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Author: Agata Toromanoff
Publisher: National Geographic Books
ISBN: 0500292507
Category : Design
Languages : en
Pages : 0
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Book Description
Revealing pairings of a chair and a building by each architect—featuring fifty-five stars from Calatrava to Hadid Does an architect’s style always come across, regardless of medium? Pairing great buildings with great chairs by the same architect, Chairs by Architects demonstrates how the defining qualities of a building’s style can also be evident in that architect’s furniture designs. Pieces of furniture, like manifestos, become signatures of architectural style. The fifty-five architects featured here include early modern architectural pioneers such as Otto Wagner, Charles Rennie Mackintosh, Antoni Gaudí, and Walter Gropius, together with more recent modern masters such as Oscar Niemeyer, Santiago Calatrava, Zaha Hadid, Frank Gehry, and Daniel Libeskind. The book contains interviews on Designing (in conversation with David Adjaye), Manufacturing (with David E. Bright, Knoll, Inc.), Selling (with Zeev Aram), Collecting (with Richard Wright), and Preserving (with Susanne Graner, Vitra Design Museum). This is essential reading for everyone concerned with design, architecture, and the relationship between creators and their creations.
Author: Agata Toromanoff
Publisher: National Geographic Books
ISBN: 0500292507
Category : Design
Languages : en
Pages : 0
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Book Description
Revealing pairings of a chair and a building by each architect—featuring fifty-five stars from Calatrava to Hadid Does an architect’s style always come across, regardless of medium? Pairing great buildings with great chairs by the same architect, Chairs by Architects demonstrates how the defining qualities of a building’s style can also be evident in that architect’s furniture designs. Pieces of furniture, like manifestos, become signatures of architectural style. The fifty-five architects featured here include early modern architectural pioneers such as Otto Wagner, Charles Rennie Mackintosh, Antoni Gaudí, and Walter Gropius, together with more recent modern masters such as Oscar Niemeyer, Santiago Calatrava, Zaha Hadid, Frank Gehry, and Daniel Libeskind. The book contains interviews on Designing (in conversation with David Adjaye), Manufacturing (with David E. Bright, Knoll, Inc.), Selling (with Zeev Aram), Collecting (with Richard Wright), and Preserving (with Susanne Graner, Vitra Design Museum). This is essential reading for everyone concerned with design, architecture, and the relationship between creators and their creations.
Author: Witold Rybczynski
Publisher: Farrar, Straus and Giroux
ISBN: 0374713359
Category : Antiques & Collectibles
Languages : en
Pages : 257
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Book Description
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In Now I Sit Me Down, the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history--of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America--the Barcalounger--traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues, and no-nonsense ergonomic task chairs--they're all here. The famous Danish furniture designer Hans Wegner once remarked, "A chair is only finished when someone sits in it." As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.
Author: Charlotte Fiell
Publisher: Carlton Publishing Group
ISBN: 9781847960344
Category : Chair design
Languages : en
Pages : 0
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Book Description
"Chairs introduces the most innovative and groundbreaking seating designs from the world's greatest designers, from Alvar Aalto to Marco Zanuso ..."--Publisher description.
Author: Nicolai De Gier
Publisher:
ISBN: 9788787136907
Category : Chair design
Languages : en
Pages : 105
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Book Description
Author: Mel Byars
Publisher: Watson-Guptill Publications
ISBN: 9780823065059
Category : Chair design
Languages : en
Pages : 0
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Book Description
While there are a vast number of books which illustrate contemporary design, almost none shows how they are made or the details of the technology and materials employed. On the contrary, 50 Chairs: Innovations in Design and Materials reveals an amazing collection of machines for seating. Exploded drawings are accompanied by factory-location photographs, many taken especially for this book.
Author: Charlotte Fiell
Publisher: Welbeck
ISBN: 1802794565
Category : Architecture
Languages : en
Pages : 784
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Book Description
This updated edition features designs from 1800 up to present day, and features the biggest names in furniture design, art, architecture and craft.
Author: Jonathan Olivares
Publisher: Phaidon Press
ISBN: 9780714861036
Category : Design
Languages : en
Pages : 0
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Book Description
An exhaustively researched visual history of the office chair.
Author: Laurie Olin
Publisher: ORO Applied Research + Design
ISBN: 9781939621726
Category : Architecture
Languages : en
Pages : 0
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Book Description
Laurie Olin's interest in public outdoor seating in parks and civic spaces revolves around two poles: the first is a concern for aspects of the ordinary in our settings and actions, the apparatus and effects of the quotidian in our individual lives and experience; the other is the utility of public seating in the conduct and potential of our role as citizens and the establishment of place and community. A not inconsiderable aspect of both is the engendering of pleasure. In a democracy we are expected to fulfill two potentials - those of private citizen and contributing member of a community. When sitting on a bench or chair in a park or plaza we inevitably participate in the life of a particular space, city, and society while simultaneously pursuing our own life with its demands and aspirations. Chairs and benches in their many varieties and situations are the setting (pun intended) for profoundly simple, albeit important, and largely unnoticed aspects of our lives. Humans are gregarious and habitually love to be together, often sitting about for hours at a time. Commonly this is for dining, whether singly or in groups, large or small. We sit in public places, in private ones, indoors and out, often doing nothing except watching the world. Over the course of centuries many devices have been developed for such purposes. Not a comprehensive history or survey, this is an appreciation derived from frequent, often iterative personal observation and constant professional engagement with the topic of seating, sometimes in gardens, but more particularly in public and civic environments. The book consists of a series of essays that begin with the author's personal discovery of public seating. An 'ah hah' moment as a young architect visiting Paris and his early experience as a designer is followed by a brief history of the evolution of public space and seating in the West. This is followed by an account of some of his experiments as a landscape architect, and the theory, craft, and role of seating in a number of prominent civic places his firm and others have designed in the past four decades. Along the way there are reflections on the author's interest in chairs, seating, public space, and aspects of the profession of landscape architecture. Accompanying the essays there are sketches, and watercolors made by Olin over time while travelling or working that weren't originally intended as book illustrations. Some are quick, hasty notes of something observed; others are more careful studies with, on occasion, measurements. Some were made leisurely while enjoying a felicitous moment or place, while others record the author puzzling through a particular design problem. Each in some way exemplifies aspects of the essays helping to articulate or sharpen the author's insights and point of view - those of a designer, not a historian or critic. They offer an alternative presentation of the topics raised, and a dialogue between writing and image - whether one of contrast, or at times, contrast.
Author: Arthur C. Danto
Publisher: Abrams
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 102
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Book Description
Based on an exhibition created by The Architectural League of New York.
Author:
Publisher: Strandberg
ISBN: 9788793604315
Category : Design
Languages : en
Pages : 336
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Book Description
Presents 110 Danish chairs and charts their success at home and abroad from the mid-20th century until the present day In the mid-20th century design became a cultural phenomenon that placed Denmark on the world map. Danish Design emerged in 1949 as a real brand, when American journalists started to write about Danish furniture in relation to a furniture exhibition by Snedkerlauget in Copenhagen. 'Den runde stol' made by Hans. J. Wegner was given the name 'The Chair'. This was not only the beginning of a great export adventure but also a challenge for the Danish designers, who became world recognized for their obsession with creating the perfect chair. The chair has always been the touchstone of designers and the design historians' favourite object. It touches and reflects the body it carries with arms, legs, seat and back. Besides this point, the chair is one of our most culture-bearing design objects and it tells a story about the period and the society from which it was created. In a very unique way this book shows, not just in words but also with drawings and photos how Danish chairs are built on historical furniture types, which are then refined into the infinite. The message and the explanation for the international success of Danish furniture is this; Danish furniture design is based on foreign culture and the best creations of former times.
