare, Milton, Pope, Wordsworth, Coleridge, Proust, Joyce, Mann, and others, considering the multiplicity of ways charm is defined, depicted, and utilized by authors. Positioning these poems, dramas, and novels as case studies, Beckman reveals the mercurial yet enduring connotations of charm.
Publisher: Springer Nature
ISBN: 3030253457
Category : Literary Criticism
Languages : en
Pages : 155
Book Description
Charm in Literature from Classical to Modernism: Charmed Life discusses charm as both an emotional and aesthetic phenomenon. Beginning with the first appearance of literary charm in the Sirens episode of the Odyssey, Richard Beckman traces charm throughout canonical literature, examining the metamorphoses of charm through the millennia. The book examines the works of Chaucer, Spenser, Shakespeare, Milton, Pope, Wordsworth, Coleridge, Proust, Joyce, Mann, and others, considering the multiplicity of ways charm is defined, depicted, and utilized by authors. Positioning these poems, dramas, and novels as case studies, Beckman reveals the mercurial yet enduring connotations of charm.
Russian Classical Literature Today
Author: Yordan Ljutskanov
Publisher: Cambridge Scholars Publishing
ISBN: 1443861820
Category : Performing Arts
Languages : en
Pages : 400
Book Description
This book explores a range of (mis)uses of the Russian classical literature canon and its symbolic capital by contemporary Russian literature, cinema, literary scholarship, and mass culture. It outlines processes of current canon-formation in a situation of the expiration of a literature-centric culture that has been imbued with specific messianism and its doubles. The book implements Pierre Bourdieu’s theory of the cultural field, focussing on a field’s constitutive pursuit of autonomy and on its flexible resistance to the double pressure of the political field and the economic field. It provides material for elaborating this theory through postulating the principal presence of a third factor of heteronomy: the ‘strong neighbour’ within the cultural field. Furthermore, this volume demonstrates the heuristic of comparing the current Russian (mis)uses of classical literature to prior Russian and current foreign ones. As such, it also discusses such issues as the historical relativity of a literary field’s (notion of) autonomy and the geo-cultural variability of the Russian literary canon.
Publisher: Cambridge Scholars Publishing
ISBN: 1443861820
Category : Performing Arts
Languages : en
Pages : 400
Book Description
This book explores a range of (mis)uses of the Russian classical literature canon and its symbolic capital by contemporary Russian literature, cinema, literary scholarship, and mass culture. It outlines processes of current canon-formation in a situation of the expiration of a literature-centric culture that has been imbued with specific messianism and its doubles. The book implements Pierre Bourdieu’s theory of the cultural field, focussing on a field’s constitutive pursuit of autonomy and on its flexible resistance to the double pressure of the political field and the economic field. It provides material for elaborating this theory through postulating the principal presence of a third factor of heteronomy: the ‘strong neighbour’ within the cultural field. Furthermore, this volume demonstrates the heuristic of comparing the current Russian (mis)uses of classical literature to prior Russian and current foreign ones. As such, it also discusses such issues as the historical relativity of a literary field’s (notion of) autonomy and the geo-cultural variability of the Russian literary canon.
A Political Economy of Modernism
Author: Ronald Schleifer
Publisher: Cambridge University Press
ISBN: 1108680240
Category : Political Science
Languages : en
Pages : 355
Book Description
In A Political Economy of Modernism, Ronald Schleifer examines the political economy of what he calls 'the culture of modernism' by focusing on literature and the arts; intellectual disciplines of post-classical economics; and institutional structures of corporate capitalism and the lower middle-class. In its wide ranging study focused on modernist writers (Dreiser, Hardy, Joyce, Stevens, Woolf, Wells, Wharton, Yeats), modernist artists (Cézanne, Picasso, Stravinsky, Schoenberg), economists (Jevons, Marshall, Veblen), and philosophers (Benjamin, Jakobson, Russell), this book presents an institutional history of cultural modernism in relation to the intellectual history of Enlightenment ethos and the social history of the second Industrial Revolution. It articulates a new method of analysis of the early twentieth century - configuration and modeling - that reveals close connections among its arts, understandings, and social organizations.
Publisher: Cambridge University Press
ISBN: 1108680240
Category : Political Science
Languages : en
Pages : 355
Book Description
In A Political Economy of Modernism, Ronald Schleifer examines the political economy of what he calls 'the culture of modernism' by focusing on literature and the arts; intellectual disciplines of post-classical economics; and institutional structures of corporate capitalism and the lower middle-class. In its wide ranging study focused on modernist writers (Dreiser, Hardy, Joyce, Stevens, Woolf, Wells, Wharton, Yeats), modernist artists (Cézanne, Picasso, Stravinsky, Schoenberg), economists (Jevons, Marshall, Veblen), and philosophers (Benjamin, Jakobson, Russell), this book presents an institutional history of cultural modernism in relation to the intellectual history of Enlightenment ethos and the social history of the second Industrial Revolution. It articulates a new method of analysis of the early twentieth century - configuration and modeling - that reveals close connections among its arts, understandings, and social organizations.
Modernism and the Women’s Popular Romance in Britain, 1885–1925
Author: Martin Hipsky
Publisher: Ohio University Press
ISBN: 0821443771
Category : Literary Collections
Languages : en
Pages : 339
Book Description
Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since. Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century. In keeping with these new studies, Hipsky offers a nuanced portrait of an important phenomenon in the history of modern fiction. He puts popular romances by Mrs. Humphry Ward, Marie Corelli, the Baroness Orczy, Florence Barclay, Rebecca West, Elinor Glyn, Victoria Cross, Ethel Dell, and E. M. Hull into direct relationship with the fiction of Virginia Woolf, Katherine Mansfield, James Joyce, and D. H. Lawrence, among other modernist greats.
Publisher: Ohio University Press
ISBN: 0821443771
Category : Literary Collections
Languages : en
Pages : 339
Book Description
Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since. Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century. In keeping with these new studies, Hipsky offers a nuanced portrait of an important phenomenon in the history of modern fiction. He puts popular romances by Mrs. Humphry Ward, Marie Corelli, the Baroness Orczy, Florence Barclay, Rebecca West, Elinor Glyn, Victoria Cross, Ethel Dell, and E. M. Hull into direct relationship with the fiction of Virginia Woolf, Katherine Mansfield, James Joyce, and D. H. Lawrence, among other modernist greats.
Routledge Handbook of Post Classical and Contemporary Persian Literature
Author: Kamran Talattof
Publisher: Taylor & Francis
ISBN: 1351341677
Category : History
Languages : en
Pages : 748
Book Description
Routledge Handbook of Post Classical and Contemporary Persian Literature contains scholarly essays and sample texts related to Persian literature from the 17th century to the present day. It includes analyses of free verse poetry, short stories, novels, prison writings, memoirs, and plays. The chapters apply a disciplinary or interdisciplinary approach to the many movements, genres, and works of the long and evolving body of Persian literature produced in the Persianate World. These collections of scholarly essays and samples of Persian literary texts provide facts (general information), instructions (ways to understand, analyze, and appreciate this body of works), and the field’s state-of-the-art research (the problematics of the topics) regarding one of the most important and oldest literary traditions in the world. Thus, the Handbook’s chapters and related texts provide scholars, students, and admirers of Persian poetry and prose with practical and direct access to the intricacies of the Persian literary world through a chronological account of key moments in the formation of this enduring literary tradition. The related Handbook (also edited by Kamran Talattof ), Routledge Handbook of Ancient, Classical, and Late Classical Persian Literature covers Persian literary works from the ancient or pre-Islamic era to roughly the end of the 16th century.
Publisher: Taylor & Francis
ISBN: 1351341677
Category : History
Languages : en
Pages : 748
Book Description
Routledge Handbook of Post Classical and Contemporary Persian Literature contains scholarly essays and sample texts related to Persian literature from the 17th century to the present day. It includes analyses of free verse poetry, short stories, novels, prison writings, memoirs, and plays. The chapters apply a disciplinary or interdisciplinary approach to the many movements, genres, and works of the long and evolving body of Persian literature produced in the Persianate World. These collections of scholarly essays and samples of Persian literary texts provide facts (general information), instructions (ways to understand, analyze, and appreciate this body of works), and the field’s state-of-the-art research (the problematics of the topics) regarding one of the most important and oldest literary traditions in the world. Thus, the Handbook’s chapters and related texts provide scholars, students, and admirers of Persian poetry and prose with practical and direct access to the intricacies of the Persian literary world through a chronological account of key moments in the formation of this enduring literary tradition. The related Handbook (also edited by Kamran Talattof ), Routledge Handbook of Ancient, Classical, and Late Classical Persian Literature covers Persian literary works from the ancient or pre-Islamic era to roughly the end of the 16th century.
Ideas, Images, and Methods of Portrayal
Author: Sebastian Günther
Publisher: BRILL
ISBN: 9047407261
Category : History
Languages : en
Pages : 504
Book Description
This volume of collected studies in classical Arabic literature and Islam opens a window into the fascinating world of medieval Muslim scholarship. It explores issues in the intellectual heritage of Islam, which have universal appeal and are, therefore, of interest to both specialist and non-specialist readers alike.
Publisher: BRILL
ISBN: 9047407261
Category : History
Languages : en
Pages : 504
Book Description
This volume of collected studies in classical Arabic literature and Islam opens a window into the fascinating world of medieval Muslim scholarship. It explores issues in the intellectual heritage of Islam, which have universal appeal and are, therefore, of interest to both specialist and non-specialist readers alike.
The Passage of Literature
Author: Christopher GoGwilt
Publisher: OUP USA
ISBN: 0199751625
Category : Language Arts & Disciplines
Languages : en
Pages : 351
Book Description
Through a set of comparative studies of the fiction of Joseph Conrad, Jean Rhys, and Pramoedya Ananta Toer, The Passage of Literature explains the interrelation between English, Creole, and Indonesian formations of literary modernism, arguing that each passage of literature is the site of contest between competing genealogies of culture.
Publisher: OUP USA
ISBN: 0199751625
Category : Language Arts & Disciplines
Languages : en
Pages : 351
Book Description
Through a set of comparative studies of the fiction of Joseph Conrad, Jean Rhys, and Pramoedya Ananta Toer, The Passage of Literature explains the interrelation between English, Creole, and Indonesian formations of literary modernism, arguing that each passage of literature is the site of contest between competing genealogies of culture.
The Classical Tradition : Greek and Roman Influences on Western Literature
Author: Gilbert Highet
Publisher: Oxford University Press, USA
ISBN: 0198020066
Category : Literary Criticism
Languages : en
Pages : 802
Book Description
A reissue in paperback of a title first published in 1949.
Publisher: Oxford University Press, USA
ISBN: 0198020066
Category : Literary Criticism
Languages : en
Pages : 802
Book Description
A reissue in paperback of a title first published in 1949.
Modern Odysseys
Author: MICHELLE. ZERBA
Publisher:
ISBN: 9780814257814
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Does groundbreaking work on race and gender studies by examining how C. P. Cavafy, Virginia Woolf, and Aimé Césaire's modern works intersect with Odyssean tropes.
Publisher:
ISBN: 9780814257814
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Does groundbreaking work on race and gender studies by examining how C. P. Cavafy, Virginia Woolf, and Aimé Césaire's modern works intersect with Odyssean tropes.
The Concept of Modernism
Author: Astradur Eysteinsson
Publisher: Cornell University Press
ISBN: 1501721305
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
The term "modernism" is central to any discussion of twentieth-century literature and critical theory. Astradur Eysteinsson here maintains that the concept of modernism does not emerge directly from the literature it subsumes, but is in fact a product of critical practices relating to nontraditional literature. Intervening in these practices, and correlating them with modernist works and with modern literary theory, Eysteinsson undertakes a comprehensive reexamination of the idea of modernism. Eysteinsson critically explores various manifestations of modernism in a rich array of American, British, and European literature, criticism, and theory. He first examines many modernist paradigms, detecting in them a conflict between modernism's culturally subversive potential and its relatively conservative status as a formalist project. He then considers these paradigms as interpretations-and fabrications-of literary history. Seen in this light, modernism both signals a historical change on the literary scene and implies the context of that change. Laden with the implications of tradition and modernity, modernism fills its major function: that of highlighting and defining the complex relations between history and postrealist literature. Eysteinsson focuses on the ways in which the concept of modernism directs our understanding of literature and literary history and influences our judgment of experimental and postrealist works in literature and art. He discusses in detail the relation of modernism to the key concepts postmodernism, the avant-garde, and realism. Enacting a crisis of subject and reference, modernism is not so much a form of discourse, he asserts, as its interruption-a possible "other" modernity that reveals critical aspects of our social and linguistic experience in Western culture. Comparatists, literary theorists, cultural historians, and others interested in twentieth-century literature and art will profit from this provocative book.
Publisher: Cornell University Press
ISBN: 1501721305
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
The term "modernism" is central to any discussion of twentieth-century literature and critical theory. Astradur Eysteinsson here maintains that the concept of modernism does not emerge directly from the literature it subsumes, but is in fact a product of critical practices relating to nontraditional literature. Intervening in these practices, and correlating them with modernist works and with modern literary theory, Eysteinsson undertakes a comprehensive reexamination of the idea of modernism. Eysteinsson critically explores various manifestations of modernism in a rich array of American, British, and European literature, criticism, and theory. He first examines many modernist paradigms, detecting in them a conflict between modernism's culturally subversive potential and its relatively conservative status as a formalist project. He then considers these paradigms as interpretations-and fabrications-of literary history. Seen in this light, modernism both signals a historical change on the literary scene and implies the context of that change. Laden with the implications of tradition and modernity, modernism fills its major function: that of highlighting and defining the complex relations between history and postrealist literature. Eysteinsson focuses on the ways in which the concept of modernism directs our understanding of literature and literary history and influences our judgment of experimental and postrealist works in literature and art. He discusses in detail the relation of modernism to the key concepts postmodernism, the avant-garde, and realism. Enacting a crisis of subject and reference, modernism is not so much a form of discourse, he asserts, as its interruption-a possible "other" modernity that reveals critical aspects of our social and linguistic experience in Western culture. Comparatists, literary theorists, cultural historians, and others interested in twentieth-century literature and art will profit from this provocative book.