Chalcographimania; Or, The Portrait-collector and Printseller's Chronicle PDF Download
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Author: William Henry Ireland
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 238
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Book Description
Author: William Henry Ireland
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 238
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Book Description
Author: Robert Hoe
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 934
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Book Description
Author: Samuel Halkett
Publisher: Edinburgh : Oliver and Boyd.
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 508
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Book Description
Author: Samuel Halkett
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 496
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Book Description
Author: Samuel Halkett
Publisher:
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 472
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Book Description
Author: Theodore Irwin
Publisher:
ISBN:
Category : Private libraries
Languages : en
Pages : 550
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Book Description
Author: R. Miles
Publisher: Springer
ISBN: 0230582273
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
This book explores the false starts and disturbances of Romantic writing in Britain - 'misfits' and misfittings - as both a constitutive challenge to canonical romanticism and a distinctive literary field worth examining on its own account. Misfits include the Shakespeare forger W.H. Ireland, the novel itself, and the culture of Dissent.
Author: Pickering & Chatto
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1338
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Book Description
![Catalogue of the Shakespeare-memorial library. Pt.1 [sect. 1]-pt.2, sect. 1 [No more publ.]. PDF](https://books.google.com/books/content/images/frontcover/8ypXx006iNQC?fife=w80-h100)
Author: John Davis Mullins
Publisher:
ISBN:
Category :
Languages : en
Pages : 356
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Book Description
Author: David Worrall
Publisher: OUP Oxford
ISBN: 0191534900
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
The theatre and drama of the late Georgian period have been the focus of a number of recent studies, but such work has tended to ignore its social and political contexts. Theatric Revolution redresses the balance by considering the role of stage censorship during the Romantic period, an era otherwise associated with the freedom of expression. Looking beyond the Royal theatres at Covent Garden and Drury Lane which have dominated most recent accounts of the period, this book examines the day-to-day workings of the Lord Chamberlain's Examiner of Plays and shows that radicalized groups of individuals continuously sought ways to evade the suppression of both playhouses and dramatic texts. Incorporating a wealth of new research, David Worrall reveals the centrality of theatre within busy networks of print culture, politics of all casts, elite and popular cultures, and metropolitan and provincial audiences. Ranging from the drawing room of Queen Caroline's private theatrical to the song-and-supper dens of Soho and radical free and easies, Theatric Revolution deals with the complex vitality of Romantic theatrical culture, and its intense politicization at all levels. This fascinating new study will be of great value to cultural historians, as well as to literary and theatre scholars.
