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Author: Daniel J. DiCenso
Publisher: Henry Bradshaw Society Subsidi
ISBN: 9781907497346
Category : Music
Languages : en
Pages : 596
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Book Description
Index of Chant Incipits -- Index of Manuscripts -- General Index
Author: Daniel J. DiCenso
Publisher: Henry Bradshaw Society Subsidi
ISBN: 9781907497346
Category : Music
Languages : en
Pages : 596
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Book Description
Index of Chant Incipits -- Index of Manuscripts -- General Index
Author: Luisa Nardini
Publisher: Oxford University Press
ISBN: 0197514154
Category : Music
Languages : en
Pages : 329
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Book Description
The liturgical chant sung in the churches of Southern Italy between the ninth and thirteenth centuries reflects the multiculturalism of a territory in which Romans, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were all present with various titles and political roles. Chants, Hypertext, and Prosulas examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics of the city of Benevento. These texts shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality, and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond', and in their interconnectedness with the parent chant, these prosulas can be likened to modern hypertexts. In this book, author Luisa Nardini presents the first comprehensive study to integrate textual and musical analyses of liturgical prosulas as they were recorded in Beneventan manuscripts. Discussing general features of prosulas in southern Italy and their relation to contemporary liturgical genres (e.g., tropes, sequences, hymns), Nardini firmly situates Beneventan prosulas within the broader context of European musical history. An invaluable reference for the field, Chants, Hypertext, and Prosulas provides a new understanding of the phonetic and morphological transformations of the Latin language in medieval Italy, and clarifies the use of perennially puzzling features of Beneventan notation.
Author: Arthur Westwell
Publisher: Cambridge University Press
ISBN: 1009360469
Category : Language Arts & Disciplines
Languages : en
Pages : 301
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Book Description
This incisive, in-depth study unearths the significance of a neglected group of early medieval manuscripts, those which transmit the Ordines Romani. These texts present detailed scripts for Christian ceremonies that narrate the gestures, motions, actions and settings of ritual performance, with particular orientation to the Roman church. While they are usually understood as liturgical, and thus lacking any particular creative flair, Arthur Westwell here foregrounds their manuscript permutations in order to reveal their extraordinary dynamism. He reflects on how the Carolingian Church undertook to improve liturgical practice and understanding, questioning the accepted idea of a “reform” aimed at uniformity led by the monarch. Through these manuscripts, Westwell reveals a diversity of motivations in the recording of Roman liturgy and demonstrates the remarkable sophistication of Carolingian manuscript compilers.
Author: Sarah Ann Long
Publisher: Boydell & Brewer
ISBN: 1580469965
Category : History
Languages : en
Pages : 377
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Book Description
The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powers
Author: Rebecca Maloy
Publisher: Oxford University Press
ISBN: 0190071559
Category : Music
Languages : en
Pages : 345
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Book Description
Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during a seventh-century cultural and educational program aimed at creating a society unified in the Nicene faith, built on twin pillars of church and kingdom. Led by Isidore of Seville and subsequent generations of bishops, this cultural renewal effort began with a project of clerical education, facilitated through a distinctive culture of textual production. Rebecca Maloy's Songs of Sacrifice argues that liturgical music--both texts and melodies--played a central role in the cultural renewal of early Medieval Iberia, with a chant repertory that was carefully designed to promote the goals of this cultural renewal. Through extensive reworking of the Old Testament, the creators of the chant texts fashioned scripture in ways designed to teach biblical exegesis, linking both to patristic traditions--distilled through the works of Isidore of Seville and other Iberian bishops--and to Visigothic anti-Jewish discourse. Through musical rhetoric, the melodies shaped the delivery of the texts to underline these messages. In these ways, the chants worked toward the formation of individual Christian souls and a communal Nicene identity. Examining the crucial influence of these chants, Songs of Sacrifice addresses a plethora of long-debated issues in musicology, history, and liturgical studies, and reveals the potential for Old Hispanic chant to shed light on fundamental questions about how early chant repertories were formed, why their creators selected particular passages of scripture, and why they set them to certain kinds of music.
Author: Francesca Dell'Acqua
Publisher: Routledge
ISBN: 135181110X
Category : History
Languages : en
Pages : 521
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Book Description
Between the late seventh and the mid-ninth centuries, a debate about sacred images – conventionally addressed as ‘Byzantine iconoclasm’ – engaged monks, emperors, and popes in the Mediterranean area and on the European continent. The importance of this debate cannot be overstated; it challenged the relation between image, text, and belief. A series of popes staunchly in favour of sacred images acted consistently during this period in displaying a remarkable iconophilia or ‘love for images’. Their multifaceted reaction involved not only council resolutions and diplomatic exchanges, but also public religious festivals, liturgy, preaching, and visual arts – the mass-media of the time. Embracing these tools, the popes especially promoted themes related to the Incarnation of God – which justified the production and veneration of sacred images – and extolled the role and the figure of the Virgin Mary. Despite their profound influence over Byzantine and western cultures of later centuries, the political, theological, and artistic interactions between the East and the West during this period have not yet been investigated in studies combining textual and material evidence. By drawing evidence from texts and material culture – some of which have yet to be discussed against the background of the iconoclastic controversy – and by considering the role of oral exchange, Iconophilia assesses the impact of the debate on sacred images and of coeval theological controversies in Rome and central Italy. By looking at intersecting textual, liturgical, and pictorial images which had at their core the Incarnate God and his human mother Mary, the book demonstrates that between c.680–880, by unremittingly maintaining the importance of the visual for nurturing beliefs and mediating personal and communal salvation, the popes ensured that the status of sacred images would remain unchallenged, at least until the Protestant Reformation in the sixteenth century.
Author: Arthur Westwell
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501517589
Category :
Languages : en
Pages : 516
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Book Description
Author: Nina-Maria Wanek
Publisher: BRILL
ISBN: 9004514880
Category : Religion
Languages : en
Pages : 687
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Book Description
This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.
Author: Uwe Michael Lang
Publisher: Cambridge University Press
ISBN: 1108962777
Category : Religion
Languages : en
Pages : 755
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Book Description
This volume offers a new, synthetic overview of the structure and ritual shape of the Roman Mass from its formative period in late antiquity to its post-Tridentine standarisation. Starting with the Last Supper and the origins of the Eucharist, Uwe Michael Lang constructs a narrative that explores the intense religious, social, and cultural transformations that shaped the Roman Mass. Lang unites classical liturgical history with insights from a variety of other disciplines that have drawn attention to the ritual performance and reception of the mass. He also presents liturgical developments within the broader historical and theological contexts that affected the celebration and experience of the sacramental rite that is still at the heart of Catholic Christianity. Aimed at scholars from a broad swathe of subjects, including religious studies, history, art history, literature, and music, Lang's volume serves as a comprehensive history of the Roman Mass over the course of a millenium.
Author: Ann Buckley
Publisher: Cambridge University Press
ISBN: 1108654002
Category : Music
Languages : en
Pages : 379
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Book Description
From music written in praise of Irish, Scottish, Welsh, and English saints to the selection of Gospel readings by the Dominicans, this book introduces readers to the richness of medieval liturgical culture from across Britain and Ireland. Each of its three main sections opens with a chapter that offers a contextual frame for its key themes. With contributions from leading experts in pre-Reformation music and its sources, the book's focus on Insular liturgy – rather than that of only one part of Britain or Ireland – allows readers to learn about the devotional, political and creative networks at play in shaping liturgical practices: personal, secular, monastic, lay, and professional. The opening part includes broader discussions of Uses, including that of Salisbury, and case studies explore Insular witnesses to devotional activities in honour of both local cults and widely known figures, including St Columba, St Margaret, St Katherine, and the Magi.
