Charlie Parker with Strings Revisited - Music Minus One Alto Saxophone PDF Download
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Author: Charlie Parker
Publisher: Hal Leonard Corporation
ISBN: 1705102980
Category : Music
Languages : en
Pages : 67
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Book Description
(Music Minus One). The original transcriptions of the 1949 and 1950 Mercury sessions with Charlie Parker are featured in this collection with printed solo parts and audio containing complete and accompaniment versions so you can take the lead with the band. What a fantastic way to study the music of Parker! Songs include: April in Paris * East of the Sun * Everything Happens to Me * I'm in the Mood for Love * I Didn't Know What Time It Was * Just Friends * Laura * Dancing in the Dark * Summertime. The accompanying audio is accessed through Hal Leonard's popular MyLibrary system using the provided code. The audio can be streamed or downloaded and includes PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
Author: Charlie Parker
Publisher: Hal Leonard Corporation
ISBN: 1705102980
Category : Music
Languages : en
Pages : 67
Get Book Here
Book Description
(Music Minus One). The original transcriptions of the 1949 and 1950 Mercury sessions with Charlie Parker are featured in this collection with printed solo parts and audio containing complete and accompaniment versions so you can take the lead with the band. What a fantastic way to study the music of Parker! Songs include: April in Paris * East of the Sun * Everything Happens to Me * I'm in the Mood for Love * I Didn't Know What Time It Was * Just Friends * Laura * Dancing in the Dark * Summertime. The accompanying audio is accessed through Hal Leonard's popular MyLibrary system using the provided code. The audio can be streamed or downloaded and includes PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
Author: Glenn Zottola
Publisher:
ISBN: 9781941566954
Category : Music
Languages : en
Pages : 44
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Book Description
(Music Minus One). The original transcriptions of the 1949 and 1950 Mercury sessions with Charlie Parker are featured in this collection with printed solo parts and CD containing complete and accompaniment versions. Songs include: April in Paris * East of the Sun * Everything Happens to Me * I'm in the Mood for Love * I Didn't Know What Time It Was * Just Friends * Laura * Dancing in the Dark * Summertime. Features Glenn Zottola, alto sax.
Author: Charlie Parker
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Charlie Parker
Publisher: Hal Leonard Corporation
ISBN: 1540038645
Category : Music
Languages : en
Pages : 72
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Book Description
(Fake Book). Features 57 signature songs that this bebop genius either composed or co-wrote, all in Real Book style! Includes: Anthropology * Billie's Bounce (Bill's Bounce) * The Bird * Bird of Paradise * Blues for Alice * Confirmation * Donna Lee * Kim * Ko Ko * Moose the Mooche * Now's the Time * Ornithology * Parker's Mood * Scrapple from the Apple * Shawnuff * Yardbird Suite * and more. All Hal Leonard Real Books feature time-tested songs in accurate arrangements in the famous easy-to-read, hand-written notation.
Author: Charlie (Bird) Parker (Musical Group)
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages :
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Book Description
Author: Gene Santoro
Publisher: Oxford University Press
ISBN: 0195348257
Category : Music
Languages : en
Pages : 321
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Book Description
What do Louis Armstrong, Ray Charles, Bob Dylan, Willie Nelson, Tom Waits, Cassandra Wilson, and Ani DiFranco have in common? In Highway 61 Revisited, acclaimed music critic Gene Santoro says the answer is jazz--not just the musical style, but jazz's distinctive ambiance and attitudes. As legendary bebop rebel Charlie Parker once put it, "If you don't live it, it won't come out of your horn." Unwinding that Zen-like statement, Santoro traces how jazz's existential art has infused outstanding musicians in nearly every wing of American popular music--blues, folk, gospel, psychedelic rock, country, bluegrass, soul, funk, hiphop--with its parallel process of self-discovery and artistic creation through musical improvisation. Taking less-traveled paths through the last century of American pop, Highway 61 Revisited maps unexpected musical and cultural links between such apparently disparate figures as Louis Armstrong, Willie Nelson, Bob Dylan and Herbie Hancock; Miles Davis, Lenny Bruce, The Grateful Dead, Bruce Springsteen, and many others. Focusing on jazz's power to connect, Santoro shows how the jazz milieu created a fertile space "where whites and blacks could meet in America on something like equal grounds," and indeed where art and entertainment, politics and poetry, mainstream culture and its subversive offshoots were drawn together in a heady mix whose influence has proved both far-reaching and seemingly inexhaustible. Combining interviews and original research, and marked throughout by Santoro's wide ranging grasp of cultural history, Highway 61 Revisited offers readers a new look at--and a new way of listening to--the many ways jazz has colored the entire range of American popular music in all its dazzling profusion.
Author: Carl Woideck
Publisher: University of Michigan Press
ISBN: 0472127225
Category : Music
Languages : en
Pages : 309
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Book Description
Saxophonist Charlie Parker (1920-1955) was one of the most innovative and influential jazz musicians of any era. As one of the architects of modern jazz (often called "bebop"), Charlie Parker has had a profound effect on American music. His music reached such a high level of melodic, rhythmic, and harmonic sophistication that saxophonists and other instrumentalists continue to study it as both a technical challenge and an aesthetic inspiration. This revised edition of Charlie Parker: His Music and Life has been revised throughout to account for new Charlie Parker scholarship and previously unknown Parker recordings that have emerged since the book’s initial publication. The volume opens by considering current research on Parker’s biography, laying out some of the contradictory accounts of his life, and setting the chronology straight where possible. It then focuses on Parker’s music, tracing his artistic evolution and major achievements as a jazz improviser. The musical discussions and transcribed musical examples include timecodes for easy location in recordings—a unique feature to this book.
Author:
Publisher:
ISBN:
Category : Band music
Languages : en
Pages : 494
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Book Description
Author: Charlie Parker
Publisher: Hal Leonard Corporation
ISBN: 1540048624
Category : Music
Languages : en
Pages : 470
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Book Description
(Jazz Transcriptions). This second volume follows up on the success of the original volume of solos transcribed exactly from recordings by the Bird with 60 more of Parker's best. Songs include: Bird Feathers * Bird of Paradise * Body and Soul * Cherokee (Indian Love Song) * Cool Blues * Crazeology * Drifting on a Reed * Embraceable You * Groovin' High * I'll Remember April * Love for Sale * My Old Flame * A Night in Tunisia * On a Slow Boat to China * Quasimodo * 'Round Midnight * Salt Peanuts * Sweet Georgia Brown * Tiny's Tempo * What Is This Thing Called Love? * and more. Includes bio.
Author: Fumi Okiji
Publisher: Stanford University Press
ISBN: 1503605868
Category : Music
Languages : en
Pages : 208
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Book Description
This “lucidly argued, historically grounded . . . and timely book” reexamines the relationship between black cultures, jazz music, and critical theory (Alexander G. Weheliye, Northwestern University). A sustained engagement with the work of Theodor Adorno, Jazz As Critique looks to jazz for ways of understanding the inadequacies of contemporary life. While Adorno's writings on jazz are notoriously dismissive, he has faith in the critical potential of some musical traditions. Music, he suggests, can provide insight into the controlling, destructive nature of modern society while offering a glimpse of more empathetic and less violent ways of being together in the world. Taking Adorno down a new path, Okiji calls attention to an alternative sociality made manifest in jazz. In response to writing that tends to portray it as a mirror of American individualism and democracy, she makes the case for jazz as a model of “gathering in difference.” Noting that this mode of subjectivity emerged in response to the distinctive history of black America, she reveals that the music cannot but call the integrity of the world into question.
