Author: Maria Rika Maniates
Publisher: A-R Editions, Inc.
ISBN: 0895792362
Category : History
Languages : en
Pages : 162
Book Description
The Combinative Chanson
Author: Maria Rika Maniates
Publisher: A-R Editions, Inc.
ISBN: 0895792362
Category : History
Languages : en
Pages : 162
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895792362
Category : History
Languages : en
Pages : 162
Book Description
Chanson
Author: Peter Hawkins
Publisher: Routledge
ISBN: 1351572407
Category : Music
Languages : en
Pages : 350
Book Description
En France, tout finit par des chansons' is the well-known phrase which sums up the importance of chanson for the French. A song tradition that goes back to the Middle Ages and troubadours of the twelfth and thirteenth centuries, chanson is part of the texture of everyday life in France - a part of the national identity and a barometer of popular taste. In this first study of chanson in English, Peter Hawkins examines the background to the genre and the difficulties in defining what is and what is not chanson. The focus then moves to the development of the singer-songwriter of chanson from 1880 to the present day. This period saw the emergence of national icons from Aristide Bruant at the end of the nineteenth century through to internationally recognized musicians such as Jacques Brel and Serge Gainsbourg. Each of these figures used chanson to express the particular moral dilemmas, tragic situations and moments of euphoria particular to themselves and their times. The book provides bibliographies, discographies and details of video recordings for each of the singer-songwriters that it discusses. It is both an essential reference guide to the genre and a useful case history of the adaptation of an ancient form to the demands of the modern mass media.
Publisher: Routledge
ISBN: 1351572407
Category : Music
Languages : en
Pages : 350
Book Description
En France, tout finit par des chansons' is the well-known phrase which sums up the importance of chanson for the French. A song tradition that goes back to the Middle Ages and troubadours of the twelfth and thirteenth centuries, chanson is part of the texture of everyday life in France - a part of the national identity and a barometer of popular taste. In this first study of chanson in English, Peter Hawkins examines the background to the genre and the difficulties in defining what is and what is not chanson. The focus then moves to the development of the singer-songwriter of chanson from 1880 to the present day. This period saw the emergence of national icons from Aristide Bruant at the end of the nineteenth century through to internationally recognized musicians such as Jacques Brel and Serge Gainsbourg. Each of these figures used chanson to express the particular moral dilemmas, tragic situations and moments of euphoria particular to themselves and their times. The book provides bibliographies, discographies and details of video recordings for each of the singer-songwriters that it discusses. It is both an essential reference guide to the genre and a useful case history of the adaptation of an ancient form to the demands of the modern mass media.
Chanson
Author: Olaf Salie
Publisher: National Geographic Books
ISBN: 3791386174
Category : Music
Languages : en
Pages : 0
Book Description
A photographic tribute to France's most lyrical, romantic, and poetic musical tradition. Virtually no other musical discipline is as closely linked with the culture and essence of a country as the chanson with France. With roots in the Middle Ages and Renaissance, this secular, lyric-driven form of song has been reborn throughout French history—and continues to influence today’s pop artists. Featuring the work of such celebrated photographers as Robert Doisneau, this fascinating history of the chanson profiles some of its most beloved artists, their music, and the cultural moments they represent. Readers will learn about Aristide Bruant—the red scarf-wearing subject of one of Lautrec’s most recognizable posters. It recounts the lives of Josephine Baker, Maurice Chevalier, and their contemporaries as it peeks inside the Folies Bergère and the Moulin Rouge. It introduces readers to the “Piaf Generation,” which produced the likes of Yves Montand and Georges Moustaki. And it explores the bohemian enclaves of postwar France, when revolutionary artists remade the chanson in their own melancholy image. In addition, this volume shows how classic songs of the all American song book, such as “My Way,” or “September Morning” have their roots in the chanson tradition. Illustrated with 200 lavish photographs, the pages of this beautifully produced hardback are edged with the French tricolor. Whether you’re a fan of 1920s torch songs or prefer the electronica of ZAZ, you’ll learn how the chanson is important to just about every French musical tradition—and why this genre is the perfect expression of the country’s history and culture.
Publisher: National Geographic Books
ISBN: 3791386174
Category : Music
Languages : en
Pages : 0
Book Description
A photographic tribute to France's most lyrical, romantic, and poetic musical tradition. Virtually no other musical discipline is as closely linked with the culture and essence of a country as the chanson with France. With roots in the Middle Ages and Renaissance, this secular, lyric-driven form of song has been reborn throughout French history—and continues to influence today’s pop artists. Featuring the work of such celebrated photographers as Robert Doisneau, this fascinating history of the chanson profiles some of its most beloved artists, their music, and the cultural moments they represent. Readers will learn about Aristide Bruant—the red scarf-wearing subject of one of Lautrec’s most recognizable posters. It recounts the lives of Josephine Baker, Maurice Chevalier, and their contemporaries as it peeks inside the Folies Bergère and the Moulin Rouge. It introduces readers to the “Piaf Generation,” which produced the likes of Yves Montand and Georges Moustaki. And it explores the bohemian enclaves of postwar France, when revolutionary artists remade the chanson in their own melancholy image. In addition, this volume shows how classic songs of the all American song book, such as “My Way,” or “September Morning” have their roots in the chanson tradition. Illustrated with 200 lavish photographs, the pages of this beautifully produced hardback are edged with the French tricolor. Whether you’re a fan of 1920s torch songs or prefer the electronica of ZAZ, you’ll learn how the chanson is important to just about every French musical tradition—and why this genre is the perfect expression of the country’s history and culture.
Chansons of the 16th Century for Classical Guitar
Author: Richard Metzger
Publisher: Mel Bay Publications
ISBN: 1609744438
Category : Music
Languages : en
Pages : 97
Book Description
A collection of chansons printed in various collections between 1529 and 1543 by Pierre Attaingnant, the inventor of single-impression printing. the arrangement of chansons for lute or keyboard was an important source of instrumental music in the sixteenth century. the chansons in the present anthology, the fruits of a particularly rich period in French music, are modern arrangements for guitar or lute made in accordance with procedures found in French prints of the time. the musical styles range from the serious, imitative Franco-Flemish chanson of northern composers to the charming, light-hearted, and often ribald chansons that furnished musical entertainment in early sixteenth-century Paris. Although the arrangements are instrumental, text translations are furnished to aid in interpretation of the music and to amuse the modern reader as they amused the listener in the 1530s and 1540s. Standard notation only.
Publisher: Mel Bay Publications
ISBN: 1609744438
Category : Music
Languages : en
Pages : 97
Book Description
A collection of chansons printed in various collections between 1529 and 1543 by Pierre Attaingnant, the inventor of single-impression printing. the arrangement of chansons for lute or keyboard was an important source of instrumental music in the sixteenth century. the chansons in the present anthology, the fruits of a particularly rich period in French music, are modern arrangements for guitar or lute made in accordance with procedures found in French prints of the time. the musical styles range from the serious, imitative Franco-Flemish chanson of northern composers to the charming, light-hearted, and often ribald chansons that furnished musical entertainment in early sixteenth-century Paris. Although the arrangements are instrumental, text translations are furnished to aid in interpretation of the music and to amuse the modern reader as they amused the listener in the 1530s and 1540s. Standard notation only.
An Introduction to the Chansons de Geste
Author: Catherine Mary Jones
Publisher:
ISBN: 9780813061917
Category : Chansons de geste
Languages : en
Pages : 0
Book Description
This book focuses on the best-known and most frequently taught chanson de geste ("songs of heroic deeds") from medieval France, including the Song of Roland and the Voyage of Charlemagne.
Publisher:
ISBN: 9780813061917
Category : Chansons de geste
Languages : en
Pages : 0
Book Description
This book focuses on the best-known and most frequently taught chanson de geste ("songs of heroic deeds") from medieval France, including the Song of Roland and the Voyage of Charlemagne.
Harvard Dictionary of Music
Author: Willi Apel
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968
Book Description
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968
Book Description
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Courtly Song in Late Sixteenth-Century France
Author: Jeanice Brooks
Publisher: University of Chicago Press
ISBN: 022676771X
Category : Music
Languages : en
Pages : 577
Book Description
In the late sixteenth century, the French royal court was mobile. To distinguish itself from the rest of society, it depended more on its cultural practices and attitudes than on the royal and aristocratic palaces it inhabited. Using courtly song-or the air de cour-as a window, Jeanice Brooks offers an unprecedented look into the culture of this itinerant institution. Brooks concentrates on a period in which the court's importance in projecting the symbolic centrality of monarchy was growing rapidly and considers the role of the air in defining patronage hierarchies at court and in enhancing courtly visions of masculine and feminine virtue. Her study illuminates the court's relationship to the world beyond its own confines, represented first by Italy, then by the countryside. In addition to the 40 editions of airs de cour printed between 1559 and 1589, Brooks draws on memoirs, literary works, and iconographic evidence to present a rounded vision of French Renaissance culture. The first book-length examination of the history of air de cour, this work also sheds important new light on a formative moment in French history.
Publisher: University of Chicago Press
ISBN: 022676771X
Category : Music
Languages : en
Pages : 577
Book Description
In the late sixteenth century, the French royal court was mobile. To distinguish itself from the rest of society, it depended more on its cultural practices and attitudes than on the royal and aristocratic palaces it inhabited. Using courtly song-or the air de cour-as a window, Jeanice Brooks offers an unprecedented look into the culture of this itinerant institution. Brooks concentrates on a period in which the court's importance in projecting the symbolic centrality of monarchy was growing rapidly and considers the role of the air in defining patronage hierarchies at court and in enhancing courtly visions of masculine and feminine virtue. Her study illuminates the court's relationship to the world beyond its own confines, represented first by Italy, then by the countryside. In addition to the 40 editions of airs de cour printed between 1559 and 1589, Brooks draws on memoirs, literary works, and iconographic evidence to present a rounded vision of French Renaissance culture. The first book-length examination of the history of air de cour, this work also sheds important new light on a formative moment in French history.
European Music, 1520-1640
Author: James Haar
Publisher: Boydell Press
ISBN: 9781843832003
Category : Music
Languages : en
Pages : 606
Book Description
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
Publisher: Boydell Press
ISBN: 9781843832003
Category : Music
Languages : en
Pages : 606
Book Description
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
Music History During the Renaissance Period, 1520-1550
Author: Blanche M. Gangwere
Publisher: Bloomsbury Publishing USA
ISBN: 0313072825
Category : Social Science
Languages : en
Pages : 550
Book Description
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
Publisher: Bloomsbury Publishing USA
ISBN: 0313072825
Category : Social Science
Languages : en
Pages : 550
Book Description
This annotated chronology of western music is the third in a series of outlines on the history of music in western civilization. It contains a 120-page annotated bibliography, followed by a detailed, documented outline that is divided into ten chapters. Each chapter is written in chronological order with every line being documented by means of abbreviations that refer to the annotated bibliography. There are short biographies of the theorists and detailed discussions of their works. The information on music is organized by classes of music rather than by composer. Also included are lists of manuscripts with descriptions of their contents and notations as to where they may be found. The material for the outline has been taken from primary and secondary sources along with articles from periodicals. Like the other two volumes in this series, Music History from the Late Roman through the Gothic Periods, 313-1425 and Music History During the Renaissance Period, 1425-1520, this volume will be an important research tool for anyone interested in music history.
Index to Poetry in Music
Author: Carol June Bradley
Publisher: Routledge
ISBN: 1135381275
Category : Music
Languages : en
Pages : 1418
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135381275
Category : Music
Languages : en
Pages : 1418
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.