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Author: Claude Arnaud
Publisher: University of Chicago Press
ISBN: 9780226026978
Category : Biography & Autobiography
Languages : en
Pages : 394
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Book Description
Sébastien Roch Nicolas Chamfort (1740-1794), whom Nietzsche called the "wittiest of all moralists," is now known for little more than brillian aphorisms that captivated a long line of thinkers, from Stendhal to Cioran, Schopenhauer to Camus. Yet the fascination of Chamfort's life is barely suggested by the fragments of writing that have survived him. In Claude Arnaud's captivating biography, Chamfort the libertine, playwright, journalist, and revolutionary stands revealed as the most telling emblem of his times.
Author: Claude Arnaud
Publisher: University of Chicago Press
ISBN: 9780226026978
Category : Biography & Autobiography
Languages : en
Pages : 394
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Book Description
Sébastien Roch Nicolas Chamfort (1740-1794), whom Nietzsche called the "wittiest of all moralists," is now known for little more than brillian aphorisms that captivated a long line of thinkers, from Stendhal to Cioran, Schopenhauer to Camus. Yet the fascination of Chamfort's life is barely suggested by the fragments of writing that have survived him. In Claude Arnaud's captivating biography, Chamfort the libertine, playwright, journalist, and revolutionary stands revealed as the most telling emblem of his times.
Author: S. D. Chrostowska
Publisher: punctum books
ISBN: 1950192210
Category : Literary Collections
Languages : en
Pages : 561
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Book Description
It takes any number of forms. Epigrams. Aphorisms. Fragments. Sayings. Dicta. Sententiae. Facetiae. Pearls of wisdom. Fractions of truth. Maxims. Definitions. Jottings. Miscellaneous musings. Meditations. Ricordi. Pensées. Ephemera. Miniatures. Sketches. Vignettes. Denkbilder. Capriccios. Tiny 'fires without flames' ... In returning to these genres, Matches goes back to the drawing board of modern critique. It sets out to rekindle short-form literary-philosophical reflection, with roots in the Antiquity of Heraclitus and Hippocrates, apogee in the French moralistes (La Rochefoucauld, Pascal, Chamfort ...), and late splendour in German letters (Nietzsche, Kraus, Jünger ...). Moving from art and aesthetics to philosophies past and present, through natural and technological landscapes, beneath the constellations of politics, history and ethics, along the byways of contemporary literary culture--the slow reader with a little spare time will not fail to be struck. Here are pages to peruse and mistrust, texts to think with, a book to put down and ponder, to ponder and put down. A tome to keep handy, handle often, and strike repeatedly against the rough patches of the mind.
Author: Sébastian Roch Nicolas Chamfort (called)
Publisher:
ISBN:
Category : Aphorisms and apothegms
Languages : en
Pages : 296
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Book Description
Author: Sébastien-Roch-Nicolas Chamfort
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 198
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Book Description
This is a portrait of the colorful characters of late 18th-century France, and a treasure chest of poignant, satirical humor to put a smile on every cynic's face. Chamfort was a man of his time. A love child of semi-noble birth, he became a cult figure in the salons of pre-revolutionary Paris--his athleticism and charm proving irresistibly attractive to the same aristocracy which later he would grow to despise. But it was only after his death, in 1794, that he achieved the fame he had always longed for. In his room were found thousands of scraps of paper on which he had written his reflections on love, life, and society. Later published in book form by admirers, these have become a testament to the astutely perceptive wit of France's forgotten philosopher.
Author: Sébastien-Roch-Nicolas Chamfort
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 37
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Book Description
"The cynic's breviary: Maxims and anecdotes from Nicolas de Chamfort" by Sébastien-Roch-Nicolas Chamfort (translated by William G. Hutchison). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Antoine Lilti
Publisher: John Wiley & Sons
ISBN: 1509508759
Category : History
Languages : en
Pages : 320
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Book Description
Frequently perceived as a characteristic of modern culture, the phenomenon of celebrity has much older roots. In this book Antoine Lilti shows that the mechanisms of celebrity were developed in Europe during the Enlightenment, well before films, yellow journalism, and television, and then flourished during the Romantic period on both sides of the Atlantic. Figures from across the arts like Voltaire, Garrick, and Liszt were all veritable celebrities in their time, arousing curiosity and passionate loyalty from their “fans.” The rise of the press, new advertising techniques, and the marketing of leisure brought a profound transformation in the visibility of celebrities: private lives were now very much on public show. Nor was politics spared this cultural upheaval: Marie-Antoinette, George Washington, and Napoleon all experienced a political world transformed by the new demands of celebrity. And when the people suddenly appeared on the revolutionary scene, it was no longer enough to be legitimate; it was crucial to be popular too. Lilti retraces the profound social upheaval precipitated by the rise of celebrity and explores the ambivalence felt toward this new phenomenon. Both sought after and denounced, celebrity evolved as the modern form of personal prestige, assuming the role that glory played in the aristocratic world in a new age of democracy and evolving forms of media. While uncovering the birth of celebrity in the eighteenth century, Lilti's perceptive history at the same time shines light on the continuing importance of this phenomenon in today’s world.
Author: Bette W. Oliver
Publisher: Lexington Books
ISBN: 0739174428
Category : History
Languages : en
Pages : 146
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Book Description
The unleashing of the French Revolution in 1789 resulted in the acceleration of time coupled with an inability to predict what might happen next. As unprecedented events outpaced the days, those caught up in the whirlwind had little time to make judicious decisions about which course of action to follow. The lack of reliable information and delays in communication between Paris and the provinces only exacerbated the situation. Consequently, some fled into exile in Europe and the United States, while others remained to take advantage of new opportunities provided by the revolutionary government. Between 1789 and 1794, the government moved from a position of hopeful cooperation to one of desperate measures instigated during the Terror of 1793–1794. As a result, those French citizens who had fled early in the revolution, including many aristocrats and the king's brothers, as well as the artist Elisabeth Vigee-LeBrun, could not return until many years later, while those who had remained, such as Vigée-LeBrun’s husband, the art dealer Jean-Baptiste Pierre LeBrun, as well as the artist Jacques-Louis David, the writers Sébastien Chamfort and André Chénier, and expelled Girondin deputies, chose survival strategies that they hoped would be successful. For all those concerned, timing was key to survival, and those who lived found that they had crossed a bridge between the Ancien Régime and the beginning of the modern world. It would not be possible to grasp the full import of the period between 1789 and 1795 until time had decelerated to a more reasonable level after the fall of Robespierre in 1794. Yet few could have then imagined that almost one hundred years would pass before a stable French republic would be established.
Author: Claude Arnaud
Publisher: Yale University Press
ISBN: 0300170572
Category : Biography & Autobiography
Languages : en
Pages : 1039
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Book Description
This passionate and monumental biography reassesses the life and legacy of one of the most significant cultural figures of the twentieth century Unevenly respected, easily hated, almost always suspected of being inferior to his reputation, Jean Cocteau has often been thought of as a jack-of-all-trades, master of none. In this landmark biography, Claude Arnaud thoroughly contests this characterization, as he celebrates Cocteau's "fragile genius--a combination almost unlivable in art" but in his case so fertile. Arnaud narrates the life of this legendary French novelist, poet, playwright, director, filmmaker, and designer who, as a young man, pretended to be a sort of a god, but who died as a humble and exhausted craftsman. His moving and compassionate account examines the nature of Cocteau's chameleon-like genius, his romantic attachments, his controversial politics, and his intimate involvement with many of the century's leading artistic lights, including Picasso, Proust, Hemingway, Stravinsky, and Tennessee Williams. Already published to great critical acclaim in France, Arnaud's penetrating and deeply researched work reveals a uniquely gifted artist while offering a magnificent cultural history of the twentieth century.
Author: Alain De Botton
Publisher: Vintage
ISBN: 0307491331
Category : Philosophy
Languages : en
Pages : 322
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Book Description
“There's no writer alive like de Botton” (Chicago Tribune), and now this internationally heralded author turns his attention to the insatiable human quest for status—a quest that has less to do with material comfort than love. Anyone who’s ever lost sleep over an unreturned phone call or the neighbor’s Lexus had better read Alain de Botton’s irresistibly clear-headed new book, immediately. For in its pages, a master explicator of our civilization and its discontents explores the notion that our pursuit of status is actually a pursuit of love, ranging through Western history and thought from St. Augustine to Andrew Carnegie and Machiavelli to Anthony Robbins. Whether it’s assessing the class-consciousness of Christianity or the convulsions of consumer capitalism, dueling or home-furnishing, Status Anxiety is infallibly entertaining. And when it examines the virtues of informed misanthropy, art appreciation, or walking a lobster on a leash, it is not only wise but helpful.
Author: David McCallam
Publisher:
ISBN:
Category : History
Languages : en
Pages : 200
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Book Description
Sébastien-Roch Nicolas Chamfort remains one of the most enigmatic 'prompters' of the French Revolution. This study analyses his rhetorical and political programmes in tandem to reveal how Chamfort's discourse and politics inform and elucidate one another in both pre-revolutionary and revolutionary periods. It considers his key political texts - his 'Discours à l'Académie française', Des académies, the Tableaux historiques de la Révolution française and his posthumous Maximes et pensées, caractères et anecdotes - and exposes how, in each instance, Chamfort's conception of politics hinges on the adoption and subversion of prescribed discursive forms (reception speech, historical tableau, maxim). In the 'Discours' and Des académies, Chamfort opposes the implicit discursive norm of le bon usage sanctioned by the Académie française, because it represses free expression and at the same time constitutes the Académie itself into an oppressive corporation imbued with neo-feudal values. Chamfort's subsequent interpretations of revolutionary events in his Tableaux historiques, while making explicit this same radical libertarianism, frame some reservations about the insurgent peuple as a political force. In the end, many of the tensions troubling Chamfort's politics are resolved by his posthumous Maximes et pensées, whose prevailing principle of honnêteté gives them a rhetorical and political independence from both the ancien régime, centred on notions of honneur, and the revolutionary Republic, founded on a principle of vertu. Previous studies have tended either to interpret Chamfort's works from their historical or biographical context, or - by considering exclusively the Maximes et pensées - to subordinate them to an established literary tradition. This innovative reading posits Chamfort's texts as an exemplary meeting-place of literary practice and political praxis at the time of the Revolution, shedding new light on both the function of literary forms in Chamfort's politics and the role of Chamfort the writer, as an ideological subject caught up in revolutionary events.
