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Author: Jodi Hauptman
Publisher:
ISBN: 9781633451261
Category : Art
Languages : en
Pages : 184
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Book Description
Cézanne at his most modern: a major career-spanning appraisal of his extraordinarily experimental drawings Although he is most often celebrated as a painter, Paul Cézanne's extraordinary vision was fueled by his experiments on paper. In pencil and watercolor, on individual sheets and across the pages of sketchbooks, the artist described form through multiple probing lines; realized compositions through repetitions and transformations; and conjured kaleidoscopic color through layering of watercolor. It is in these material realities of drawing where we see Cézanne at his most modern: embracing the unfinished, making process visible and actively inviting the viewer to participate in the act of perception. Published to accompany a major exhibition at the Museum of Modern Art, this is the most significant effort to date to unite drawings from across Cézanne's entire career, tracing the development of his practice on paper, exploring working methods that transcend subject, and devoting both curatorial and conservation-based research to these remarkable works.
Author: Jodi Hauptman
Publisher:
ISBN: 9781633451261
Category : Art
Languages : en
Pages : 184
Get Book
Book Description
Cézanne at his most modern: a major career-spanning appraisal of his extraordinarily experimental drawings Although he is most often celebrated as a painter, Paul Cézanne's extraordinary vision was fueled by his experiments on paper. In pencil and watercolor, on individual sheets and across the pages of sketchbooks, the artist described form through multiple probing lines; realized compositions through repetitions and transformations; and conjured kaleidoscopic color through layering of watercolor. It is in these material realities of drawing where we see Cézanne at his most modern: embracing the unfinished, making process visible and actively inviting the viewer to participate in the act of perception. Published to accompany a major exhibition at the Museum of Modern Art, this is the most significant effort to date to unite drawings from across Cézanne's entire career, tracing the development of his practice on paper, exploring working methods that transcend subject, and devoting both curatorial and conservation-based research to these remarkable works.
Author: Christopher Lloyd
Publisher: Thames & Hudson
ISBN: 9780500093870
Category : Artists
Languages : en
Pages : 0
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Book Description
Drawing was central to Cézanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of Cézanne's oeuvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes. In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of Cézanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.
Author: Matthew Thomas Simms
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Cézanne's watercolors exhibit not only kaleidoscopic arrays of translucent color but also very light graphite pencil lines that contrast strikingly with the soft watery touches of color. These drawn lines have been largely overlooked in previous studies of Cézanne's watercolors. In this ravishing book, Matthew Simms argues that it was the dialogue between drawing and painting--the movement between the pencil and the paintbrush--that attracted Cézanne to watercolor. Watercolor allowed Cézanne to express what he termed his "sensations" in two distinct modes that become a record of his shifting and spontaneous responses to his subject. Combining close visual analysis and examination of historical context, Simms focuses on the counterpoint of drawing and color in Cézanne's watercolors over the course of his career and as viewed in relation to his oil paintings. More than a tool for sketching or preparing for oil paintings, Simms contends, watercolor was a unique means of expression in its own right that allowed Cézanne to combine in one place the two otherwise opposed mediums of drawing and painting.
Author: Paul Cézanne
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
Author: Lawrence Gowing
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 166
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Book Description
Published on the occassion of the exhibition "Paul Cezanne: The Basel sketchbooks", March - June 1988.
Author: Pierre Rosenberg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 340
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Book Description
Presents 100 color plates and 180 comparative illustrations, with bibliography, index, and biographies of the 66 artists represented in the exhibition. Explores three centuries (1615-1900) of French drawing beginning with the late mannerist style and continuing through the triumph of Impressionism. The collection was assembled by Louis-Antoine and Ve?ronique Prat of Paris. Works by Poussin, Lorrain, Watteau, Boucher, Fragonard, David, Ingres, Daumier, Manet, Degas, Ce?zanne, and Seurat are presented. This work also includes a selection of French school drawing -- landscapes, portraits, as well as mythological, literary, and biblical subjects -- executed in a variety of media, including red and black chalk, graphite, and pen and ink. Eighteenth-century sketches, known as "pense?es" or ?first thoughts? are featured along with celebrated drawings, such as Nicolas Poussin s masterpiece of the 1640s, The Abduction of Proserpine by Pluto, and Magdalene in the Desert by Claude Lorrain.
Author: Tavis Leaf Glover
Publisher: Tavis Leaf Glover
ISBN: 1733761225
Category : Art
Languages : en
Pages : 506
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Book Description
Serious visual artists can now easily understand and apply the secret geometry that masters used to create remarkable art. Superior mathematical skills aren’t required because there are hundreds of excellent step-by-step diagrams to explain everything with simplicity. Learn how the ancient and modern masters used dynamic symmetry to promote unity, movement, rhythm, and strength. These qualities, along with many others, allowed their art to have visual clarity, impact, and stand the test of time. This is an essential book for painters, photographers, sculptors, and cinematographers that hold composition and design with a high priority. For far too long, artists have been stuck with the basic tools of artistic composition, like the rule of thirds and leading lines. Unfortunately, we’re incapable of reaching the master level if all we know are the basics. Powerful tools like dynamic symmetry and other composition techniques have been kept a secret from all of us. It’s time to learn of them, push past any plateau that stands in our way, and finally unlock our true potential!
Author: Erle Loran
Publisher: Univ of California Press
ISBN: 9780520248458
Category : Art
Languages : en
Pages : 174
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Book Description
Praise for the first edition: "I have learned a great deal from his book about modern painting in general. [Loran] devotes his attention mainly to Cezanne's concrete means and methods, and he arrives thereby at an understanding of Cezanne's art more essential than any other I have seen in print."--Clement Greenberg, Nation
Author: Alex Danchev
Publisher: Pantheon
ISBN: 0307377075
Category : Art
Languages : en
Pages : 554
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Book Description
A major biography--the first comprehensive new assessment to be published in decades--of the brilliant work and restless life of Paul Cezanne, the most influential painter of his time, whose vision revolutionized the role of the painter.
Author: Richard Shiff
Publisher: University of Chicago Press
ISBN: 022623777X
Category : Art
Languages : en
Pages : 337
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Book Description
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
