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Author: Valerie Sherer Mathes
Publisher:
ISBN: 9780806166322
Category :
Languages : en
Pages : 288
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Book Description
Charles Cornelius Coffin Painter (1833-89), clergyman turned reformer, was one of the foremost advocates and activists in the late-nineteenth-century movement to reform U.S. Indian policy. Very few individuals possessed the influence Painter wielded in the movement, and Painter himself published numerous pamphlets for the Indian Rights Association (IRA) on the Southern Utes, Eastern Cherokees, California Indians, and other Native peoples. Yet this is the first book to fully consider his unique role and substantial contribution. Born in Virginia, Painter spent most of his life in Great Barrington, Massachusetts, commuting to New York City and Washington, D.C., initially as an agent of the American Missionary Association (AMA), later as an appointed member of the Board of Indian Commissions (BIC), and most significant, as the Indian Rights Association's D.C. agent. In these capacities he lobbied presidents and Congress for reform, conducted extensive investigations on reservations, and shaped deliberations in such reform bodies as the BIC and the influential Lake Mohonk conferences. Mining an extraordinary wealth of archival material, Valerie Sherer Mathes crafts a compelling account of Painter as a skilled negotiator with Indians and policymakers and as a tireless investigator who traveled to far-flung reservations, corresponded with countless Indian agents, and drafted scrupulously researched reports on his findings. Recounted in detail, his many adventures and behind-the-scenes activities--promoting education, striving to prevent the removal of the Southern Utes from Colorado, investigating reservation fraud, working to save the Piegans of Montana from starvation--afford a clear picture of Painter's importance to the overall reform effort to incorporate Native Americans into the fabric of American life. No other book so effectively captures the day-to-day and exhausting work of a single individual on the front lines of reform. Like most of his fellow advocates, Painter was an unapologetic assimilationist, a man of his times whose story is a key chapter in the history of the Indian reform movement.
Author: Valerie Sherer Mathes
Publisher:
ISBN: 9780806166322
Category :
Languages : en
Pages : 288
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Book Description
Charles Cornelius Coffin Painter (1833-89), clergyman turned reformer, was one of the foremost advocates and activists in the late-nineteenth-century movement to reform U.S. Indian policy. Very few individuals possessed the influence Painter wielded in the movement, and Painter himself published numerous pamphlets for the Indian Rights Association (IRA) on the Southern Utes, Eastern Cherokees, California Indians, and other Native peoples. Yet this is the first book to fully consider his unique role and substantial contribution. Born in Virginia, Painter spent most of his life in Great Barrington, Massachusetts, commuting to New York City and Washington, D.C., initially as an agent of the American Missionary Association (AMA), later as an appointed member of the Board of Indian Commissions (BIC), and most significant, as the Indian Rights Association's D.C. agent. In these capacities he lobbied presidents and Congress for reform, conducted extensive investigations on reservations, and shaped deliberations in such reform bodies as the BIC and the influential Lake Mohonk conferences. Mining an extraordinary wealth of archival material, Valerie Sherer Mathes crafts a compelling account of Painter as a skilled negotiator with Indians and policymakers and as a tireless investigator who traveled to far-flung reservations, corresponded with countless Indian agents, and drafted scrupulously researched reports on his findings. Recounted in detail, his many adventures and behind-the-scenes activities--promoting education, striving to prevent the removal of the Southern Utes from Colorado, investigating reservation fraud, working to save the Piegans of Montana from starvation--afford a clear picture of Painter's importance to the overall reform effort to incorporate Native Americans into the fabric of American life. No other book so effectively captures the day-to-day and exhausting work of a single individual on the front lines of reform. Like most of his fellow advocates, Painter was an unapologetic assimilationist, a man of his times whose story is a key chapter in the history of the Indian reform movement.
Author: Charles Reid
Publisher: Penguin
ISBN: 1440320012
Category : Art
Languages : en
Pages : 310
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Book Description
Charles Reid is one of watercolor's best-loved teachers, a master painter whose signature style captures bright floral still-lifes with a loose spontaneity that adds immeasurably to the whole composition. Portraying the glory of nature in a highly individual way is the ultimate challenge for all painters, and with this book, Charles Reid shares with you the instruction and advice you need to paint fruits, vegetables and flowers that glow. Special "assignments" and step-by-step demonstrations help you master techniques for superior brushwork, edge control, and composition. You'll learn to paint wild daffodils, roses, mums, sunflowers, lilacs, tomatoes, avocados, oranges, strawberries, jars, coffeepots, wine bottles and more. Reid also shows you how to paint flowers in any environment, from the tranquility of a warm kitchen to a windswept beach in Bermuda. You'll create a garden of floral glories--compositions that burst with light, color and realism. Best of all, as your proficiency for capturing the essence of flowers builds, so too will your personal style. Soon your paintings will depict the beauty of nature in your own individual fashion. Let Charles Reid show you how to create beautiful watercolor florals from start to finish!
Author: Charles Burchfield
Publisher: DC Moore Gallery, New York
ISBN: 9780982631638
Category :
Languages : en
Pages : 0
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Book Description
Charles Burchfield (1893-1967) was an innovative visionary of American modernism, a watercolor painter who infused his landscapes of upstate New York and Ohio and scenes of small town industrialization with pulsing line and crackling, fluid color. He was also an accomplished writer who kept extensive journals and published several important essays during his lifetime. Burchfield's early watercolors were often strongly expressionistic, projecting a buoyant spirituality; he reached a critical juncture around 1920, when he turned to modernist pictorial strategies to express a severe geometry of houses, factories and barren trees, with skies traversed by stylized smoke. After moving to Buffalo in 1921, he became a founder of the Regionalist movement, but he returned to the dynamic expressionism of his youth in the 1940s; as he told a friend, "It is not that I am trying to escape real life, but that the realm of fantasy offers the true solution of truly evaluating an experience." Published for DC Moore Gallery's survey exhibition (and coinciding with the Whitney Museum's 2010 retrospective), this volume presents a career-wide selection of watercolors and drawings, many of which are drawn from private collections, and have never or very rarely been exhibited. The images are complemented by four autobiographical essays, spanning the years 1928 to 1965, which provide an intriguing window into the artist's complex personality. All are out of print and difficult to locate, making this catalogue an important reference source as well as a visually striking presentation of his work.
Author: Robert Lloyd Webb
Publisher:
ISBN: 9780975869918
Category : Art
Languages : en
Pages : 433
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Book Description
Charles Robert Patterson (1878-1958) reinvigorated nautical painting by combining nearly a decade of seafaring experience with academic art training. His vision of the ship under sail has influenced every generation of nautical artists following in his wake.
Author: Charles Ephraim Burchfield
Publisher: Prestel Publishing
ISBN: 9783791343808
Category : Art, American
Languages : en
Pages : 0
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Book Description
A comprehensive overview of the artist's work focuses on Burchfield's expressive watercolors and includes drawing from his 1917 sketchbook, camouflage designs from his tour in the army, and wallpaper designs from the 1920s.
Author: David C. Ward
Publisher: Univ of California Press
ISBN: 0520239601
Category : Art
Languages : en
Pages : 263
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Book Description
It links the artist's autobiography to his painting, illuminating the man, his art, and his times. Peale emerges for the first time as that particularly American phenomenon: the self-made man."
Author: Charles Harrison
Publisher: University of Chicago Press
ISBN: 0226317978
Category : Art
Languages : en
Pages : 312
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Book Description
The picture plane of a painting creates boundaries and perspectives. It governs the relationship of daubs of pigment on a canvas to reality, allowing the viewer to connect with the imagined world of a work of art. Charles Harrison's latest endeavor, Painting the Difference, explores the role of the picture plane in modern painting and the relationships it creates among the artist, the subject, and the spectator. One of the most respected teachers and theorists of modern art, Harrison here offers a bold interpretation of the Modernist canon that uncovers the significance of gender to the functioning of the picture plane. Arguing that the representation of women in art was crucial to the character of modernity, Harrison traces the history of female subjects as they began to gaze out of the picture to confront and engage their viewers. Combining sweeping conceptual history with telling investigations into the details of particular paintings, Painting the Difference deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art. Harrison shows how artists, reflecting the underlying anxieties of the time about gender, used female subjects' gazes both to create a sexualized relationship between these subjects and their viewers, and to simultaneously question that relationship. In considering works by artists such as Renoir, Manet, Degas, Cézanne, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and many more, Harrison incorporates elements of cultural criticism and social history into his arguments, and generous color illustrations permit the reader to test Harrison's claims against the works on which they are based. Rich with detail and compelling analysis, Painting the Difference offers cutting-edge interpretation grounded in the reality of magnificent works of art.
Author: Charles W. Hawthorne
Publisher: Courier Corporation
ISBN: 048620653X
Category : Art
Languages : en
Pages : 98
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Book Description
Look around and select a subject that you can see painted. That will paint itself. Do the obvious thing before you do the superhuman thing. It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents. Never try to repeat a success. Swing a bigger brush — you don’t know what fun you are missing. For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students’ notes and captured in this book, retaining the personal feeling and the sense of on-the-spot inspiration of the original classroom. Even though Hawthorne is addressing himself to specific problems in specific paintings, his comments are so revealing that they will be found applicable a hundred times to your own work. The book is divided into sections on the outdoor model, still life, landscape, the indoor model, and watercolor. Each section begins with a concise essay and continues with comments on basic elements: general character, color, form, seeing, posture, etc. It is in the matter of color that students will especially feel themselves in the presence of a master guide and critic. Hawthorne’s ability to see color and, more important, to make the student see color, is a lesson that will aid student painters and anyone else interested in any phase of art. Although it does not pretend to be a comprehensive or closely ordered course, this book does have much to offer. It also represents the artistic insight of one of the finest painter-teachers of the twentieth century. "An excellent introduction for laymen and students alike." — Time "To read these notes and comments … is in itself an education. One cannot help but gain great help." — School Arts
Author: Ginny Allen
Publisher:
ISBN: 9780870710537
Category :
Languages : en
Pages : 360
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Book Description
The book is an expanded, pictorial review of the history of painting in Oregon from 1859-1959. The first edition was published as an encyclopedia and index of Oregon painters with historical data about the evolution of painting styles, educational institutions, and exhibition venues in the Northwest; this book expands the focus on the history of painting in Oregon, adding essays on Impressionism and Modernism while using more and better visual examples to illustrate the strength of the state's early painters. In addition, the original indexed content has been edited and condensed. Oregon Painters fills an important niche, as little has been written about the early history of Northwest art and this volume serves as a valuable resource for discovering artists who remain largely unknown but whose works continue to gain in reputation and value.
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 3728
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Book Description
