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Author: Geoffroy Tory
Publisher: New York : Kraus Reprint Corporation
ISBN:
Category : Alphabet
Languages : en
Pages : 254
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Book Description
Author: Geoffroy Tory
Publisher: New York : Kraus Reprint Corporation
ISBN:
Category : Alphabet
Languages : en
Pages : 254
Get Book Here
Book Description
Author: Champfleury
Publisher:
ISBN:
Category : Cats
Languages : en
Pages : 234
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
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Book Description
Author: Geoffroy Tory
Publisher: New York : Kraus Reprint Corporation
ISBN:
Category : Alphabet
Languages : en
Pages : 248
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Book Description
Author: Katharina N. Piechocki
Publisher: University of Chicago Press
ISBN: 0226816818
Category : History
Languages : en
Pages : 324
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Book Description
Piechocki calls for an examination of the idea of Europe as a geographical concept, tracing its development in the 15th and 16th centuries. What is “Europe,” and when did it come to be? In the Renaissance, the term “Europe” circulated widely. But as Katharina N. Piechocki argues in this compelling book, the continent itself was only in the making in the fifteenth and sixteenth centuries. Cartographic Humanism sheds new light on how humanists negotiated and defined Europe’s boundaries at a momentous shift in the continent’s formation: when a new imagining of Europe was driven by the rise of cartography. As Piechocki shows, this tool of geography, philosophy, and philology was used not only to represent but, more importantly, also to shape and promote an image of Europe quite unparalleled in previous centuries. Engaging with poets, historians, and mapmakers, Piechocki resists an easy categorization of the continent, scrutinizing Europe as an unexamined category that demands a much more careful and nuanced investigation than scholars of early modernity have hitherto undertaken. Unprecedented in its geographic scope, Cartographic Humanism is the first book to chart new itineraries across Europe as it brings France, Germany, Italy, Poland, and Portugal into a lively, interdisciplinary dialogue.
Author: Michelle E. Bloom
Publisher: U of Minnesota Press
ISBN: 9780816639311
Category : Art
Languages : en
Pages : 368
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Book Description
London, 1921. The world's greatest wax sculptor watches in horror as flames consume his museum and melt his uncannily lifelike creations. Twelve years later, he opens a wax museum in New York. Crippled, disfigured, and driven mad by the fire, he resorts to body snatching and murder to populate his displays, preserving the bodies in wax. "In a thousand years you will be as lovely as you are now, " he assures one victim. In The Mystery of the Wax Museum (1933), director Michael Curtiz perfectly captures the macabre essence of realistic wax figures that have excited the darker aspects of the public's imagination ever since Madame Tussaud established her famous museum in London in 1802. Artists, too, have been fascinated by wax sculptures, seeing in them--and in the unique properties of wax itself--an eerie metaphoric power with which to address sexual anxiety, fears of mortality, and other morbid subjects. In Waxworks, Michelle E. Bloom explores the motif of the wax figure in European and American literature and art. In particular, she connects the myth of Pygmalion to the obsession with wax statues of women in the nineteenth-century fetishization of prostitutes and female corpses and as depicted in such "wax fictions" as Dickens's The Old Curiosity Shop (1841). Filmmakers, too, have sought inspiration from wax museums, and Bloom analyzes works from the silent era to such waxwork-themed Hollywood horror films as Mad Love (1935) and House of Wax (1953). Bringing her discussion to the present, Bloom examines the work of contemporary artists who use the medium of wax in ways never imagined by Madame Tussaud. As extravagant new wax museums open in Las Vegas, Times Square, and Paris, Waxworksoffers a provocative cultural history of this enduring--and disturbing--art form.
Author: Harry Lee Butler
Publisher:
ISBN:
Category :
Languages : en
Pages : 426
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Book Description
Author: Katie Chenoweth
Publisher: University of Pennsylvania Press
ISBN: 0812251490
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
Of all the cultural "revolutions" brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined. In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of domains, from typography, orthography, and grammar to politics, pedagogy, and poetics. Under François I, the king known in his own time as the "Father of Letters," both printing and vernacular language emerged as major cultural and political forces. Beginning in 1529, French underwent a remarkable transformation, as printers and writers began to reimagine their mother tongue as mechanically reproducible. The first accent marks appeared in French texts, the first French grammar books and dictionaries were published, phonetic spelling reforms were debated, modern Roman typefaces replaced gothic scripts, and French was codified as a legal idiom. This was, Chenoweth argues, a veritable "new media" moment, in which the print medium served as the underlying material apparatus and conceptual framework for a revolutionary reinvention of the vernacular. Rather than tell the story of the origin of the modern French language, however, she seeks to destabilize this very notion of "origin" by situating the cultural formation of French in a scene of media technology and reproducibility. No less than the paper book issuing from sixteenth-century printing presses, the modern French language is a product of the age of mechanical reproduction.
Author: Geofroy Tory
Publisher:
ISBN:
Category :
Languages : en
Pages : 259
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Book Description
Author: Auguste Bernard
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 340
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Book Description
This biography is about the 15th-century French humanist and engraver, Geoffrey Tory. He was the only person to have been conferred the title of king's printer, which King François I had never before bestowed upon anyone. Although he is not well-known outside the field of typography, he is widely credited for resuscitating the craft of engraving in France and for adding accents to French letters.
