Charles Koechlin (1867-1950) PDF Download
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Author: Robert Orledge
Publisher: Psychology Press
ISBN: 9783718606092
Category : Biography & Autobiography
Languages : en
Pages : 528
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Book Description
In 1942 Wilfrid Mellers classed Koechlin "among the select number of contemporary composers who really matter," yet it is only in the 1980s that Koechlin has begun to achieve the recognition he deserves as a composer of breadth, vision and powerful originality: a pioneer of polytonality and a master orchestrator who was greatly admired by contemporaries such as Faure, Debussy, Satie and Milhaud. Lavishly illustrated with photographic and musical examples, this book provides the first comprehensive evaluation of Koechlin's life and works. As well as concentrating on major symphonic works like Koechlin's Jungle Book cycle, it also discusses his attraction to the early sound film and the music inspired by such stars as Lilian Harvey, Marlene Dietrich and Charlie Chaplin in the 1930s. Koechlin's career provides a fascinating study of the triumph of integrity and independence over almost overwhelming odds, and is rich and varied output offers a veritable treasure-trove for performers, scholars and enthusiasts alike.
Author: Robert Orledge
Publisher: Psychology Press
ISBN: 9783718606092
Category : Biography & Autobiography
Languages : en
Pages : 528
Get Book Here
Book Description
In 1942 Wilfrid Mellers classed Koechlin "among the select number of contemporary composers who really matter," yet it is only in the 1980s that Koechlin has begun to achieve the recognition he deserves as a composer of breadth, vision and powerful originality: a pioneer of polytonality and a master orchestrator who was greatly admired by contemporaries such as Faure, Debussy, Satie and Milhaud. Lavishly illustrated with photographic and musical examples, this book provides the first comprehensive evaluation of Koechlin's life and works. As well as concentrating on major symphonic works like Koechlin's Jungle Book cycle, it also discusses his attraction to the early sound film and the music inspired by such stars as Lilian Harvey, Marlene Dietrich and Charlie Chaplin in the 1930s. Koechlin's career provides a fascinating study of the triumph of integrity and independence over almost overwhelming odds, and is rich and varied output offers a veritable treasure-trove for performers, scholars and enthusiasts alike.
![Charles Kœchlin. [With portrait, musical examples and a facsimile.]. PDF](https://books.google.com/books/content/images/frontcover/4Ej_MgEACAAJ?fife=w80-h100)
Author: Michael Dimitri CALVOCORESSI
Publisher:
ISBN:
Category :
Languages : en
Pages : 30
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Book Description
Author: James Eugene Woodward
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 360
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Book Description
Author: Rudyard Kipling
Publisher:
ISBN:
Category : Animals
Languages : en
Pages : 334
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Book Description
Author: Mark Carroll
Publisher: Cambridge University Press
ISBN: 0521031133
Category : History
Languages : en
Pages : 257
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Book Description
Places the radicalization of art music in early post-war France in its broader socio-cultural and political context.
Author: D. J. Hoek
Publisher: Scarecrow Press
ISBN: 1461700795
Category : Music
Languages : en
Pages : 374
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Book Description
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
Author: Jane F. Fulcher
Publisher: Oxford University Press
ISBN: 0195346580
Category : Political Science
Languages : en
Pages : 488
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Book Description
In The Composer as Intellectual, musicologist Jane Fulcher reveals the extent to which leading French composers between the World Wars were not only aware of but also engaged intellectually and creatively with the central political and ideological issues of the period. Employing recent sociological and historical insights, she demonstrates the extent to which composers, particularly those in Paris since the Dreyfus Affair, considered themselves and were considered to be intellectuals, and interacted closely with intellectuals in other fields. Their consciousness raised by the First World War and the xenophobic nationalism of official culture, some joined parties or movements, allying themselves with and propagating different sets of cultural and political-social goals. Fulcher shows how these composers furthered their ideals through the specific language and means of their art, rejecting the dominant cultural exclusions or constraints of conservative postwar institutions and creatively translating their cultural values into terms of form and style. This was not only the case with Debussy in wartime, but with Ravel in the twenties, when he became a socialist and unequivocally refused to espouse a narrow, exclusionary nationalism. It was also the case with the group called "Les Six," who responded culturally in the twenties and then politically in the thirties, when most of them supported the programs of the Popular Front. Others could not be enthusiastic about the latter and, largely excluded from official culture, sought out more compatible movements or returned to the Catholic Church. Like many French Catholics, they faced the crisis of Catholicism in the thirties when the church not only supported Franco, but Mussolini's imperialistic aggression in Ethiopia. While Poulenc embraced traditional Catholicism, Messiaen turned to more progressive Catholic movements that embraced modern art and insisted that religion must cross national and racial boundaries. Fulcher demonstrates how closely music had become a field of clashing ideologies in this period. She shows also how certain French composers responded, and how their responses influenced specific aspects of their professional and stylistic development. She thus argues that, from this perspective, we can not only better understand specific aspects of the stylistic evolution of these composers, but also perceive the role that their art played in the ideological battles and in heightening cultural-political awareness of their time.
Author: François de Médicis
Publisher:
ISBN: 1580465250
Category : Biography & Autobiography
Languages : en
Pages : 642
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Book Description
Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds. The music of Claude Debussy has always been widely beloved by listeners and performers alike, more perhaps than that of any of the other pioneers of musical modernism. However rich in itself, his creative output also participated, and continues to participate, in a network of cultural connections, the scope and meaning of which can only be gleaned through multiple interpretive frameworks. Debussy's Resonance offers twenty new studies by some of themost active and respected English- and French-language scholars of French music. The book treats a large swath of the composer's music, from previously unexplored mélodies of his early years to late pieces such as the ballet Jeux and the Douze Études, and takes into consideration the numerous contexts that helped shape the works and the different ways that musicologists and critics have explained them. CONTRIBUTORS: Katherine Bergeron, Matthew Brown, David J. Code, Mark DeVoto, Michel Duchesneau, David Grayson, Denis Herlin, Jocelyn Ho, Roy Howat, Steven Huebner, Julian Johnson, Barbara L. Kelly, Richard Langham Smith, Mark McFarland, François de Médicis, Robert Orledge, Boyd Pomeroy. Caroline Rae, Marie Rolf, August Sheehy FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal. STEVEN HUEBNER is Professor of Music at McGill University.
Author: Marianne Wheeldon
Publisher: Oxford University Press
ISBN: 0190631228
Category : Music
Languages : en
Pages : 241
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Book Description
Today, Claude Debussy's position as a central figure in twentieth-century concert music is secure, and scholarship has long taken for granted the enduring musical and aesthetic contributions of his compositions. Yet this was not always the case. Unknown to many concert-goers and music scholars is the fact that for years after his death, Debussy's musical aesthetic was perceived as outmoded, decadent, and even harmful for French music. In Debussy's Legacy and the Construction of Reputation, Marianne Wheeldon examines the vicissitudes of the composer's posthumous reception in the 1920s and 30s, and analyzes the confluence of factors that helped to overturn the initial backlash against his music. Rather than viewing Debussy's artistic greatness as the cause of his enduring legacy, she considers it instead as an effect, tracing the manifold processes that shaped how his music was received and how its aesthetic worth was consolidated. Speaking to readers both within and beyond the domain of French music and culture, Debussy's Legacy and the Construction of Reputation enters into dialogue with research in the sociology of reputation and commemoration, examining the collective nature of the processes of artistic consecration. By analyzing the cultural forces that came to bear on the formation of Debussy's legacy, Wheeldon contributes to a greater understanding of the inter-war period--the cultural politics, debates, and issues that confronted musicians in 1920s and 30s Paris--and offers a musicological perspective on the subject of reputation building, to date underrepresented in recent writings on reputation and commemoration in the humanities. Debussy's Legacy and the Construction of Reputation is an important new study, groundbreaking in its methodology and in its approach to musical influence and cultural consecration.
Author: Wilfrid Mellers
Publisher: University of Illinois Press
ISBN: 9780252025297
Category : Music
Languages : en
Pages : 232
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Book Description
Mellers (composer and professor emeritus, University of York) begins with the confusion of the (unfamiliar) forest within, audible in Wagner's late and Shoenberg's early works, in Delius's A Village Romeo and Juliet, and Debussy's Pelleas et Melisande. The next section, The Forest Without, examines Charles Koechlin's Le Foret Feerique and Milhaud's Le Boeuf Sur le Toit which embrace the real jungle without and the imaginative jungle within. Part 3 shows Villa-Lobos and Carlos Chavez connecting, as Mellers puts it, "the jungle within the mind and the asphalt jungle of a rapidly industrialized metropolis." Part four explores interrelationships between wilderness and machine through the work of Carl Ruggles, Varese, Partch, Reich, and the Australian, Peter Sculthorpe. Finally, the erasure of border between wilderness and civilization is the focus in works by Ellington and Gershwin. Suitable for both musicians and non-musicians. c. Book News Inc.
