Charles Garnier's Paris Opéra PDF Download
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Author: Christopher Curtis Mead
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 360
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Book Description
By making systematic use of the mostly unpublished Opera Archive, Mead fills in the missing links to previous investigations and unlocks the significance of this seminal masterpiece.
Author: Christopher Curtis Mead
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 360
Get Book Here
Book Description
By making systematic use of the mostly unpublished Opera Archive, Mead fills in the missing links to previous investigations and unlocks the significance of this seminal masterpiece.
Author:
Publisher:
ISBN: 9780764979774
Category :
Languages : en
Pages :
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Book Description
Author: Gérard Fontaine
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 196
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Book Description
Author:
Publisher:
ISBN: 9781913288495
Category : Opera
Languages : en
Pages : 0
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Book Description
Author: Andrew Ayers
Publisher: Edition Axel Menges
ISBN: 9783930698967
Category : Architecture
Languages : en
Pages : 422
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Book Description
The author here presents an architectural history of Paris, stretching from the 3rd century BC up until the end of the 20th century.
Author: Christopher Curtis Mead
Publisher: University of Pennsylvania Press
ISBN: 9780271050874
Category : Architecture
Languages : en
Pages : 332
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Book Description
Investigates how architecture, technology, politics, and urban planning came together in French architect Victor Baltard's creation of the Central Markets of Paris. Presents a case study of the historical process that produced modern Paris between 1840 and 1870.
Author: David I Harvie
Publisher: The History Press
ISBN: 0752495054
Category : Biography & Autobiography
Languages : en
Pages : 147
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Book Description
David Harvie tells the story of Gustave Eiffel and of the conception, and controversial construction of the tower that bears his name, perhaps the most famous tall building in the world.
Author: Bertrand Lemoine
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 206
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Book Description
Covers the history of French architecture during the 19th century.
Author: Pascal Garnier
Publisher: Pushkin Vertigo
ISBN: 1805336207
Category : Fiction
Languages : en
Pages : 0
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Book Description
Author: Richard Chafee
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 536
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Book Description
Here, for the first time in this century, is an opportunity to reexamine the philosophy of the Beaux-Arts school of architecture, whose two-hundred-year history represented the body of ideas and buildings against which the modern movement rebelled. Based on the doctrines of architecture formulated by the French Academy during the eighteenth century, the Ecole des Beaux-Arts system of instruction stressed drawing as the primary means of visualizing architectural form. The Concours du Grand Prix de Romewas the ultimate test of ability, and thus the index of the Academy's ideals throughout this period. This book reproduces, in more than 200 drawings, projects for the Grand Prix and for virtually every other type of competition or assignment at the Ecole des Beaux-Arts. Included are drawings by students who subsequently became preeminent as professional architects—among them Henri Labrouste, architect of the Bibliotheque Sainte-Genevieve, and Charles Garnier, architect of the Paris Opera. All illustrations are accompanied by extensive explanatory captions, and a selection of important larger studies appear on specially folded inserts, enabling the reader to view them in unusually clear and precise detail. Complementing the student work reproduced here is a selection of photographs by major Beaux-Arts buildings executed in France and the United States. In all, the book contains 423 illustrations, 23 in color, and 10 inserts. The Architecture of the Ecole des Beaux-Artsoffers an enlightening analysis of the school. The authors examine Beaux-Arts concepts of theory and practice and assess major work by each of the school's main factions. The essay by Richard Chafee covers the school's complex political and administrative history and is followed by a survey of the school's evolving notions of architectural composition—from Charles Percier through Garnier—by David Van Zanten. Neil Levine discusses the emergence of the Neo-Grecand the ideas of Labrouste, which in their preoccupation with literature and meaning in architecture parallel some recent concerns. In the final essay, Arthur Drexler examines such issues as the uses of the past, the ethical implications of style versus "non-style," and the techniques of visualizing buildings that have influenced the development of modern architecture.
