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Author: Francis Parkman
Publisher:
ISBN:
Category : America
Languages : en
Pages : 440
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Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :
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Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
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Book Description
Author: Leon J. Bly
Publisher: LIT Verlag Münster
ISBN: 364391654X
Category :
Languages : en
Pages : 1188
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Book Description
The book provides a historical survey of the wind band’s music and denotes how historical and cultural developments have influenced it over the course of time. Although the modern wind band developed first in the 19th century, it has its roots in the wind music of ancient times, and music survives that has been composed since the Middle Ages. Therefore, this book covers the music from that time to the present, including the dance music of the Renaissance, the Harmoniemusik of the Classical Period, and the nationalistic music of the Romantic Period, as well as the major wind band repertoire developed after 1900.
Author:
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ISBN:
Category :
Languages : en
Pages :
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Author: Kate van Orden
Publisher: University of Chicago Press
ISBN: 022676799X
Category : Music
Languages : en
Pages : 341
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Book Description
In this groundbreaking new study, Kate van Orden examines noble education in the arts to show how music contributed to cultural and social transformation in early modern French society. She constructs a fresh account of music's importance in promoting the absolutism that the French monarchy would fully embrace under Louis XIV, uncovering many hitherto unpublished ballets and royal ceremonial performances. The great pressure on French noblemen to take up the life of the warrior gave rise to bellicose art forms such as sword dances and equestrian ballets. Far from being construed as effeminizing, such combinations of music and the martial arts were at once refined and masculine-a perfect way to display military prowess. The incursion of music into riding schools and infantry drills contributed materially to disciplinary order, enabling the larger and more effective armies of the seventeenth century. This book is a history of the development of these musical spheres and how they brought forth new cultural priorities of civility, military discipline, and political harmony. Music, Discipline, and Arms in Early Modern France effectively illustrates the seminal role music played in mediating between the cultural spheres of letters and arms.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 198
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Author: Richard Heber
Publisher:
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Category :
Languages : en
Pages : 696
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Book Description
Author: Paul Jankowski
Publisher: Oxford University Press, USA
ISBN: 0199316899
Category : History
Languages : en
Pages : 346
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Book Description
Paul Jankowski offers a fresh look at Verdun, one of the longest and bloodiest battles of the First World War, in a book the will surely become the standard work on the topic.
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 590
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Book Description
Author: Adrian Armstrong
Publisher: Oxford University Press
ISBN: 9780198159896
Category : Early printed books
Languages : en
Pages : 264
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Book Description
Literary studies cannot neglect the study of books, the physical objects through which literary texts are transmitted. Book form is especially relevant to the literature of the late fifteenth and early sixteenth centuries, which saw the crucial shift from manuscript to print in Western Europe.This book examines manuscripts and printed editions of three major French writers of this key period: Jean Molinet, Jean Lemaire de Belges and Jean Bouchet. Presentational features which influence the reading of poems, such as layout, illustration, anthologization and paratext, are analysed. Thedevelopment of these features reflects a gradual change in the ways in which literary self-consciousness is manifested. In earlier texts, produced within an essentially manuscript culture, poets' creative investment in their work is exhibited primarily as formal virtuosity. As printing becomesdominant, such virtuosity tends to be rejected in favour of self-commentary and an apparently more personal discourse.
