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Author: Italo Pedrotti
Publisher: Mel Bay Publications
ISBN: 1610651537
Category : Music
Languages : en
Pages : 209
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Book Description
This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels.The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. the first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. the second section, meanwhile, provides an indispensible guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios.The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. the musical scores included in the method are accompanied by a CD of recorded exercises and a free audio download of repertoire played by recognized Chilean instrumentalists.
Author: Italo Pedrotti
Publisher: Mel Bay Publications
ISBN: 1610651537
Category : Music
Languages : en
Pages : 209
Get Book Here
Book Description
This is the first Charango method to use conventional musical notation, and the only bilingual (Spanish and English) text of its kind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds, interests and skill levels.The method is comprised of two parts: A first section regarding strumming techniques and a second section regarding melodic plucking techniques. the first section provides a clear and precise method for learning the rasgueo repique and tremolo skills central to the Charango repertoire. the second section, meanwhile, provides an indispensible guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs, trills, simultaneous melodies and arpeggios.The method is appropriate for a wide range of musical skill levels, from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory, an appendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo, the method includes 23 South American folk music classics arranged for Charango and guitar accompaniment. It thus serves as both a pedagogical tool and a source of performance repertoire. the musical scores included in the method are accompanied by a CD of recorded exercises and a free audio download of repertoire played by recognized Chilean instrumentalists.
Author: Fernando Rios
Publisher: Oxford University Press
ISBN: 0190692308
Category : Music
Languages : en
Pages : 272
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Book Description
Melodious panpipes and kena flutes. The shimmering strums of a charango. Poncho-clad musicians playing "El Cóndor Pasa" at subway stops or street corners while selling their recordings. These sounds and images no doubt come to mind for many "world music" fans when they recall their early encounters with Andean music groups. Ensembles of this type known as "Andean conjuntos" or "pan-Andean bands" have long formed part of the world music circuit in the Global North. In the major cities of Latin America, too, Andean conjuntos have been present in the local music scene for decades, not only in Peru, Bolivia, and Ecuador (i.e., in the Andean countries), but also in Argentina, Chile, Colombia, and Mexico. It is solely in Bolivia, however, that the Andean conjunto has represented the preeminent folkloric-popular music ensemble configuration for interpreting national musical genres from the late 1960s onward. Despite its frequent association with indigenous villages, the music of Andean conjuntos bears little resemblance to the indigenous musical expressions of the Southern Andes. Created by urban criollo and mestizo folkloric artists, the Andean conjunto tradition represents a form of mass-mediated folkloric music, one that is only loosely based on indigenous musical practices. Panpipes & Ponchos reveals that in the early-to-mid 20th century, a diverse range of musicians and ensembles, including estudiantinas, female vocal duos, bolero trios, art-classical composers, and mestizo panpipe groups, laid the groundwork for the Andean conjunto format to eventually take root in the Bolivian folklore scene amid the boom decade of the 1960s. Author Fernando Rios analyzes local musical trends in conjunction with government initiatives in nation-building and the ideologies of indigenismo and mestizaje. Beyond the local level, Rios also examines key developments in Bolivian national musical practices through their transnational links with trends in Peru, Argentina, Chile, Mexico, and France. As the first book-length study that chronicles how Bolivia's folkloric music movement articulated, on the one hand, with Bolivian state projects, and on the other, with transnational artistic currents, for the pivotal era spanning the 1920s to 1960s, Panpipes & Ponchos offers new perspectives on the Andean conjunto's emergence as Bolivia's favored ensemble line-up in the field of national folkloric-popular music.
Author: John Shepherd
Publisher: A&C Black
ISBN: 0826463223
Category : Popular music
Languages : en
Pages : 713
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Book Description
See:
Author: Javier F Leon
Publisher: University of Illinois Press
ISBN: 0252098439
Category : Music
Languages : en
Pages : 440
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Book Description
Javier F. León and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by León and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America. Contributors include Marina Alonso Bolaños, Gonzalo Camacho Díaz, José Jorge de Carvalho, Claudio F. Díaz, Rodrigo Cantos Savelli Gomes, Juan Pablo González, Rubén López-Cano, Angela Lühning, Jorge Martínez Ulloa, Maria Ignêz Cruz Mello, Julio Mendívil, Carlos Miñana Blasco, Raúl R. Romero, Iñigo Sánchez Fuarros, Carlos Sandroni, Carolina Santamaría-Delgado, Rodrigo Torres Alvarado, and Alejandro Vera.
Author:
Publisher:
ISBN:
Category : Indians
Languages : en
Pages : 376
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1704
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Book Description
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1688
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Book Description
Author: Catherine Laws
Publisher: Leuven University Press
ISBN: 9462702314
Category : Art
Languages : en
Pages : 243
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Book Description
Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.
Author: Breck Diebel
Publisher:
ISBN:
Category : Charango
Languages : en
Pages : 484
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Book Description
Author: Tobe A. Richards
Publisher:
ISBN: 9781906207465
Category :
Languages : en
Pages : 112
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Book Description
The Ronroco Chord Bible, with its 1,728 chords offers a complete solution for both beginner and experienced professional musician alike. The layout is uncomplicated and follows a logical musical progression from standard major chords up to the more esoteric thirteenths used by many jazz players. To accompany the 1,728 chords, a further 576 possible moveable chord configurations are included, together with a useful range of slash chords, reflecting the popularity of this type of chord in many of today's artist and compilation topline songbooks. This highly comprehensive guide provides the musician with no fewer than 68 different types of chord in all twelve keys, making it the definitive publication for the ronroco. Whether you play folk, rock, pop, jazz or any other type of popular music, The Ronroco Chord Bible makes the ideal reference source for all occasions. Standard Chords covered in The Ronroco Chord Bible (using the key of C as an example): C, Cm, C7, Cm7, C5, C6, Cm6, Cmaj7, Cdim, Cdim7, C-5, C+, Csus2, Csus4, C7sus4, Cm7-5, Cadd9, Cmadd9, C6add9, Cm6add9, C7-5, C7+5, C7-9, C7+9, Cm(maj7), Cmaj7-5, Cmaj7+5, C9, Cm9, Cmaj9, C11, C13. Advanced Chords covered in The Ronroco Chord Bible (using the key of C as an example): C4, Cadd11, Csus4add9, Cm-6, C7sus2, C7-5-9, C7-5+9, C7+5-9, C7+5+9, C7add11, C7add13, C7+11, Cm7-5-9, Cm7-9, Cm7add11, Cmaj7+11, C9sus4, C9-5, C9+5, C9+11, Cm9-5, Cm(maj9), Cmaj9-5, Cmaj9+5, Cmaj9+11, Cmaj9add6, C11-9, Cm11, Cmaj11, C13sus4, C13-5-9, C13-9, C13+9, C13+11, Cm13, Cmaj13. Major Slash Chords covered in The Ronroco Chord Bible (using the key of C as an example): C/C, C/Db, C/D, C/Eb, C/E, C/F, C/F#, C/G, C/Ab, C/A, C/Bb, C/B. Beside the many pages of chord boxes or windows, the book features useful sections on tuning, chord construction, fingerboard layout, FAQs, alternative chord naming, fingering, slash chords, harmonic intervals, chord window blanks for transcribing your own favorite chord sequences etc. The aim of this guide is to provide the musician with the flexibility only really offered to guitar and keyboard players in the past. Now, with the help of The The Ronroco Chord Bible, musicians will be able to pick up any songbook and instantly have access to even the most complex and advanced chords.
