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Author: Geza Fehervari
Publisher: I.B. Tauris
ISBN: 9781860644306
Category : Art
Languages : en
Pages : 400
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Book Description
In discussing the alluring tile work of the Islamic artistic tradition, particularly the faience mosaics found in Iran and Central Asia during the fourteenth century, the author also discusses buildings which were decorated by this technique." "Ceramics of the Islamic World draws largely on the rich collection of the Tareq Rajab Museum, with its great strength in early Islamic pottery."--BOOK JACKET.
Author: Geza Fehervari
Publisher: I.B. Tauris
ISBN: 9781860644306
Category : Art
Languages : en
Pages : 400
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Book Description
In discussing the alluring tile work of the Islamic artistic tradition, particularly the faience mosaics found in Iran and Central Asia during the fourteenth century, the author also discusses buildings which were decorated by this technique." "Ceramics of the Islamic World draws largely on the rich collection of the Tareq Rajab Museum, with its great strength in early Islamic pottery."--BOOK JACKET.
Author: Oliver Watson
Publisher:
ISBN: 9780500976340
Category : Religion
Languages : en
Pages : 512
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Book Description
In this richly illustrated volume, Oliver Watson presents a comprehensive history of ceramics from Islamic lands. Clear and informative essays examine the art, archaeology and collecting of Islamic pottery, ceramic families and technical traditions, and Islamic pottery over five centuries. This is an important book that provides a whole new framework for the understanding and study of Islamic ceramics, and will be of great interest to the general reader as well as being an invaluable reference work for the student and specialist.
Author: Oliver Watson
Publisher: Yale University Press
ISBN: 0300254288
Category : Art
Languages : en
Pages : 529
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Book Description
A beautifully illustrated showcase of the rich and varied ceramic tradition of Iran Featuring a broad selection of objects from one of the most distinguished collections of Iranian art, this volume brings together over 1,000 years of Persian Islamic pottery. With more than 500 illustrations, authoritative technical treatises, and insightful commentary, Ceramics of Iran assembles a collection of rarely seen treasures from the Persian world and presents a collective history of its renowned ceramic tradition. Included among its comprehensive catalogue entries are numerous translations of the object’s inscriptions, providing readers with a richer and more detailed understanding of the cultural heritage from which these items are derived. In addition, the book contains new research and material from previously unknown sites. Featuring all new photography of nearly 250 objects, Ceramics of Iran brings the extraordinary contributions of Persian art into a wider historical context, along with a wealth of images to demonstrate the full scope of its intricate beauty.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Oya Pancaroğlu
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 166
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Book Description
Catalog of the exhibition held at the Art Institute of Chicago, Mar. 31-Oct. 28, 2007.
Author: Catherine Hess
Publisher: Getty Publications
ISBN: 089236758X
Category : Art, Islamic
Languages : en
Pages : 186
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Book Description
Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance. Published to coincide with an exhibition at the Getty Museum on view from May 4 to August 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques - enamel and gilding on glass and tin-glaze and lustre on ceramics - produced brilliant and colourful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essays by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time.
Author: Alison Ohta
Publisher:
ISBN: 9781909942905
Category : Art
Languages : en
Pages : 281
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Book Description
The essays in this volume bring to light the artistic exchanges that occurred between successive Islamicdynasties and those further afield in China, Armenia, India and Europe from the 12th to the 19th centuries. All the articles present original research, many of them taking advantage of innovative scientific means allowing us to look at already familiar objects in a new light. Subjects include tile production during the reign of Qaytbay, book bindings associated with Qansuh al-Ghuri, depictions of fish on Mamluk textiles, the relationship between Mamluk metalwork and Rasulid Yemen and Italy respectively. A number of the articles are concerned with epigraphic inscriptions found on the buildings of the Fatimid, Mamluk and Ottoman periods, examining the inscriptions on the Mausoleum of Yahya al-Shibihi in Cairo, others trace the revival of building inscriptions in 19th century Egypt, and how a Mamluk inscription from the Madrasa Qartawiya in Tripoli is replicated in Istanbul during the Ottomanperiod. The relationship between ceilings of the Cappella Palatina in Palermo and the MoukhroutasPalace in Constantinople is also explored, as is the unacknowledged debt that European lacquer worksowes to Persian craftsmen. Other topics covered include the architecture of the Nusretiye Mosque in Istanbul, the role played by Armenian architects in the reshaping of Ottoman cities in the 19th century, the role of the hammam in Ottoman culture and representations of beauty on Iznik pottery. Arictles on Port St. Symeon ceramics, the Armenian patrons of Chinese export wares of the 18th century, the history of the art of khatam khari in Iran, the artistic, architectural and literary influences in India between the 15th and 17th centuries, the influence of Timurid architecture in 15th century Bidar and the influence of a 16th century Hindavi Sufi Romance are also included. "
Author: Institut du Monde Arabe (Paris)
Publisher: Yale University Press
ISBN: 0300124309
Category : History
Languages : en
Pages : 388
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Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Author: Arthur Lane
Publisher:
ISBN:
Category : Islamic pottery
Languages : en
Pages : 52
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588391841
Category : Excavations (Archaeology)
Languages : en
Pages : 265
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Book Description
"What follows in these pages is the chronicle of ceramic objects unearthed in Raqqa in the first quarter of the twentieth century. Marilyn Jenkins-Madina, Curator Emerita of Islamic Art at the Metropolitan Museum, describes the dramatic journey of these ceramics from their discovery in the medieval city to the emporiums of Paris and New York, the drawing rooms of the great collectors, and the galleries of the Metropolitan Museum. Using art-historical detective work, archival documents, and scientific data, the author convincingly establishes provenance and dating, placing these objects - some of the most exquisite ever produced by Islamic potters - in a secure historical context for the first time."--BOOK JACKET.
