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Author: Marcel Proust
Publisher: Simon and Schuster
ISBN: 1941701507
Category : Art
Languages : en
Pages : 63
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Book Description
Chardin and Rembrandt is an unfinished essay written around 1895 by Marcel Proust. Oft overlooked in Prousts illustrious writing career, this book is a newly translated version by David Zwirner Books as one of the first two entries in its ekphrasis series. This essay is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbue the everyday world with new meaning, and his ruminations on Rembrandt take his melancholic pupil beyond the realm of mere objects.
Author: Marcel Proust
Publisher: Simon and Schuster
ISBN: 1941701507
Category : Art
Languages : en
Pages : 63
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Book Description
Chardin and Rembrandt is an unfinished essay written around 1895 by Marcel Proust. Oft overlooked in Prousts illustrious writing career, this book is a newly translated version by David Zwirner Books as one of the first two entries in its ekphrasis series. This essay is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbue the everyday world with new meaning, and his ruminations on Rembrandt take his melancholic pupil beyond the realm of mere objects.
Author: Marcel Proust
Publisher:
ISBN: 9788793499836
Category :
Languages : da
Pages :
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Book Description
Author: Herbert Furst
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 258
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Book Description
Author: Herbert E. A. Furst
Publisher:
ISBN: 9781021092281
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Herbert E. A. Furst
Publisher: Forgotten Books
ISBN: 9781330445051
Category : Art
Languages : en
Pages : 251
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Book Description
Excerpt from Chardin Owing to the difficulty experienced in trying to provide a large number of illustrations, which after all it has not been possible to obtain, this book has been in the press rather longer than expected. Reading it over now, I feel that its attitude to modern art, more particularly towards Whistler and the Academy - now a topic devoid of actuality it seems - needs perhaps some definition. The new manner of seeing exemplified, amongst others, by Whistler, has relieved the modern artist of a great deal of grinding labour; he produces his illusions with considerable effect and inconsiderable effort. Whistler's Protests in Pigment have been the cause of a great deal of slipshod workmanship, because the mental labour which preceded each stroke of Whistler's brush is not so apparent as the patient toil of Van Eyck's pencil, for instance. We have now all over Europe a host of painters, who, pleased with their ability to produce effects, seem to think that that is due to their exceptional abilities. That, however, is a great fallacy. Careful scrutiny of seventy-five out of a hundred 'modern' painters' work will reveal less knowledge of the painter's craft than some of the most discredited of the early and mid-Victorian painters possessed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Paul G. Konody
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 43
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Book Description
"Chardin" by Paul G. Konody is a biography of Chardin's life and artistic development. Jean-Baptiste-Siméon Chardin was an 18th-century French painter. He is considered a master of still life and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work.
Author: Paul Gauguin
Publisher: David Zwirner Books
ISBN: 1941701396
Category : Art
Languages : en
Pages : 57
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Book Description
“Criticism is our censorship . . .” So begins one of the greatest invectives against criticism ever written by an artist. Paul Gauguin wrote “Racontars de rapin” only months before he died in 1903, but the essay remained unpublished until 1951. Through discussions of numerous artists, both his contemporaries and predecessors, Gauguin unpacks what he viewed as the mistakes and misjudgments behind much of art criticism, revealing not only how wrong critics’ interpretations have been, but also what it would mean to approach art properly—to really look. Long out of print, this new translation by Donatien Grau includes an introduction that situates the essay within Gauguin’s written oeuvre, as well as explanatory notes. This text sheds light on Gauguin’s conception of art—widely considered a predecessor to Duchamp—and engages with many issues still relevant today: history, novelty, criticism, and the market. His voice feels as fresh, lively, sharp in English now as it did in French over one hundred years ago. Through Gauguin’s final piece of writing, we see the artist in the full throes of passion—for his work, for his art, for the art of others, and against anyone who would stand in his way. As the inaugural publication in David Zwirner Books’s new ekphrasis reader series, Ramblings of a Wannabe Painter sets a perfect tone for the books to come. Poised between writing, art, and criticism, Gauguin brings together many different worlds, all of which should have a seat at the table during any meaningful discussion of art. With the express hope of encouraging open exchange between the world of writing and that of the visual arts, David Zwirner Books is proud to present this new edition of a lost masterpiece.
Author: Linda Cateura
Publisher: Watson-Guptill
ISBN: 9780823032792
Category : Art
Languages : en
Pages : 150
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Book Description
Some of the most popular art instruction books ever written have been based on student notes culled over the years from actual workshop sessions, with all their power and immediacy - and with practical, on-to-one contact between student and teacher. This is such a book. For more than two years, Linda Cateura has pursued teacher / artist David A. Leffel, notebook in hand, as he critiqued the work of students. Linda Cateura's succinct notes capture his insights, philosophy, painting hints, and general comments. Leffel's classic, painterly, twentieth-century old master style, much in the manner of Rembrandt or Chardin, affords ample illustration of the ideas expressed - through his many paintings, details, demonstrations, and diagrams, almost all in color. No matter what your level of ability, there is something here to apply to your own work, ideas that will cause you to rething your own ways of painting, hints to save you effort, or solutions to persistent painting problems.
Author: Kenneth Bendiner
Publisher: Reaktion Books
ISBN: 9781861892133
Category : Art
Languages : en
Pages : 252
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Book Description
In this sumptuous exploration of food images in European and American painting from the early Renaissance to the present, Kenneth Bendiner sees food painting as a separate classification of art with its own history.
Author: Philip Conisbee
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
The first comprehensive study of Chardin's art, life, and times to appear in many years. The author places the artist and his career in the broader context of eighteenth-century French painting and examines contemporary response to Chardin's work. Illustrated.
