Author: André Dombrowski
Publisher: Rizzoli Publications
ISBN: 084786488X
Category : Art
Languages : en
Pages : 0
Book Description
A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.
Cézanne in the Barnes Foundation
Author: André Dombrowski
Publisher: Rizzoli Publications
ISBN: 084786488X
Category : Art
Languages : en
Pages : 0
Book Description
A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.
Publisher: Rizzoli Publications
ISBN: 084786488X
Category : Art
Languages : en
Pages : 0
Book Description
A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.
Great French Paintings From The Barnes Foundation
Author: Barnes Foundation
Publisher: Knopf
ISBN: 0679762213
Category : Art
Languages : en
Pages : 0
Book Description
The pictures that made history as they traveled around the world on their only exhibition tour: more than a hundred masterpieces of modern French painting from one of the world's fabled repositories of great art—The Barnes Foundation in Merion, Pennsylvania—are here published in trade paperback for the first time. These paintings are the crowning glory of the extraordinary collection assembled in the early twentieth century by Dr. Albert C. Barnes, the bold and original collector who established the Foundation in 1922 as a school for the study of art and philosophy. Now, after six decades of limited access to visitors and a ban on color reproduction, the Barnes Foundation welcomes a wider audience both on its premises and through the publication of this magnificent volume, containing the most eagerly awaited set of reproductions in art-book history. Manet, Renoir, Monet, Cézanne, van Gogh, Gauguin, Seurat, Toulouse-Lautrec, Rousseau, Soutine, La Fresnaye, Modigliani, Picasso, Braque, and Matisse—the list of artists gives only a hint of the splendors this book contains. Here are major landmarks of modern art, including twenty-four Renoirs encompassing the entire span of his career . . . thirty monumental Cézannes, including bather groups, landscapes, still lifes, and portraits . . . Matisse's pivotal Bonheur de vivre, Three Sisters Triptych, and world-famous Dance mural (and eighteen other paintings and oil studies) . . . the finest of van Gogh's six paintings of Joseph-Etienne Roulin . . . Seurat's celebrated Models . . . The Douanier Rousseau's strange, unsettling Unpleasant Surprise . . . the tender portrait of young M. Loulou by Gauguin . . . a spectacular cluster of seven early Picassos. And this is only a sampling of the exhilarating visual banquet offered in these pages. To describe the paintings and relate the achievements of Dr. Barnes as a collector and educator, commentaries and essays have been provided by a dozen notable American and French art historians and curators. Together they provide the historical and aesthetic setting for these glowing jewels of modern art. For everyone to whom the paintings in the Barnes Foundation have been a legend—unattainable—and for every devotee of great art and beautiful books, this volume will be a joy and a treasure. With 320 illustrations, 151 in full color, and 18 pages of gatefolds.
Publisher: Knopf
ISBN: 0679762213
Category : Art
Languages : en
Pages : 0
Book Description
The pictures that made history as they traveled around the world on their only exhibition tour: more than a hundred masterpieces of modern French painting from one of the world's fabled repositories of great art—The Barnes Foundation in Merion, Pennsylvania—are here published in trade paperback for the first time. These paintings are the crowning glory of the extraordinary collection assembled in the early twentieth century by Dr. Albert C. Barnes, the bold and original collector who established the Foundation in 1922 as a school for the study of art and philosophy. Now, after six decades of limited access to visitors and a ban on color reproduction, the Barnes Foundation welcomes a wider audience both on its premises and through the publication of this magnificent volume, containing the most eagerly awaited set of reproductions in art-book history. Manet, Renoir, Monet, Cézanne, van Gogh, Gauguin, Seurat, Toulouse-Lautrec, Rousseau, Soutine, La Fresnaye, Modigliani, Picasso, Braque, and Matisse—the list of artists gives only a hint of the splendors this book contains. Here are major landmarks of modern art, including twenty-four Renoirs encompassing the entire span of his career . . . thirty monumental Cézannes, including bather groups, landscapes, still lifes, and portraits . . . Matisse's pivotal Bonheur de vivre, Three Sisters Triptych, and world-famous Dance mural (and eighteen other paintings and oil studies) . . . the finest of van Gogh's six paintings of Joseph-Etienne Roulin . . . Seurat's celebrated Models . . . The Douanier Rousseau's strange, unsettling Unpleasant Surprise . . . the tender portrait of young M. Loulou by Gauguin . . . a spectacular cluster of seven early Picassos. And this is only a sampling of the exhilarating visual banquet offered in these pages. To describe the paintings and relate the achievements of Dr. Barnes as a collector and educator, commentaries and essays have been provided by a dozen notable American and French art historians and curators. Together they provide the historical and aesthetic setting for these glowing jewels of modern art. For everyone to whom the paintings in the Barnes Foundation have been a legend—unattainable—and for every devotee of great art and beautiful books, this volume will be a joy and a treasure. With 320 illustrations, 151 in full color, and 18 pages of gatefolds.
The Barnes Foundation: Masterworks
Author: Judith F. Dolkart
Publisher: Rizzoli Publications
ISBN: 0847838064
Category : Art
Languages : en
Pages : 377
Book Description
The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world’s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin. The Foundation’s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Old Master paintings by El Greco, Rubens, Titian, and others; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork. The presentation of the collection reflects Barnes’s educational and aesthetic approach: symmetrical “ensembles,” or wall compositions, combine works of different periods, mediums, cultures, and styles for the purpose of comparison and study. Texts by Judith F. Dolkart and Martha Lucy explore the Barnes Foundation’s collection, educational mission, ensembles, and individual works. Large color plates, little-seen archival photographs, and numerous gatefolds illustrate 150 of the greatest hits of the collection and twenty gallery ensembles.
Publisher: Rizzoli Publications
ISBN: 0847838064
Category : Art
Languages : en
Pages : 377
Book Description
The Barnes Foundation, established by scientist, entrepreneur, and educator Dr. Albert C. Barnes in 1922, is home to a legendary art collection. Barnes assembled one of the world’s largest and finest groups of post-impressionist and early modern paintings, with holdings by such luminaries as Renoir, Cézanne, Matisse, Picasso, Rousseau, Modigliani, Soutine, Manet, Monet, Seurat, Degas, Van Gogh, and Gauguin. The Foundation’s collection also holds significant examples of American art, including works by Demuth, Glackens, and the Prendergasts; African sculpture; Native American ceramics, jewelry, and textiles; Asian paintings, prints, and sculptures; medieval manuscripts and sculptures; Old Master paintings by El Greco, Rubens, Titian, and others; ancient Egyptian, Greek, and Roman art; and American and European decorative arts and metalwork. The presentation of the collection reflects Barnes’s educational and aesthetic approach: symmetrical “ensembles,” or wall compositions, combine works of different periods, mediums, cultures, and styles for the purpose of comparison and study. Texts by Judith F. Dolkart and Martha Lucy explore the Barnes Foundation’s collection, educational mission, ensembles, and individual works. Large color plates, little-seen archival photographs, and numerous gatefolds illustrate 150 of the greatest hits of the collection and twenty gallery ensembles.
A Splash of Red: The Life and Art of Horace Pippin
Author: Jen Bryant
Publisher: Knopf Books for Young Readers
ISBN: 0449810143
Category : Juvenile Nonfiction
Languages : en
Pages : 41
Book Description
A Robert F. Sibert Honor Book Winner of the Schneider Family Book Award An ALA-ALSC Notable Children's Book Winner of the NCTE Orbis Pictus Award for Outstanding Nonfiction for Children As a child in the late 1800s, Horace Pippin loved to draw: He loved the feel of the charcoal as it slid across the floor. He loved looking at something in the room and making it come alive again in front of him. He drew pictures for his sisters, his classmates, his co-workers. Even during W.W.I, Horace filled his notebooks with drawings from the trenches . . . until he was shot. Upon his return home, Horace couldn't lift his right arm, and couldn't make any art. Slowly, with lots of practice, he regained use of his arm, until once again, he was able to paint--and paint, and paint! Soon, people—including the famous painter N. C. Wyeth—started noticing Horace's art, and before long, his paintings were displayed in galleries and museums across the country. Jen Bryant and Melissa Sweet team up once again to share this inspiring story of a self-taught painter from humble beginnings who despite many obstacles, was ultimately able to do what he loved, and be recognized for who he was: an artist.
Publisher: Knopf Books for Young Readers
ISBN: 0449810143
Category : Juvenile Nonfiction
Languages : en
Pages : 41
Book Description
A Robert F. Sibert Honor Book Winner of the Schneider Family Book Award An ALA-ALSC Notable Children's Book Winner of the NCTE Orbis Pictus Award for Outstanding Nonfiction for Children As a child in the late 1800s, Horace Pippin loved to draw: He loved the feel of the charcoal as it slid across the floor. He loved looking at something in the room and making it come alive again in front of him. He drew pictures for his sisters, his classmates, his co-workers. Even during W.W.I, Horace filled his notebooks with drawings from the trenches . . . until he was shot. Upon his return home, Horace couldn't lift his right arm, and couldn't make any art. Slowly, with lots of practice, he regained use of his arm, until once again, he was able to paint--and paint, and paint! Soon, people—including the famous painter N. C. Wyeth—started noticing Horace's art, and before long, his paintings were displayed in galleries and museums across the country. Jen Bryant and Melissa Sweet team up once again to share this inspiring story of a self-taught painter from humble beginnings who despite many obstacles, was ultimately able to do what he loved, and be recognized for who he was: an artist.
The World is an Apple
Author: Richard Shiff
Publisher: Giles
ISBN: 9781907804281
Category : Still-life painting, French
Languages : en
Pages : 0
Book Description
A major reappraisal of Paul Cézanne's achievement in, and lasting influence on, the genre of still life.
Publisher: Giles
ISBN: 9781907804281
Category : Still-life painting, French
Languages : en
Pages : 0
Book Description
A major reappraisal of Paul Cézanne's achievement in, and lasting influence on, the genre of still life.
Renoir in the Barnes Foundation
Author: Barnes Foundation
Publisher:
ISBN: 9780300151008
Category : Painting
Languages : en
Pages : 0
Book Description
A spectacular survey of the world's most comprehensive collection of works by the Impressionist master Renoir The Barnes Foundation is home to the world's largest collection of paintings by Pierre-Auguste Renoir (1841-1919). Dr. Albert C. Barnes, a Philadelphia scientist who made his fortune in pharmaceuticals, established the Foundation in 1922 in Merion, Pennsylvania, as an educational institution devoted to the appreciation of the fine arts. A passionate supporter of European modernism, Barnes built a collection that was virtually unrivaled, with massive holdings by Paul Cézanne, Henri Matisse, and Pablo Picasso. But it was Renoir that Barnes admired above all other artists; he thought of him as a god and collected his work tenaciously, amassing 181 works by the painter between 1912 and 1942. All of these Renoirs are included in this lavishly illustrated book. Renoir in the Barnes Foundation tells the fascinating story of Barnes's obsession with the Impressionist master's late works, while offering illuminating new scholarship on the works themselves. Authors Martha Lucy and John House look closely at the key paintings in the collection, placing them in the wider contexts of contemporary artistic, aesthetic, and theoretical debates. The first volume to publish the entirety of Barnes's astonishing Renoir collection, Renoir in the Barnes Foundation is also an engaging study of the artist's critical--and often contested--role in the development of modern art. Published in association with the Barnes Foundation
Publisher:
ISBN: 9780300151008
Category : Painting
Languages : en
Pages : 0
Book Description
A spectacular survey of the world's most comprehensive collection of works by the Impressionist master Renoir The Barnes Foundation is home to the world's largest collection of paintings by Pierre-Auguste Renoir (1841-1919). Dr. Albert C. Barnes, a Philadelphia scientist who made his fortune in pharmaceuticals, established the Foundation in 1922 in Merion, Pennsylvania, as an educational institution devoted to the appreciation of the fine arts. A passionate supporter of European modernism, Barnes built a collection that was virtually unrivaled, with massive holdings by Paul Cézanne, Henri Matisse, and Pablo Picasso. But it was Renoir that Barnes admired above all other artists; he thought of him as a god and collected his work tenaciously, amassing 181 works by the painter between 1912 and 1942. All of these Renoirs are included in this lavishly illustrated book. Renoir in the Barnes Foundation tells the fascinating story of Barnes's obsession with the Impressionist master's late works, while offering illuminating new scholarship on the works themselves. Authors Martha Lucy and John House look closely at the key paintings in the collection, placing them in the wider contexts of contemporary artistic, aesthetic, and theoretical debates. The first volume to publish the entirety of Barnes's astonishing Renoir collection, Renoir in the Barnes Foundation is also an engaging study of the artist's critical--and often contested--role in the development of modern art. Published in association with the Barnes Foundation
Great French Paintings from the Barnes Foundation: Impressionist, Post-impressionist and Early Modern
Author: Richard J. Wattenmaker
Publisher:
ISBN: 9780679756682
Category : Impressionism
Languages : en
Pages : 0
Book Description
The most eagerly awaited set of reproductions in art-book history: more than one hundred masterpieces of modern French painting from one of the world's fabled repositories of great art - the Barnes Foundation in Merion, Pennsylvania - are here published in full color for the first time. These paintings are the crown jewels of the extraordinary collection assembled in the early twentieth century by Dr. Albert C. Barnes, the bold and original collector who established the Foundation in 1922 as a school for the study of art and philosophy. Now, after six decades of limited access to visitors and a ban on color reproduction, the Barnes Foundation welcomes a wider audience through the publication of this magnificent volume. Manet, Renoir, Monet, Cezanne, van Gogh, Gauguin, Seurat, Toulouse-Lautrec, Rousseau, Soutine, La Fresnaye, Modigliani, Picasso, Braque, and Matisse - the list of artists gives only a hint of the splendors this book contains. Here are major landmarks of modern art that many know of but few have seen, including twenty-four Renoirs encompassing the entire span of his career ... thirty monumental Cezannes, including bather groups, landscapes, still lifes, and portraits ... Matisse's pivotal Bonheur de vivre, Three Sisters Triptych, and world-famous Dance mural (and eighteen other paintings and oil studies) ... the finest of van Gogh's six paintings of Joseph-Etienne Roulin ... Seurat's celebrated Models ... the Douanier Rousseau's strange, unsettling Unpleasant Surprise ... the tender portrait of young M. Loulou by Gauguin ... a spectacular cluster of seven early Picassos. And this is only a sampling of the exhilarating visual banquet offered in these pages. Great French Paintings from The Barnes Foundation is the companion volume to an unprecedented exhibition at the National Gallery of Art in Washington, D.C. To describe the paintings and relate the achievements of Dr. Barnes as a collector and an educator, commentaries and essays have been provided by a dozen notable American and French art historians and curators: Francoise Cachin, Anne Distel, and Anne Roquebert of the Musee d'Orsay; Jack Flam, Distinguished Professor of Art History. Brooklyn College and the Graduate Center, City University of New York; Michel Hoog of the Musee de l'Orangerie; Charles S. Moffett of the Phillips Collection; Marla Prather and Jeffrey S. Weiss of the National Gallery of Art; Joseph J. Rishel and Christopher Riopelle of the Philadelphia Museum of Art; Helene Seckel of the Musee Picasso (Paris); and Richard J. Wattenmaker of the Archives of American Art. For everyone to whom the paintings in the Barnes Foundation have been a legend - unattainable - and for every devotee of great art and beautiful books, this volume will be a joy and a treasure.
Publisher:
ISBN: 9780679756682
Category : Impressionism
Languages : en
Pages : 0
Book Description
The most eagerly awaited set of reproductions in art-book history: more than one hundred masterpieces of modern French painting from one of the world's fabled repositories of great art - the Barnes Foundation in Merion, Pennsylvania - are here published in full color for the first time. These paintings are the crown jewels of the extraordinary collection assembled in the early twentieth century by Dr. Albert C. Barnes, the bold and original collector who established the Foundation in 1922 as a school for the study of art and philosophy. Now, after six decades of limited access to visitors and a ban on color reproduction, the Barnes Foundation welcomes a wider audience through the publication of this magnificent volume. Manet, Renoir, Monet, Cezanne, van Gogh, Gauguin, Seurat, Toulouse-Lautrec, Rousseau, Soutine, La Fresnaye, Modigliani, Picasso, Braque, and Matisse - the list of artists gives only a hint of the splendors this book contains. Here are major landmarks of modern art that many know of but few have seen, including twenty-four Renoirs encompassing the entire span of his career ... thirty monumental Cezannes, including bather groups, landscapes, still lifes, and portraits ... Matisse's pivotal Bonheur de vivre, Three Sisters Triptych, and world-famous Dance mural (and eighteen other paintings and oil studies) ... the finest of van Gogh's six paintings of Joseph-Etienne Roulin ... Seurat's celebrated Models ... the Douanier Rousseau's strange, unsettling Unpleasant Surprise ... the tender portrait of young M. Loulou by Gauguin ... a spectacular cluster of seven early Picassos. And this is only a sampling of the exhilarating visual banquet offered in these pages. Great French Paintings from The Barnes Foundation is the companion volume to an unprecedented exhibition at the National Gallery of Art in Washington, D.C. To describe the paintings and relate the achievements of Dr. Barnes as a collector and an educator, commentaries and essays have been provided by a dozen notable American and French art historians and curators: Francoise Cachin, Anne Distel, and Anne Roquebert of the Musee d'Orsay; Jack Flam, Distinguished Professor of Art History. Brooklyn College and the Graduate Center, City University of New York; Michel Hoog of the Musee de l'Orangerie; Charles S. Moffett of the Phillips Collection; Marla Prather and Jeffrey S. Weiss of the National Gallery of Art; Joseph J. Rishel and Christopher Riopelle of the Philadelphia Museum of Art; Helene Seckel of the Musee Picasso (Paris); and Richard J. Wattenmaker of the Archives of American Art. For everyone to whom the paintings in the Barnes Foundation have been a legend - unattainable - and for every devotee of great art and beautiful books, this volume will be a joy and a treasure.
Foreign Currency Volatility and the Market for French Modernist Art
Author: David Challis
Publisher: BRILL
ISBN: 9004468714
Category : Art
Languages : en
Pages : 274
Book Description
Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War activated powerful ‘push’ and ‘pull’ economic forces that compelled French art collectors to monetise their collections while simultaneously elevating the purchasing power of international art collectors. These factors are shown to have played a significant, and previously under-recognised role, in the large-scale translocation of French modernist art that radically accelerated its commercial and critical reception across the globe and positioned it at the apex of the newly established hierarchy of modern art.
Publisher: BRILL
ISBN: 9004468714
Category : Art
Languages : en
Pages : 274
Book Description
Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War activated powerful ‘push’ and ‘pull’ economic forces that compelled French art collectors to monetise their collections while simultaneously elevating the purchasing power of international art collectors. These factors are shown to have played a significant, and previously under-recognised role, in the large-scale translocation of French modernist art that radically accelerated its commercial and critical reception across the globe and positioned it at the apex of the newly established hierarchy of modern art.
The Art of Cezanne (Classic Reprint)
Author: Albert C. Barnes
Publisher: Forgotten Books
ISBN: 9781397177063
Category :
Languages : en
Pages : 480
Book Description
Excerpt from The Art of Cezanne The problem of the observer is to recognize this individuality and to share the values communicated in and through it. He must be able to identify plastic form when he encounters it in a picture, that is, to distinguish between an organic union of insights won by personal experience, and plastic clichés assembled according to a stereotyped formula. He must, in brief, learn to see, and the process is long and arduous, involving as it does constant practice in the sharpening of perceptions of color, of the play of light and shadow, of the sequence and rhythm of line and mass, of the inter relationships between these factors that endow each of them with meaning. It requires a knowledge of the traditions of painting and of the technical means by which the artist works. Competently applied, the process yields results inaccessible to casual or un trained observation, and when guided by scientific method it de velops an objective criterion or standard of judgment of the same order of certitude as the findings of pure science. Our efforts to apply the scientific method to a study of Cé zaune's work has required a detailed examination of his technique and form, as they emerged throughout the course of his develop ment. The investigation began twenty-five years ago, and by 1925 had reached a stage that seemed to warrant publication of a sec tion, entitled The Development of Cézanne's Technique, in the first edition of our book The Art in Painting. 1 This chapter was omitted from subsequent editions because continued study of a steadily increasing number of Cézanne's pictures showed the data upon which it was based to have been inadequate. Our study, as presented herewith, amplifies the earlier investigation by including the significant findings of detailed analyses of practically all of Cézanne's important paintings, from the beginning to the end of his career. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781397177063
Category :
Languages : en
Pages : 480
Book Description
Excerpt from The Art of Cezanne The problem of the observer is to recognize this individuality and to share the values communicated in and through it. He must be able to identify plastic form when he encounters it in a picture, that is, to distinguish between an organic union of insights won by personal experience, and plastic clichés assembled according to a stereotyped formula. He must, in brief, learn to see, and the process is long and arduous, involving as it does constant practice in the sharpening of perceptions of color, of the play of light and shadow, of the sequence and rhythm of line and mass, of the inter relationships between these factors that endow each of them with meaning. It requires a knowledge of the traditions of painting and of the technical means by which the artist works. Competently applied, the process yields results inaccessible to casual or un trained observation, and when guided by scientific method it de velops an objective criterion or standard of judgment of the same order of certitude as the findings of pure science. Our efforts to apply the scientific method to a study of Cé zaune's work has required a detailed examination of his technique and form, as they emerged throughout the course of his develop ment. The investigation began twenty-five years ago, and by 1925 had reached a stage that seemed to warrant publication of a sec tion, entitled The Development of Cézanne's Technique, in the first edition of our book The Art in Painting. 1 This chapter was omitted from subsequent editions because continued study of a steadily increasing number of Cézanne's pictures showed the data upon which it was based to have been inadequate. Our study, as presented herewith, amplifies the earlier investigation by including the significant findings of detailed analyses of practically all of Cézanne's important paintings, from the beginning to the end of his career. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Matisse Picasso
Author: Elizabeth Cowling
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
This work accompanies an exhibition organised, in partnership, by Tate Modern, the Galeries Nationales du Grand Palais, and the Museum of Modern Art. It examines the crucial relationship between Matisse and Picasso.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
This work accompanies an exhibition organised, in partnership, by Tate Modern, the Galeries Nationales du Grand Palais, and the Museum of Modern Art. It examines the crucial relationship between Matisse and Picasso.