Ceramic Millennium PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Ceramic Millennium PDF full book. Access full book title Ceramic Millennium by Nova Scotia College of Art and Design. Press. Download full books in PDF and EPUB format.
Author: Nova Scotia College of Art and Design. Press
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design
ISBN:
Category : Art
Languages : en
Pages : 438
Get Book Here
Book Description
Articles by various authors arranged in 7 sections, with List of awardees and biographies.
Author: Nova Scotia College of Art and Design. Press
Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design
ISBN:
Category : Art
Languages : en
Pages : 438
Get Book Here
Book Description
Articles by various authors arranged in 7 sections, with List of awardees and biographies.
Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239722
Category : Art
Languages : en
Pages : 514
Get Book Here
Book Description
"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Author: Laura Breen
Publisher: Bloomsbury Publishing
ISBN: 1350047856
Category : Design
Languages : en
Pages : 257
Get Book Here
Book Description
Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.
Author:
Publisher:
ISBN:
Category : Ceramic sculpture
Languages : en
Pages : 282
Get Book Here
Book Description
Author: Sandra Mariet Beckerman
Publisher:
ISBN: 9789088903281
Category : History
Languages : en
Pages : 302
Get Book Here
Book Description
The Corded Ware Culture (c. 2900-2300 BC) is found in a large area, from Russia to the Netherlands and from Scandinavia to Switzerland. Supra-regional elements include beakers decorated with cord and/or spatula imprints, battle-axes, and a funerary customs involving crouched inhumations under barrows with gender-specific placement of the body gender-specific funerary gifts. Analysis of ceramics from well-preserved settlements from the Dutch coastal zone have provided very valuable new information on the Corded Ware chronology, social organization, ideology, subsistence, and use of material culture. A critical review of the commonly applied chronological models shows that many of the underlying premises cannot be supported due to problems with (broad calibration and sample reliability of) 14C dates. This study shows that in the Neolithic Dutch coastal zone, the thin-walled ceramics reflect supra-regional (Corded Ware ) affiliations, whereas the medium-thick-walled and thick-walled ceramics reflect persistent regional (Vlaardingen) traditions. The beakers decorated with cord and spatula impressions were used primarily for cooking; indications for the often proposed use of alcohol (and associated rise of individualization and elites) were not found. It is argued in this study that the Corded Ware Culture represents an economic alliance, a dynamic totality as well as a network linking regional groups - each with a distinct economic base, material culture and ideology. These communities all participated in a vast supra-regional network that was a platform for inter-community exchanges of goods, skills, ideas and possibly people. Affiliation to this supra-regional network was a vital aspect for all regional groups involved, and membership to it was expressed by using a set of common traits. Decorated thin-walled beakers act as symbols of these supra-regional networks and thus embody both functional and ideological roles.
Author:
Publisher:
ISBN:
Category : Ceramics
Languages : en
Pages : 88
Get Book Here
Book Description
Author: Graham Philip
Publisher: A&C Black
ISBN: 9781841271354
Category : Social Science
Languages : en
Pages : 448
Get Book Here
Book Description
This book sets out the primary issues and current debates in the use of ceramics to reconstruct and explain cultural economic and social processes in the Early Bronze age. By bringing together research on pottery from various parts of the southern Levant, it allows direct comparison of contemporary material from different regions. Alongside these empirical studies are discussions of general ceramic issues, so that the book highlights the potential of pottery as an investigative tool, and indicates fruitful directions for future research within the traditionally conservative field of Levantine archaeology.
Author: Carla M. Sinopoli
Publisher: Springer Science & Business Media
ISBN: 1475792743
Category : Social Science
Languages : en
Pages : 245
Get Book Here
Book Description
More than any other category of evidence, ceramics ofters archaeologists their most abundant and potentially enlightening source of information on the past. Being made primarily of day, a relatively inexpensive material that is available in every region, ceramics became essential in virtually every society in the world during the past ten thousand years. The straightfor ward technology of preparing, forming, and firing day into hard, durable shapes has meant that societies at various levels of complexity have come to rely on it for a wide variety of tasks. Ceramic vessels quickly became essential for many household and productive tasks. Food preparation, cooking, and storage-the very basis of settled village life-could not exist as we know them without the use of ceramic vessels. Often these vessels broke into pieces, but the virtually indestructible quality of the ceramic material itself meant that these pieces would be preserved for centuries, waiting to be recovered by modem archaeologists. The ability to create ceramic material with diverse physical properties, to form vessels into so many different shapes, and to decorate them in limitless manners, led to their use in far more than utilitarian contexts. Some vessels were especially made to be used in trade, manufacturing activities, or rituals, while ceramic material was also used to make other items such as figurines, models, and architectural ornaments.
Author: J.A.W. Nicolay
Publisher: Barkhuis
ISBN: 9493194493
Category : Social Science
Languages : en
Pages : 188
Get Book Here
Book Description
From a modern-day perspective, it may seem odd that people should have chosen to dwell in the open salt-marsh landscape along the Wadden Sea coast. While the beauty of the salt marshes is widely acknowledged, the idea of living there seems to suggest struggle and misery. Yet the salt-marsh settlers, dwelling on their settlement mounds or terps, did not just ‘survive' or ‘get by', but actually managed to live a good life, by embracing this marshy world and its peculiarities. This collection of papers focuses on foraging, farming and food preparation in the context of the salt-marsh environment. The various contributions celebrate the career and work of Annet Nieuwhof, who has been an inspirational colleague and great friend to many of us. She passionately embraced terp research, always actively stimulating cooperation across disciplines as well as national borders. Reflecting some of Annet's wide-ranging interests, the present volume is dedicated to her in friendship and gratitude.
Author: Bertille Lyonnet
Publisher: Routledge
ISBN: 1351757822
Category : History
Languages : en
Pages : 997
Get Book Here
Book Description
This collection of essays presents a synthesis of current research on the Oxus Civilization, which rose and developed at the turn of the 3rd to 2nd millennia BC in Central Asia. First discovered in the 1970s, the Oxus Civilization, or the Bactria–Margiana Archaeological Complex (BMAC), has engendered many different interpretations, which are explored in this volume by an international group of archaeologists and researchers. Contributors cover all aspects of this fascinating Bronze Age culture: architecture; material culture; grave goods; religion; migrations; and trade and interactions with neighboring civilizations, from Mesopotamia to the Indus, and the Gulf to the northern steppes. Chapters also examine the Oxus Civilization’s roots in previous local cultures, explore its environmental and chronological context, or the possibly coveted metal sources, and look into the reasons for its decline. The World of the Oxus Civilization offers a broad and fascinating examination of this society, and provides an invaluable updated resource for anyone working on the culture, history, and archaeology of this region and on the multiple interactions at work at that time in the ancient Near East.
